Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. Dramatically powerful, surprising in its strong narrative differences from previous cinematic tellings of "the greatest story" and bold in the extent to which it presents Jesus as a confrontational and threatening figure in the Judean context of the time.
  2. Lazin has without question skillfully assembled an entertaining, strongly narrative nonfiction package.
  3. A not-inventive-enough romp that belches out gags at a rapid-fire clip but connects so sporadically as to leave the audience enervated but only sparingly entertained.
    • 87 Metascore
    • 70 Critic Score
    Federico Fellini, long a scripter, in his second feature film satirizes the 'wastrels', the do-nothing sons of middle-class Italian provincials whose life ranges from schoolroom to poolroom.
  4. Rare proof that a gigantic production in contemporary Hollywood can possess a distinctive personality and its own approach to storytelling, Master and Commander: The Far Side of the World proves as bracing as a stiff wind on the open sea.
  5. A low-budget musical so steeped in nostalgia that accusing it of being too old-fashioned is like accusing "Gone With the Wind" of being too Southern, (Standard Time-as this film was once titled) wears its heart, intentions and limitations on its sleeve.
  6. A true original…Beautifully shot, full of droll humor and at 77 minutes never overstaying its welcome.
  7. Pic's air of connoisseurist homage overwhelms a haphazard screenplay and characters who are hard to warm up to.
  8. Like characters out of some Carnival hell, a macho butcher and his born-again wife, a forlorn barmaid, a sinister sadist and the gay manager of a flophouse called the Hotel Texas run in and out of each other's lives in a film as sloppy, sluttish, scruffy and vital as they are.
  9. This fascinating portrait of an eccentric visionary and his chaotic triple family life is an accomplished, enormously satisfying non-fiction work.
  10. Extending skit comedy into full-length form is a tricky and, despite lots of snappy acerbic wordplay and inspired zany moments, pic works only intermittently.
  11. Delves far more deeply into grisly physical manifestation than psychological motivation, making it seem something of an actorish vanity piece. But the drama is directed with arresting spareness and control.
  12. Torpid, academic vanity project for helmer-thesp Rodolphe Marconi.
  13. Narrower focus may lend this less crossover appeal than "Step Into Liquid," which was practically a recruitment poster for the surfing lifestyle. But such a tight focus might also make Billabong a repeat must-see for more dedicated boarders and wannabes.
  14. The iconic '30s song "Gloomy Sunday" gets a distinctive celluloid setting in this well-played, cleverly scripted pic in which music and character are inextricably combined.
  15. Elf
    Will Ferrell graduates to his first solo leading role with flying colors in Elf, a disarming holiday comedy about a clueless innocent who saves Christmas and fosters a renewed sense of family in his reluctant father.
  16. A roundly entertaining romantic comedy, Love Actually is still nearly as cloying as it is funny…its cheeky wit, impossibly attractive cast and sure-handed professionalism are beguiling.
  17. A relentless excoriation of the School of the Americas.
  18. You can virtually see the mystique peeling away while beholding the turgid melodrama, patchy plotting, windy dialogue and, yes, spectacular combat effects of this grand finale.
  19. A superior example of fearless filmmakers in exactly the right place at the right time.
  20. A psychological drama cum genteel shocker that's long on ambition and short on delivery.
  21. Doing for the cheesier Ross Hunter-style bigscreen soaps of the early/mid-'60s what "Far From Heaven" did for the plush Douglas Sirk melodramas of a decade earlier -- albeit with tongue planted much further in cheek -- writer/star Charles Busch's Die Mommie Die! is an enjoyable genre homage-cum-parody.
  22. Credibly and absorbingly relates the tale of journalistic fraud perpetrated by young writer Stephen Glass at the New Republic five years back.
  23. Powered by two eye-catching performances.
    • 90 Metascore
    • 60 Critic Score
    Director Georges Franju has given this some suspense and not spared any shock details. But the stilted acting, asides to explain characters and motivations, and a repetition of effects lose the initial impact.
  24. Grim but engrossing.
  25. Riveting portrait of a straight-talking, tough-loving Benedictine nun in charge of a South Bronx home for recovering substance abusers.
  26. Potter's genius for wrapping black humor, poignancy and fantasy in utterly original story concepts lends this "Detective" an immediate fascination that doesn't begin wearing off for some time.
  27. "Inspired by a true story" it may be, but inspired it's not.
  28. A very mild animated entry from Disney with a distinctly recycled feel.

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