Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. By turns disarmingly amusing and dramatically blunt.
  2. With less than five minutes of screen time but with more humor and sassy attitude than the remaining cast combined, Missy Elliott separates hip-hop royalty from riff raff in the otherwise lackluster Honey.
  3. As rich in period and historical background as it is deficient in fresh dramatic and thematic ideas.
  4. Timely and thought-provoking, if a bit rambling.
  5. The pluses outweigh the minuses: Pic is thought-provoking, visuals are spot-on, and the heavy-duty cast pulls the film round even in its wobblier moments.
  6. An engrossingly detailed if perhaps inevitably enigmatic portrait of the elusive, outrageous provocateur.
  7. One leaves My Flesh and Blood with admiration for the lenser's craftsmanship, and for her ability to remain an unobtrusive observer during moments of extreme emotional turmoil.
  8. Fascinating assemblage combines strike footage first shot in 1979 by Perry when he was working for the Texas Farm Workers Union with film and video lensed over the ensuing 20-plus years.
  9. Another slam-dunk from vet producer Yash Johar.
  10. Lacks the consistent tone, pace and point of view for either a science fiction thriller or medieval war adventure.
  11. Wayne Kramer's sexy and often humorous feature directorial debut surrounds its sweet center with the energy, flash and risk of the gambling capital. Sterling performances by William H. Macy and Maria Bello as the long-shot lovers and Alec Baldwin as a temperamental casino operator.
  12. Mansion's drab comic strokes and narrative render the movie almost superfluous.
  13. Almost completely dialogue-free but graced with terrific sound design and a swell score.
  14. Warm and borderline sentimental...also brimming with true and privileged moments, as well as an optimism in the face of tough circumstances that serves as a corrective to some of the more fashionably grim modern accounts of similar stories.
  15. First-rate talent and a uniquely dyspeptic mood separate this effort from more routine, populist stabs at tasteless yukkage.
  16. Not exactly a police corruption thriller, the film is more a study of innocence betrayed, though its insights into Argentine law enforcement are pretty scary.
  17. The ability not to see the obvious in both a literal and a metaphoric sense imbues the indie feature Blindness with dramatic potency.
  18. Despite its crude, willfully naive style, this comedy of transgression, judgment and revenge becomes steadily more appealing as it progresses.
  19. Hobbled by uninspired stabs at cleverness and surreal narrative curlicues, The Big Empty goes nowhere, replete with a question mark of an ending that isn't worth answering.
  20. High on charm but extremely low on content, Blue Gate Crossing is a half-hour short stretched to feature length.
  21. Ambitiously structured in non-chronological fragments that form a fascinating puzzle, this raw drama about grief, guilt and redemption becomes ultimately overextended and overwrought in its final stretch.
  22. Hampered by thinly developed characters and pedestrian plotting.
  23. A full-bodied, funny and gloriously unpretentious ode to family, friendship and the meaning of life, The Barbarian Invasions is solidly entertaining, sharply written and genuinely touching.
  24. Attractively designed, energetically performed and, above all, blessedly concise, this adaptation of one of the most popular American kids' books of all time walks the safe side of surrealism with its fur-flying shenanigans. The younger the viewers, the better reactions are bound to be.
  25. An earnest drama that's never quite as raw or moving as it means to be.
  26. Dismally unfunny cross-cultural farce posits stupidity as the universal language.
  27. Ron Howard has never before made a picture this raw and alive. At the same time, this tale of the desperate pursuit of the kidnappers of young women makes for a fundamentally grim and unpleasant experience.
  28. Attempts to meld reality and artifice but to uninspiring results.
  29. Provides scant entertainment value, intentional or otherwise.
    • 57 Metascore
    • 60 Critic Score
    A hybrid musical romantic fantasy, lavishing giddy heights of visual imagination and technical brilliance onto a wafer-thin story of true love turned sour, then sweet. (review of original release)

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