Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. Combined with hilarious physical business and perfectly overearnest delivery of pseudocool lines like, "Let your fingers do the rocking!," he (Black) pretty much single-handedly keeps the formulaic progress funny.
  2. A slackly paced but modestly diverting trifle, with cameos by recording artists Beck, Beth Orton and Hank Williams III to elevate the hipper-than-thou quotient.
  3. Unable to blend artfilm with psychological thriller, writer-director Hamlet Sarkissian makes something opaque indeed out of Camera Obscura.
  4. Depressingly parochial.
  5. With a glowing performance by Sarah Polley as the doomed woman, this Spanish-Canadian co-prod, filmed in English, is surprisingly adept at avoiding the worst cliches and most manipulative elements inherent in such a story.
  6. Emerges as an engaging, upbeat saga of an all-girl band on its way to nowhere in particular. Helmed by ace music supervisor Alex Steyermark and written by punk rocker Cheri Lovedog, pic feels authentic from first frame to last.
  7. Somewhere along the line, the comedy turned from dark and playful to mean-spirited and sophomoric. A waste of the considerable appeal and comic talents of leads Ben Stiller and Drew Barrymore.
    • 59 Metascore
    • 70 Critic Score
    Cements the Rock's status as a contempo action hero with a bigscreen future.
  8. Lane transforms this seriocomic saga of a devastated American divorcee who impulsively purchases a Tuscan villa, thereby changing her life, into a spellbinding display of emotional transparency.
  9. Mismatched marriage of offbeat character study and unimaginative horror riffs. Most compelling element by far is Bruce Campbell's inspired performance as a nursing home patient who insists he is the real Elvis Presley.
  10. Proceeds like a stultifying history pageant rather than a movie with a pulse of its own.
  11. It's a very small pic but engagingly played by a fine cast.
  12. Sure to turn off general viewers due to its emotional inaccessibility, multitude of narrative problems and preoccupation with a torture Web site.
  13. The film is, at times, emotionally riveting -- yet also has an institutional feeling, largely because it attempts to cover too much ground in too little time.
  14. A woefully predictable imperiled-yuppie-family-under-siege suspenser that hardly seems worth the attention of its relatively high-profile participants.
  15. The broad comedy is somewhat strained and obvious, and the hyper-real atmosphere encourages the cast to slice the prosciutto a little thickly. But the film's sweet-natured ingenuousness proves reasonably contagious.
  16. Makes engrossing viewing for much of the way...but stumbles dramatically in its final leg.
  17. The younger casting brings a freshness to the material and, with Allen as the weird mentor, there are plenty of laughs, even if the pacing's slow and the running time over-extended.
  18. Writer-director Craig Ross Jr. offers both rigorously effective dramatic sections and terribly pedantic and melodramatic strokes of overkill.
  19. An entirely schematic treatise on maternity and conflicting cultures. A subject perhaps far more suited to documentary treatment, this numbingly earnest effort will be a laborious delivery for IFC.
  20. Any negative stereotypes viewers might harbor about education in rural communities are sent packing by this magnificently lensed and cumulatively touching account from documaker Nicolas Philibert.
  21. May score higher with parents than the kids they bring in tow. Writer-director Tim McCanlies' ("Dancer, Texas Pop. 81") feel-good celebration of youth and old age enriching each other is carefully leavened with humor.
  22. Paper-thin plot serves as a pretext for rousing gospel numbers in The Fighting Temptations, which straddles styles and eras to get everybody's toes tapping.
  23. Takes itself so seriously that it never has fun with its shopworn genre elements.
    • 34 Metascore
    • 30 Critic Score
    Fails to generate much excitement, due to the blandness of the characters and some murky storytelling.
  24. Contains some brilliant invention between duller stretches.
  25. At this stage, Pritikin shows considerably more aptitude for writing than for directing, and the exuberant eruptions of humor lead one to suspect he should try for outright comedy next time and forget the sentiment.
  26. An ensemble seriocomedy that's initially loose to a fault, but gradually wins one over with its shaggy charm -- and by the close has grown more ambitious, and poignant, than initial reels lead you to expect.
  27. Slickly packaged, unashamedly exploitative popcorn movie.
  28. Odd mixture of ultra-sleek visuals, psychological probing, "Paper Moon"-like father-daughter swindling, self-improvement efforts and abrupt tough-guy stuff keeps the picture percolating, even if it seems too artificial to genuinely convince on an emotional or dramatic level.

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