Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. The film is powered by a superbly controlled performance from Javier Bardem. While it lacks economy and could have used a firmer hand in shaping the key central relationship, this intelligent, arrestingly sober drama packs a cumulative punch.
  2. Philip Seymour Hoffman and John Hurt give compelling performances... But the coldly unrewarding drama is as distant and joyless as its protagonist, representing a disappointment for director Richard Kwietniowski.
  3. This melancholy, insightfully scripted coming-of-age drama is moving without being manipulative and makes an assured calling card for writer-director Karen Moncrieff.
  4. Just two weeks after successfully targeting boys with "Holes," Disney is giving girls something they want with this mild, quasi-romantic romp.
  5. Another satirical view of the everyday insanity of working within the Industry, slickly made New Suit adds no special insight to the subgenre.
  6. Docu dispassionately examines this strange phenomenon of anachronistic Americana, created as a newspaper promotion in 1925.
  7. Undone by an idea capable of hanging together for 30 minutes at best.
  8. Unabashedly tasteless, wholly trashy and, also, hugely entertaining.
  9. Has the comically grotesque appeal of a Fellini film and could reach out to auds in specialized release. It lacks the originality and invention to go much beyond that.
  10. Despite a name cast, with Dillon playing an insurance crook, pic is holed by a plot-heavy script that's unsatisfying at a character level and plays like a cut-down version of a much longer, more ambitious saga.
  11. An entertaining, deeply respectful assessment of the directors and actors who rode the countercultural wave of the 1970s.
  12. A bland gumbo of wartime intrigue and home-front soap opera in the bayou country of Louisiana.
  13. Stylish, compelling crime caper full of smoothly navigated plot twists.
  14. Some fancy footwork in the writing and directing can't disguise the hoary "Ten Little Indians" origins of Identity.
  15. Uneasily pivots between comedy and drama, with its best parts strongly reminiscent of Schepisi's previous, British-made drama about aging and dying buddies, "Last Orders."
  16. Compelling 24-hour odyssey into the life of a world-weary Gotham publicist, driven by a vivid performance from Al Pacino.
  17. A drama of impeccable intentions flawed by arch dialogue and only OK direction.
  18. The unfocused writing makes the film increasingly less convincing as it stumbles toward an awkwardly structured resolution -- closing on a conga line that makes "My Big Fat Greek Wedding" seem cutting-edge.
  19. The effects prove extremely uneven, with sub-par touches alongside astonishing and truly unforgettable shots.
  20. Visually stunning, practically dialogue-free and very family-friendly.
  21. Holes will no doubt speak clearly and appealingly to its intended early teen audience.
    • 83 Metascore
    • 90 Critic Score
    Hard-hitting, dark and tragic story that rarely lets up.
  22. Ultimately implodes, letting down the 'hood, hip-hoppers and Jamie Kennedy fans looking forward to his first major starring role.
  23. Thesping and production values are solid and sometimes even attractive, but pic's overall American-style gloss becomes extremely odd and discomforting given the setting.
  24. Tremendous emotional force and uncompromising honesty.
  25. The gifted repertory company again creates an amusing gallery of incisively observed characters, riffing off each other with enjoyment levels that frequently prove contagious.
  26. Not surprisingly based on a comic book series by Brett Lewis and R.A. Jones (whom pic fails to credit), pic hurtles along at a pace designed by vet music vid and ad helmer Paul Hunter to engage short attention spans.
    • 33 Metascore
    • 40 Critic Score
    For the most part, the fast-moving pace, thankfully slight running time, attractive leads and infectious soundtrack distract from its many inconsistencies
  27. A strident, painfully repetitive and hopelessly stage-bound drama about self-indulgent twentysomethings on the fringes of the L.A. film scene.
  28. Chick agreeably captures the feel and flow of on-the-move young professionals in New York.

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