Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. A big-hearted, exuberant, compassionate film with a wicked sense of humor and terrific songs performed by some preternaturally talented kids.
  2. Evinces no interest in such niceties as credible dialogue, character motivation or forward momentum.
  3. Noteworthy for its detail and evenhandedness.
  4. An extremely silly but effective enough romp for family audiences.
  5. Director Matteo Garrone's measured approach and soulfully humane focus combine to dignify the characters, allowing the tale of solitude, longing and sorrow to inch quietly under the viewer's skin.
  6. A bland romance that suffers from choppy development, dramatic overload and dearth of personality.
  7. An intelligent and extremely well-made romantic drama that tells an intriguing story with economy and insight.
  8. An ill-conceived effort that starts OK but quickly goes off the rails.
  9. As overblown as it is overlong, Bad Boys II is an enervating case of more is less.
  10. A sober, thought-provoking response to a tragedy of worldwide import and a much better film than one might expect from the pre-release publicity.
  11. Visually inventive and refreshingly witty, pic provides an insider's look at the contempo Sydney music scene and showcases a smart young cast.
  12. The Room marks the writing-directing-acting debut of Tommy Wiseau, who's not just one of the most unusual looking and sounding (with an unidentifiable Eastern European accent) leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint.
  13. Wilkerson's indictment is unapologetically agitprop. He sees Butte history as a testimony to "capitalist class" exploitation, corruption and environmental disaster.
  14. Leads Jean-Pierre Bacri and Emilie Dequenne establish an awkward yet tender odd-couple dynamic, their accomplished work serving to distinguish the familiar material.
  15. Consistently amusing, candy-colored sex romp -- about romantic match-ups in Madrid that go both wrong and right.
  16. Love it or hate it, Northfork is a cinematic vision (visually and textually) unlike any with which most moviegoers, even arthouse regulars, will be familiar.
  17. Charming, smart and funny.
    • 63 Metascore
    • 70 Critic Score
    Fywell has transformed this autobiographical novel into a perceptive, wholly engaging drama, infusing the proceedings with a light tone that almost qualifies the film as a comedy, yet never loses sight of the unpredictability of human emotions.
    • 58 Metascore
    • 70 Critic Score
    Offers an occasionally fascinating look at the complex social, religious and political dynamics that help define the sacred city of Jerusalem.
  18. Robinson's script is alive to the material's literary roots, although there is a sense that the brakes have been applied so as not to push into territory perceived as too esoteric for American teenagers.
  19. While it's a little shapeless and dramatically overwrought, the film remains entertaining thanks to its fascinating subject, sharp visuals and fiercely proud central performance.
  20. The picture's constant forward movement and breezy sense of amusement about itself provide a certain mild sort of diversion.
  21. Slick, grisly and determinedly umbral, German cop thriller Tattoo is a largely effective "Se7en" wannabe that gradually develops its own character after an over-derivative start.
  22. Despite a few potholes of ennui along the way, pic has enough entertainment value to cross borders and titillate auds with its plentiful nudity and uninhibited sexual mores.
  23. Taped in stark black-and-white and clocking in 15 minutes shy of six hours, invigorating pic is big, passionate and brimming with compelling human details and broad sociopolitical idealism.
  24. Playing like a moribund hybrid of "Thelma and Louise" and "The Trouble With Harry," lesbian-themed thriller Gasoline lacks sex drive.
  25. Working predominantly in English for the first time, the French director has crafted an absorbing tale about the merging of fiction with reality, propelled by contrasting performances from Charlotte Rampling and Ludivine Sagnier.
  26. T3 delivers the goods. A hard-hitting, straight-ahead sci-fi actioner with none of the pretentions and ponderousness that have put at least a portion of the public off of "The Matrix Reloaded" and "Hulk."
  27. In its animated work, DreamWorks has repeatedly flip-flopped between the hip and the square. This time out, it's as if the company tried to apply a hip approach to a square subject, with unresolved results.
  28. The script here just doesn't have sufficient smarts to pull off Elle's political triumph. But Witherspoon again makes a valiant show of selling it.

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