Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Lin's nicely turned out picture is sometimes both predictable and a bit far-fetched narratively, but still provides a generally absorbing look at a slice of society normally taken for granted, both in life and onscreen.
  2. Gentle, touching tale.
  3. Though quite routine on the logistics of deep-sea exploring, pic develops a visual style as it replays the events of the sinking that some viewers may find more visually exciting and satisfying than what Cameron staged in his original mega-blockbuster.
  4. The antics here are strained, graceless and tiresomely crude, the sorts of things audiences feel they're supposed to laugh at rather than well-developed situations that generate genuine amusement.
  5. There seems to be no bottom to Going Down, a lame also-ran in the rapidly declining teen gross-out comedy genre.
  6. A cobwebbed, mummified horror entry that makes obvious, cartoonishly grotesque demands for attention.
  7. Sensitive directorial bow by editor Wiebke von Carolsfeld and solid performances lend conviction if not quite distinction to the drama Marion Bridge.
  8. Scheide's feature never quite seizes the potential for full-on "Stepfather" thrills or "Serial Mom"-style black comedy, leaving pic diverting but too mild.
  9. The attempt to draw certain connections between Griffin's material and its autobiographical origins feels slapped together, shortchanging both aspects of the film.
  10. Enormously satisfying, superbly crafted.
  11. Gussied up with a host of filmmaking tricks in an attempt to keep things lively, this intensely acted little exercise just doesn't have enough going for it, with the exception of gradually growing interest in lead Colin Farrell.
  12. This family affair is a squeaky-clean cable-ready comedy, unabashedly retro fluff.
    • 89 Metascore
    • 100 Critic Score
    Balkan probably gives her best performance to date to create a woman tormented by instability, sexual drive and psycho demons -- disjointedly portrayed in the script.
  13. It feels much more like a shameless reshuffle of "The Princess Diaries."
  14. Despite an effectively low-key performance by Billy Bob Thornton in the leading role, pic is no more spiritually insightful or illuminating than Sunday School instructional story, and a lot less dramatically coherent.
  15. Diesel makes a violent bid to align himself with the Clint Eastwood-Charles Bronson-Steve McQueen tradition, but he lacks the charisma, emotional strength and humor to do so.
  16. Though it isn't the entirely original creation "Metropolis" was, Bebop is more satisfying.
  17. A limp-to-wilted film version of Duras' 16-year-long love affair with a young man who became her secretary and literary executor.
  18. Sure, it's all been done before, but seldom with this degree of vigor and panache.
  19. A forceful, affecting experience.
  20. On just about every level -- as a thriller, as a romance and as a character study of a complicated man nearing the end of his professional life -- the film fails, and the meandering, sub-Cassavetes approach is likely to be a turnoff for all but the most indulgent viewers.
  21. More palatable than most pictures of its ilk due to its keen awareness of its own preposterousness, a self-knowledge exuberantly expressed by a mostly live-wire cast.
  22. So beneath the considerable talents of its star, Chris Rock, it's dismaying to note Rock is also the movie's director, producer and co-scenarist. Not unlike Richard Pryor a generation ago, Rock has yet to land a movie vehicle that captures the sparky energy and subversive bent of his excellent stand-up performances.
    • tbd Metascore
    • 80 Critic Score
    Jules Dassin, in his direction, manages extraordinarily interesting backgrounds, realistically filmed to create a feeling both of suspense and mounting menace.
  23. The teasing tale is told with such dispatch it will carry willing audiences along; genre staples of action, macho attitude and corruption through the ranks are delivered intact.
    • 47 Metascore
    • 80 Critic Score
    Jensen helms with assurance and maturity, with rapid but unhectic pacing, plenty of dark humor and deft action sequences that turn cliches from U.S. action-comedies into something very Danish.
  24. Unlikely to draw new fans but destined to please followers who couldn't catch the live act.
  25. As lethargic as the characters it portrays, the film requires greater staying power than many audiences will possess.
  26. Fine new chapter in the long-running franchise should score well with family audiences.
  27. High-octane plunge into pop gangster psychology.

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