Variety's Scores

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For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,148 out of 17805
  2. Mixed: 7,020 out of 17805
  3. Negative: 1,637 out of 17805
17805 movie reviews
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  1. The Midnight Meat Train
    Film isn't scary, per se, but it's mostly effective nonetheless, with Cooper capably steering his character from charming young artist to nervous wreck, evoking Ralph Fiennes' more unhinged turns along the way.
  2. The Mummy: Tomb of the Dragon Emperor
    Reheating the ingredients can't disguise how stale they are, as setpiece after setpiece strains to whip up excitement, only to fall flat while reminding of previous sequences that did such things ever so much better.
  3. Swing Vote
    Picture's comic smarts and affecting daddy-daughter drama provide a sturdy platform for its heartfelt advocacy of informed voting and responsible citizenship.
  4. Sixty Six
    While mazel tovs are due for efficient playing and execution, predictable script seldom scores big laughs.
  5. In Search of a Midnight Kiss
    Performances are aptly quirky and ingratiating, Holdridge's seriocomic balance nicely judged. But the most outstanding element in an accomplished low-budget package is Robert Murphy's lensing, which recalls "Manhattan" in its B&W celebration of a cityscape.
  6. America the Beautiful
    Wide-ranging educational documentary attaches itself to the rise and fall of a 12-year-old fashion model, and indeed, its sincere, cautionary tone seems best suited to younger auds and small screen exposure.
  7. Man on Wire
    One of the most wildly entertaining docs of recent years.
  8. The X Files: I Want to Believe
    The warming glow of nostalgia only goes so far, with one's level of forgiveness likely dictated by where they reside along the "X-Files" fan continuum.
  9. Step Brothers
    The film is funny at times but lapses into the reflexive vulgarity that seems to be the default mechanism of the Apatow machinery.
  10. Baghead
    Though its scares are scarce, Baghead provides what nine out of 10 dead-teenagers movies lack: specifically, a realistic sense of character that gives moviegoers a reason to identify with the would-be victims.
  11. Brideshead Revisited
    Offers lush and compelling drama drawn from Evelyn Waugh's beloved novel. Purists may blanch at the screenplay's changes to the source material's narrative fine points, but its spirit survives intact.
  12. Bustin' Down the Door
    With verve, style and a fine sense of the human side of surf culture, Jeremy Gosch makes a terrific splash with his debut doc, Bustin' Down the Door.
  13. The Order of Myths
    Order of Myths looks good, and its characters are memorable. It's important to know that the "traditions" extolled by both sides of Mobile involve keeping people apart. But it's not clear at all that Brown is bringing them together.
  14. American Teen
    Undeniably entertaining for its zippy presentation.
  15. Canary
    Shiota piles tons of symbolic baggage on his pint-size protagonists, who luckily rise to the challenge.
  16. CSNY/Déjà Vu
    Making music, making fun of themselves and making as much political hay as possible, Crosby, Stills, Nash & Young set out to alleviate the public allergy to Iraq War films with CSNY Deja Vu, a doc that seems quite likely to effect a cure.
  17. Boy A
    Picture inspires respect for its first-rate performances, artful construction and meticulous understatement.
  18. Two Tickets to Paradise
    Utterly drab and desperate for laughs.
  19. The Dark Knight
    Enthralling...An ambitious, full-bodied crime epic of gratifying scope and moral complexity, this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some.
  20. Mamma Mia!
    Scribe-creator Catherine Johnson (also in her first screen outing) and theater-opera vet Lloyd can't seem to find the right tone or style for their globally celebrated material.
    • 36 Metascore
    • 40 Critic Score
    Space Chimps
    Enjoyably slim family entertainment.
  22. A Very British Gangster
    Noonan talks too much, preens too much and simply loves the camera. And the bald, bullish, real-life mobster will likely place MacIntyre's movie among the more commercial nonfiction films of the year.
  23. Felon
    Stephen Dorff's powerhouse perf as an ordinary Joe trapped behind bars with warring ethnic psychopaths propels Felon well ahead of its expose/exploitation brethren while still avoiding the pious learning curves of Frank Darabont's prestige prison dramas.
  24. Berlin
    Less groundbreaking video experimentation than extraordinary concert experience, Lou Reed's Berlin expertly fulfills its function.
  25. Transsiberian
    An engagingly up-to-date melodrama steeped in local color and steered by a treacherous sense of morality.
  26. Before I Forget
    If you've pondered how to order a round of fellatio as one orders a pizza or wondered what gay gentlemen of a certain age talk about, this touching glimpse of faded beauty and looming decrepitude fits the bill.
  27. Mad Detective
    A neat idea that doesn't quite hit the bull's-eye.
  28. Hellboy II: The Golden Army
    Not to disparage the f/x guys, but what's onscreen in Hellboy II is all about the seismic eruptions in del Toro's head. Comparing his work to most fantasy cinema is like comparing cave drawings to the Cathedral of Cologne.
  29. Journey to the Center of the Earth
    A more unavoidable obstacle here is that there's not much in the way of plot -- the story is in the tour through the labyrinthian intimacies of inner Earth. As such, it's an f/x wizard's dream, and Brevig makes the most of it.
  30. Meet Dave
    Aimed squarely at the same family audiences that flocked to Murphy's "Doctor Dolittle" comedies, this is a lightly amusing and surprisingly sweet Fox release.
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