For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Rooney
A big-hearted, exuberant, compassionate film with a wicked sense of humor and terrific songs performed by some preternaturally talented kids.- Variety
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Reviewed by
Todd McCarthy
Evinces no interest in such niceties as credible dialogue, character motivation or forward momentum.- Variety
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Reviewed by
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- Variety
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Reviewed by
Derek Elley
An extremely silly but effective enough romp for family audiences.- Variety
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Reviewed by
David Rooney
Director Matteo Garrone's measured approach and soulfully humane focus combine to dignify the characters, allowing the tale of solitude, longing and sorrow to inch quietly under the viewer's skin.- Variety
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Reviewed by
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Reviewed by
David Rooney
A bland romance that suffers from choppy development, dramatic overload and dearth of personality.- Variety
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Reviewed by
David Stratton
An intelligent and extremely well-made romantic drama that tells an intriguing story with economy and insight.- Variety
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Reviewed by
Ken Eisner
An ill-conceived effort that starts OK but quickly goes off the rails.- Variety
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Reviewed by
Todd McCarthy
As overblown as it is overlong, Bad Boys II is an enervating case of more is less.- Variety
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Reviewed by
Deborah Young
A sober, thought-provoking response to a tragedy of worldwide import and a much better film than one might expect from the pre-release publicity.- Variety
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Reviewed by
David Stratton
Visually inventive and refreshingly witty, pic provides an insider's look at the contempo Sydney music scene and showcases a smart young cast.- Variety
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Reviewed by
Scott Foundas
The Room marks the writing-directing-acting debut of Tommy Wiseau, who's not just one of the most unusual looking and sounding (with an unidentifiable Eastern European accent) leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint.- Variety
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Reviewed by
Dennis Harvey
Wilkerson's indictment is unapologetically agitprop. He sees Butte history as a testimony to "capitalist class" exploitation, corruption and environmental disaster.- Variety
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Reviewed by
David Rooney
Leads Jean-Pierre Bacri and Emilie Dequenne establish an awkward yet tender odd-couple dynamic, their accomplished work serving to distinguish the familiar material.- Variety
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Reviewed by
Ken Eisner
Consistently amusing, candy-colored sex romp -- about romantic match-ups in Madrid that go both wrong and right.- Variety
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Reviewed by
Scott Foundas
Love it or hate it, Northfork is a cinematic vision (visually and textually) unlike any with which most moviegoers, even arthouse regulars, will be familiar.- Variety
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Reviewed by
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- Variety
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- Critic Score
Fywell has transformed this autobiographical novel into a perceptive, wholly engaging drama, infusing the proceedings with a light tone that almost qualifies the film as a comedy, yet never loses sight of the unpredictability of human emotions.- Variety
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- Critic Score
Offers an occasionally fascinating look at the complex social, religious and political dynamics that help define the sacred city of Jerusalem.- Variety
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Reviewed by
Todd McCarthy
Robinson's script is alive to the material's literary roots, although there is a sense that the brakes have been applied so as not to push into territory perceived as too esoteric for American teenagers.- Variety
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Reviewed by
David Rooney
While it's a little shapeless and dramatically overwrought, the film remains entertaining thanks to its fascinating subject, sharp visuals and fiercely proud central performance.- Variety
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Reviewed by
Todd McCarthy
The picture's constant forward movement and breezy sense of amusement about itself provide a certain mild sort of diversion.- Variety
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Reviewed by
Derek Elley
Slick, grisly and determinedly umbral, German cop thriller Tattoo is a largely effective "Se7en" wannabe that gradually develops its own character after an over-derivative start.- Variety
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Reviewed by
Deborah Young
Despite a few potholes of ennui along the way, pic has enough entertainment value to cross borders and titillate auds with its plentiful nudity and uninhibited sexual mores.- Variety
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Reviewed by
Eddie Cockrell
Taped in stark black-and-white and clocking in 15 minutes shy of six hours, invigorating pic is big, passionate and brimming with compelling human details and broad sociopolitical idealism.- Variety
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Reviewed by
Eddie Cockrell
Playing like a moribund hybrid of "Thelma and Louise" and "The Trouble With Harry," lesbian-themed thriller Gasoline lacks sex drive.- Variety
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Reviewed by
David Rooney
Working predominantly in English for the first time, the French director has crafted an absorbing tale about the merging of fiction with reality, propelled by contrasting performances from Charlotte Rampling and Ludivine Sagnier.- Variety
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Reviewed by
Todd McCarthy
T3 delivers the goods. A hard-hitting, straight-ahead sci-fi actioner with none of the pretentions and ponderousness that have put at least a portion of the public off of "The Matrix Reloaded" and "Hulk."- Variety
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Reviewed by
Todd McCarthy
In its animated work, DreamWorks has repeatedly flip-flopped between the hip and the square. This time out, it's as if the company tried to apply a hip approach to a square subject, with unresolved results.- Variety
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Reviewed by
David Rooney
The script here just doesn't have sufficient smarts to pull off Elle's political triumph. But Witherspoon again makes a valiant show of selling it.- Variety
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Reviewed by