For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Nesselson
There's plenty for both the eyes and intellect to groove over in Secret Things, a taut, juicy, low-key feast of sexual and office politics filtered through helmer Jean-Claude Brisseau's customary blend of expedient formality and all-stops-out baroque behavior.- Variety
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Derek Elley
A slow, empty, over-mannered snoozer that shows Taiwanese helmer Hou Hsiao-hsien asleep at the wheel.- Variety
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David Stratton
Develops into a powerfully emotional experience thanks to a career-best performance by Toni Collette.- Variety
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Todd McCarthy
Robert Altman takes an elegant, appealingly unemphatic look at the world of ballet.- Variety
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Robert Koehler
Uninspired star turns from Ben Affleck and Uma Thurman suggest something less than full belief in this quickly forgettable thriller.- Variety
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Ken Eisner
A visually opulent but dramatically undernourished prequel to the 1979 hit of almost the same name.- Variety
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Todd McCarthy
A grim picaresque odyssey across a beautiful scarred landscape laced together by private romantic longing. Handsomely made and vividly acted.- Variety
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Robert Koehler
Unfortunately knows no tone between schmaltzy/gooey and slapstick/gross-out. Pic is as far from the original pic and its autobiographical memoir source as it can be while retaining the same title.- Variety
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Todd McCarthy
Handsome, respectable and well cast, elaborate production lacks the excitement and magic that would elevate the film to beloved status, and sheer abundance of CGI work weighs on it too heavily.- Variety
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David Rooney
Gritty and compelling as Monster is, the script's not entirely satisfying elaboration of the central relationship and Ricci's somewhat ungiving performance limit the material to that of a superior telemovie rather than something emotionally richer, like "Boys Don't Cry."- Variety
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Lisa Nesselson
The daunting logistics and emotional juggling act of child custody and visitation rights post-divorce are examined via spot-on acting and deft helming in docu-styled Children of Love.- Variety
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Derek Elley
Though the film is never dull, and playing by the cast is spirited, it's actually a surprisingly gentle movie, with no big "Full Monty"-like finale to send auds buzzing into the street.- Variety
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Todd McCarthy
Errol Morris delivers a compelling, thoughtful and entirely involving documentary in The Fog of War.- Variety
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Lisa Nesselson
A solidly entertaining, cross-generational two-hander, The Butterfly strikes the right balance between humor and observational bite.- Variety
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David Rooney
An appealing female cast gives the hollowly formulaic Mona Lisa Smile more dignity than it perhaps deserves, yet it's Julia Roberts in an ill-suited starring role that represents one of the film's chief shortcomings.- Variety
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Todd McCarthy
A faithful, powerful and superbly acted adaptation of Andre Dubus III's international bestseller.- Variety
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David Rooney
Although amusing as often as not, the material remains more comedy-sketch fodder than a fully developed feature.- Variety
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Todd McCarthy
Represents that filmmaking rarity -- a third part of a trilogy that is decisively the best of the lot. With epic conflict, staggering battles, striking landscapes and effects, and resolved character arcs all leading to a dramatic conclusion to more than nine hours of masterful storytelling.- Variety
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David Stratton
Made with deft evenhandedness, Paul Devlin's accomplished film plays almost like a fictional drama, containing suspense, comedy and some colorful characters.- Variety
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David Rooney
Spanish writer-director Cesc Gay and Argentine co-director Daniel Gimelberg cook up one or two agreeably tart episodes in this uneven pic, but ultimately, it plays like "Four Rooms" without a budget.- Variety
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Dennis Harvey
Always watchable yet ultimately self-defeating in terms of its tonal/aesthetic choices.- Variety
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Scott Foundas
Lackluster pic fails both as suspense and as character study.- Variety
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Ken Eisner
An important and smoothly mounted meditation on moral choices within the entertainment biz.- Variety
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Robert Koehler
Stuffed with attitude but just as hackneyed as the original, Love Don't Cost a Thing brings a year of exceptionally lame youth comedies to a fitting conclusion.- Variety
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David Rooney
A one-joke affair about conjoined twins that feels like it bypassed the scripting stage and was filmed directly from the pitch, the comedy remains resoundingly unfunny.- Variety
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Scott Foundas
Jokes about impotence, menopause and other middle-aged maladies reside where a screenplay ought to live.- Variety
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Todd McCarthy
An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.- Variety
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Todd McCarthy
The imaginatively illustrated but precariously precious film offers up a string of minor pleasures but never becomes more than moderately amusing or involving.- Variety
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Robert Koehler
Ensemble proves improvisationally capable, but film overall is rather conventional, a Hollywood idea of an experimental film presented with a heavy serving of showbiz-type cynicism.- Variety
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Deborah Young
Unshaven and twinkling-eyed, Sharif is professionally light and entertaining in the title role.- Variety
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