Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. There's plenty for both the eyes and intellect to groove over in Secret Things, a taut, juicy, low-key feast of sexual and office politics filtered through helmer Jean-Claude Brisseau's customary blend of expedient formality and all-stops-out baroque behavior.
  2. A slow, empty, over-mannered snoozer that shows Taiwanese helmer Hou Hsiao-hsien asleep at the wheel.
  3. Develops into a powerfully emotional experience thanks to a career-best performance by Toni Collette.
  4. Robert Altman takes an elegant, appealingly unemphatic look at the world of ballet.
  5. Uninspired star turns from Ben Affleck and Uma Thurman suggest something less than full belief in this quickly forgettable thriller.
  6. A visually opulent but dramatically undernourished prequel to the 1979 hit of almost the same name.
  7. A grim picaresque odyssey across a beautiful scarred landscape laced together by private romantic longing. Handsomely made and vividly acted.
  8. Unfortunately knows no tone between schmaltzy/gooey and slapstick/gross-out. Pic is as far from the original pic and its autobiographical memoir source as it can be while retaining the same title.
  9. Handsome, respectable and well cast, elaborate production lacks the excitement and magic that would elevate the film to beloved status, and sheer abundance of CGI work weighs on it too heavily.
  10. Gritty and compelling as Monster is, the script's not entirely satisfying elaboration of the central relationship and Ricci's somewhat ungiving performance limit the material to that of a superior telemovie rather than something emotionally richer, like "Boys Don't Cry."
  11. The daunting logistics and emotional juggling act of child custody and visitation rights post-divorce are examined via spot-on acting and deft helming in docu-styled Children of Love.
  12. Though the film is never dull, and playing by the cast is spirited, it's actually a surprisingly gentle movie, with no big "Full Monty"-like finale to send auds buzzing into the street.
  13. Errol Morris delivers a compelling, thoughtful and entirely involving documentary in The Fog of War.
  14. A solidly entertaining, cross-generational two-hander, The Butterfly strikes the right balance between humor and observational bite.
  15. An appealing female cast gives the hollowly formulaic Mona Lisa Smile more dignity than it perhaps deserves, yet it's Julia Roberts in an ill-suited starring role that represents one of the film's chief shortcomings.
  16. A faithful, powerful and superbly acted adaptation of Andre Dubus III's international bestseller.
  17. Although amusing as often as not, the material remains more comedy-sketch fodder than a fully developed feature.
  18. Represents that filmmaking rarity -- a third part of a trilogy that is decisively the best of the lot. With epic conflict, staggering battles, striking landscapes and effects, and resolved character arcs all leading to a dramatic conclusion to more than nine hours of masterful storytelling.
  19. Made with deft evenhandedness, Paul Devlin's accomplished film plays almost like a fictional drama, containing suspense, comedy and some colorful characters.
  20. Spanish writer-director Cesc Gay and Argentine co-director Daniel Gimelberg cook up one or two agreeably tart episodes in this uneven pic, but ultimately, it plays like "Four Rooms" without a budget.
  21. AKA
    Always watchable yet ultimately self-defeating in terms of its tonal/aesthetic choices.
  22. Lackluster pic fails both as suspense and as character study.
  23. An important and smoothly mounted meditation on moral choices within the entertainment biz.
  24. Stuffed with attitude but just as hackneyed as the original, Love Don't Cost a Thing brings a year of exceptionally lame youth comedies to a fitting conclusion.
  25. A one-joke affair about conjoined twins that feels like it bypassed the scripting stage and was filmed directly from the pitch, the comedy remains resoundingly unfunny.
  26. Jokes about impotence, menopause and other middle-aged maladies reside where a screenplay ought to live.
  27. An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.
  28. The imaginatively illustrated but precariously precious film offers up a string of minor pleasures but never becomes more than moderately amusing or involving.
  29. Ensemble proves improvisationally capable, but film overall is rather conventional, a Hollywood idea of an experimental film presented with a heavy serving of showbiz-type cynicism.
  30. Unshaven and twinkling-eyed, Sharif is professionally light and entertaining in the title role.

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