For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Leslie Felperin
Final result, with its peculiar happy ending that may or may not be a further fantasy, may leave some auds feeling more drained than satisfied. It's a bit like spending 105 minutes with a litter of frisky, mischievous puppies.- Variety
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Robert Koehler
Ochoa is such a masterful actor that he makes things fairly interesting despite the script, with Hernandez and Espindola well-cast as two young men operating by different moral compasses.- Variety
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Jay Weissberg
Situated somewhere between neo-realist study and standard women in prison pic, Lion's Den too frequently wanders into common territories to make the material its own.- Variety
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Todd McCarthy
Aimed squarely at family audiences, the Wachowski Brothers' return behind the camera for the first time since the "Matrix" trilogy is a blur of video action painting and very loud sounds notable solely for its technical wizardry. In every other respect, it's pure cotton candy -- entirely non-nutritious but too sweet and pretty for young people to resist.- Variety
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Alissa Simon
It ultimately fails to deliver on the audacity of its premise. Neither truly original nor a guilty-pleasure genre spin, the picture lacks a hook for general audiences who may find the subject matter distasteful as presented.- Variety
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Reviewed by
Dennis Harvey
This convoluted, arbitrary, overlong whimsy will strike most grown-ups as childish, and is far too violent and pretentious for kids.- Variety
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John Anderson
Can a movie be an adrenalin-fueled, blood-gushing thrill ride and still be as boring as dirt? Apparently. The French answer to "Hostel" and "Saw" -- Frontier(s) is a 100-minute hemorrhage that doesn't bring anything to the operating table of torture-porn but more gore, cruelty and misery.- Variety
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- Variety
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Reviewed by
Lisa Nesselson
A spy spoof that -- rarity of rarities -- represents a remake actually worth making. Current comic fave Jean Dujardin plays title character OSS 117 as a kind of James Bond crossed with Maxwell Smart.- Variety
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- Variety
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Reviewed by
Ronnie Scheib
Atmospheric picture positively vibrates with authenticity, and Janssen's intense, febrile performance earned a special jury prize at the Hamptons fest.- Variety
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Joe Leydon
This two-seated star vehicle for top-billed Ashton Kutcher and Cameron Diaz wrings a respectable number of laughs from a formulaic scenario about attracted-opposites who bicker and back-stab their way toward happily-ever-aftering.- Variety
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Eddie Cockrell
Tale of an idealistic local caught in the crossfire of an illicit affair is too pat and pretty to connect with upscale audiences.- Variety
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Reviewed by
John Anderson
Stevenson casts her usual magic in this frankly adult, determinedly lighthearted comedy of romantic errors.- Variety
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- Critic Score
Page is generally commanding as the self-pitying teenager, but there are several moments when, let down by the text, the young thesp obviously does not believe what she is saying.- Variety
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Reviewed by
Leslie Felperin
Hootnick seems determined to make everyone likable, no matter how vapid, objectionable or ill-articulated their views are. The emphasis on personality over politics or serious debate makes the pic feel lightweight, ill-suited to theatrical exposure.- Variety
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Robert Koehler
Intense, fair-minded entry in the pileup of Iraq pictures.- Variety
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Todd McCarthy
Ever-eclectic director Jon Favreau, who briefly pops up onscreen as a Stark minion, maintains a brisk but not frantic pace, and, in concert with lenser Matthew Libatique, production designer J. Michael Riva and the first-rate visual effects team, has made an unusually elegant looking film for the genre.- Variety
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Reviewed by
Robert Koehler
The cool hand of Canadian writer-director Jeremy Podeswa proves a disappointing match for Fugitive Pieces, a generally dull and unmemorable adaptation of Anne Michaels' extraordinary prose-poetry novel.- Variety
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- Critic Score
Like a shopworn wedding gown disguised with a new sash, Made of Honor feels recycled from top to bottom. That's because it's essentially a gender-swapped version of "My Best Friend's Wedding."- Variety
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Reviewed by
Scott Foundas
Less outre than "Gummo" and "Julien Donkey-Boy," Korine's most lavishly produced pic to date begins as a sweet-tempered tale of social misfits-turned-celebrity impersonators, but falls short of its ambition to say something meaningful about the obsessive nature of celebrity culture.- Variety
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Todd McCarthy
An absorbing and colorful, if not particularly convincing, excursion into a demi-monde of fighters, scammers, promoters and self-styled modern samurai, Redbelt gives the impression of Mamet coyly toying with the idea of making a populist little-man-against-the-system sports melodrama without actually attempting to create a film for the masses.- Variety
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Robert Koehler
A sweetly raucous adventure. Widely quoted comparisons to "Billy Elliot" and Tim Burton overstate the case for what is really a modestly eccentric entertainment.- Variety
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Reviewed by
Jonathan Holland
Picture has more in common with standard child-parent conflict dramas than it would probably care to admit, but its sensitive treatment of an equally sensitive theme elevates it into something memorable.- Variety
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Justin Chang
A pair of beautifully mismatched lead performances elevate a predictable drama to unexpected resonance in The Favor.- Variety
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- Critic Score
Viva...is faithful to those cult-adored obscurities in nearly every detail, including their soporific pace. Here, however, sly in-jokes come often enough to make said pacing funny in itself. Performances are slightly stilted or over-the-top in ways true to the original genre.- Variety
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- Critic Score
Montana-set, reality-inspired picture feels like an homage to a bygone era of moviemaking: It takes its time to build character and story, there's hardly a CG effect in sight, and there's nothing high-concept about it.- Variety
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- Variety
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Reviewed by
Brian Lowry
Strip out Deception's fleeting nudity and what's left is a throwback to "B" movie days -- a thin thriller, burdened by clunky dialogue and prone to telegraphing its twists.- Variety
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Reviewed by
Joe Leydon
An over-the-top and beyond-PC comedy that sometimes deftly, sometimes slapdashedly infuses party-hearty anarchy with hectoring moral outrage.- Variety
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