For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Desson Thomson
This movie is about the worst thing Chan has done in the United States.- Washington Post
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Reviewed by
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Reviewed by
Stephen Hunter
Put another movie on the barbie, mate; maybe it'll be better.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
About as funny as digging your own grave in an unmarked part of New Jersey.- Washington Post
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Reviewed by
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Reviewed by
Mark Jenkins
A film that was made in China but has the soul of a '50s Hollywood melodrama.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Desson Thomson
Dramatically and conceptually, the movie sits there, flat, naked and trying too hard with too little.- Washington Post
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Reviewed by
Ann Hornaday
There is something disturbing about yet another iteration of what's become one of the movies' creepiest conventions, in which the developmentally disabled are portrayed with almost supernatural powers to humble, teach and ultimately redeem their mentally "superior" (read: morally inferior) friends, family and acquaintances.- Washington Post
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Reviewed by
Michael O'Sullivan
One overly busy (not to mention shopworn) story, which regurgitates everything from H.G. Wells's "The Island of Dr. Moreau" to the herky-jerky monsters of Ray Harryhausen to James Bond to "The Mummy."- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
Really two movies in one, and there's not enough breathing room for both of them.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Michael O'Sullivan
Although filled with fey, flamboyant characters, the stereotype of the gay hairdresser seems to have been meticulously expunged.- Washington Post
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Reviewed by
Stephen Hunter
The movie itself may be a species of Montezuma's revenge.- Washington Post
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Reviewed by
Ann Hornaday
Attal, who resembles a young Robert De Niro, seems as addled as a director as his character is as a husband, throwing all manner of distractions onto the screen in order to divert the audience.- Washington Post
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- Washington Post
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Reviewed by
Teresa Wiltz
A 90-minute confessathon minus the bleeped-out cuss words and pixelated breasts.- Washington Post
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Reviewed by
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Reviewed by
Michael O'Sullivan
Unfortunately, the experience of actually watching the movie is less compelling than the circumstances of its making.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Ann Hornaday
It's just a gimmick, right down to its Washington release date.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Rita Kempley
The result is a script so needlessly complicated that it defies comprehension.- Washington Post
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Reviewed by
Stephen Hunter
Between bad hair and tonal irregularity, the movie doesn't give you much to like.- Washington Post
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Reviewed by
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Reviewed by
Stephen Hunter
It's zany. Actually, it's so zany it's almost creepy.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Desson Thomson
Even by its own please-the-mob standards, this movie is lacking.- Washington Post
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Reviewed by
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- Critic Score
Anyone who's ever sat through a Neil LaBute film knows you can make a movie in which all the characters are unsympathetic, but this trio is uninteresting, to boot.- Washington Post
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Reviewed by
Desson Thomson
There's a little too much over-the-top drama, as well as superfluous detail, in this Icelandic film.- Washington Post
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Reviewed by