Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. Tells an old-fashioned boys' adventure yarn in an equally old-fashioned way.
  2. Blessed with sporadic moments of cheeky fun, isn't painful but seldom advances beyond costumes and hairstyling in terms of creativity.
    • 49 Metascore
    • 60 Critic Score
    Has its flaws, among them a certain self-righteousness and a complicated storyline, but it is never less than gripping thanks to its gifted international cast.
  3. A terrific performance by young actress Patricia Kovacs makes the high-stakes gamble of Down by Love -- a light psychodrama almost entirely centered on one character in an apartment -- into an engrossing 90-odd minutes.
  4. An awkward blend of documentary and genre pic.
  5. There's a fable-like quality to this first feature by documaker Ra'anan Alexandrowicz that packs just as much punch as a more "serious," didactic movie while entertaining the viewer at the same time.
  6. Casts a somewhat different light on the trauma of 9/11 and particularly on its long, devastating aftermath.
  7. A stunningly unfunny farce that makes the worst of a stale concept.
  8. Sublimely pointed in its idealistic simplicity yet willfully scruffy in presentation -- much like the enduring Young's best music.
  9. A check-your-brains-at-the-door, almost non-stop actioner that finally wins the viewer over with its sheer single-mindedness.
  10. A dreary, weary psychosexual thriller that's neither sexy nor thrilling.
  11. Superficial but entertaining new pic offers equal parts freshness and kitsch appeal set to a pulsating Latin soundtrack.
  12. This triumph of historical verisimilitude in the service of solid storytelling requires no detailed knowledge of the period to be appreciated as the moving story of a son's unconditional love for his mother.
  13. Lacking the overall drama of "Startup.com" or "e-Dreams," pic more than compensates with skillful presentation and the fascinating power of its subjects, femme movers and shakers who perform high-wire juggling acts between their personal and professional lives every day.
  14. This not particularly well shot/organized feature isn't very engaging on the human level, either.
  15. An ensemble drama laced with lighter moments that depicts the vitality, resilience and moral dilemmas of the people of Tel Aviv, the film is absorbing and at times moving.
  16. If an age produces the renditions of classic stories that reflect those times, then The Passion of the Christ, which is violent, contentious, emotional, extreme and highly proficient, must be the Jesus movie for this era.
  17. Haroun's film is both touching and, ultimately, almost perversely optimistic.
  18. While it's stylishly designed and shot in startling colors on digital high-definition cameras, this feels like yesterday's futuristic news, and it's more likely to surface as a video/DVD curiosity than a theatrical draw.
  19. A rueful yet gentle fable about the price of individuality and the value of dignity that preserves the intellectually stimulating spirit of Kieslowski's best work while tapping into a universally understandable vein of low-keyed absurdist comedy.
  20. Think of Against the Ropes as a "Rocky" story -- if, that is, the vintage is somewhere between "Rocky IV" and "V," and the action centered around the Burgess Meredith character as played by Meg Ryan wearing "Barbarella" outfits.
  21. Harmless tale of the giant pooch helping out some itinerant performing animals while longing for home will go down smoothly with the preschool faithful, but anyone over 5 will feel antsy even given the brief running time.
  22. Promising young cast flounders amid comic material that's staler than week-old bread.
  23. Minimally funny comedy feels like a Disney Channel pic that got boosted to theatrical after Lohan scored a hit opposite Jamie Lee Curtis in the "Freaky Friday" remake.
  24. The film appears consistently poised to go deeper but instead hangs back, making it less substantial than it might have been. Yet the sweet-natured story's gentle humor and poignancy should draw appreciative audiences.
  25. Lacks the antic energy and inspired imagination that might have put this over as a sharp-witted community comedy in the Preston Sturges vein.
  26. A potent, engrossing look at several young refugees from Sudan's disastrous, endless civil war who've been relocated to the U.S.
  27. It certainly wraps the trilogy on a very powerful, emotionally draining note. It's refreshing to see the precision and audacity with which Belvaux and his excellent cast succeed in imbuing the increasingly familiar story with completely new angles, insights and nuances.
  28. A throughly researched and extremely informative survey of the life and work of one of the great figures of world cinema, Richard Schickel's Charlie: The Life and Art of Charles Chaplin is a must for lovers of cinema.
  29. Gallic gangster actioner fuses many disparate generic and stylistic conventions, but, although script by co-star Samy Naceri's brother was purportedly pared down from several hundred pages, it still bears the weight of its pretensions.

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