Variety's Scores

For 17,794 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17794 movie reviews
  1. This middling drama has no glaring faults, but simply lacks the intended urgency.
  2. One long tease -- not in a voyeuristic sense, since its heroine, as nakedly incarnated by pouty Polish sexpot Natalia Avelon, hides none of her obvious talents under a bushel.
  3. Isn't racy enough to warrant the word of mouth necessary to make pic a sensation with its generation, the way the unrelated disaffected-twentysomething hit "Garden State" was.
  4. A handsome contraption that's never very engaging, let alone convincing.
  5. Prolific helmer Kari Skogland draws a fiery performance from vet Burstyn and a beguiling one from Christine Horne as the young Hagar. Yet the book's sheer "Giant"-like scope necessitates generational cross-cutting that's both rushed and cluttered; pic would have have been better served as a more leisurely miniseries.
  6. A terminally lame puberty comedy.
  7. A so-so pic on an incendiary subject, Full Battle Rattle follows the training regimen of one battalion during engagement and occupation in one of 13 fake "villages" comprising a massive Iraq simulation somewhere in the Mojave Desert.
  8. Subject's career being inextricably tied to two extremely entertaining U.S. decades, Gonzo has a wealth of delightful archival footage to draw on, both directly involving Thompson and evoking the cultural landscape around him.
  9. Sometimes succeeds, but mostly comes off as a vanity project for writer-star Brent Gorski.
  10. Kabluey is short on the cutes and ca-ca jokes. But it's also short on substance, despite a watchable supporting cast and an amiable overall tenor.
  11. A God's little acre's worth of premeditated eccentricity runs through Diminished Capacity, a triumphant losers-in-Cornville comedy starring Matthew Broderick in a role he might have phoned in, and Alan Alda as a combination Jed Clampett and Raymond Babbitt.
  12. The Amerindie annals are over-full of withdrawn male loners hoping to quirk or cathart themselves out of teenage purgatory. But like "Donnie Darko," "Thumbsucker" and a few others, The Wackness treads this familiar terrain with assurance and distinction.
  13. Though almost laughably intricate in its plotting, this thoroughly Gallic adaptation of Harlan Coben's novel reps an entertaining sophomore outing for thesp-turned-director Guillaume Canet.
  14. The effects are snazzy, even if they pass by quite quickly, and there's enough going on to keep audiences watching, if not entirely happy. Smith, Theron and Bateman capably handle the main roles, but such is the skimpiness of the scenario that no further characters make any impact.
  15. Although it avoids overt moralizing or clunky lesson-learning, pic's careful balancing act between tragedy and comedy eventually becomes its sole raison d'etre.
  16. Walks a fine line between the rarefied and the immediately accessible as it explores new territory for animation, yet remains sufficiently crowd-pleasing.
  17. Like it or not, Wanted pretty much slams you to the back of your chair from the outset and scarcely lets up for the duration.
  18. Beastie Boy Adam Yauch proves he can make a comprehensive, state-of-the-art docu of interest to basketball aficionados.
  19. It will serve as a fine entry point for younger auds interested in learning about the price paid by moviemakers and their families swept up in the 1950s anti-Communist net.
  20. Predictable fare that only occasionally fulfils its intention of being simultaneously heartbreaking and heartening.
  21. Adapting a book by semi-notorious novelist and critic Jules Barbey d'Aurevilly (1808-89), Breillat freely stamps her strong and singular feminine insights on a man's material.
  22. It all rings particularly hollow in light of several recent pics ("Last Orders" and "The Barbarian Invasions" chief among them) that have explored similar terrain with much greater emotion and intelligence.
  23. A strong cast, beautiful production values and generally pleasant execution can't disguise the fact both laughs and surprises are on the thin side here, despite the abundant care and affection lavished on the central characters by first-time writer-director David Munro.
  24. Helmer Peter Segal's formulaic takeoff is neither fish nor fowl, not quite faithful to the show, but not quite bringing it into the 21st century either.
  25. So relentlessly juvenile as to merit a new twist on the PG-13 rating -- one that strongly cautions not only those under 13 but anyone much above it, too.
  26. Monica Ali's elegant and critically trumpeted debut novel, Brick Lane, about the travails, conflicting emotions and quiet liberation of a Muslim woman in London, is a far lesser thing in its bigscreen transformation.
    • 63 Metascore
    • 80 Critic Score
    Anchored by a fine performance from Abigail Breslin, this wholesome, engaging entertainment offers something for viewers ages 7 to 107.
  27. An occasionally cringe-inducing mix of pathos and humor, the tightly scripted, well-acted and notably art-directed tale follows a lonely, vulnerable meter maid who falls into a comically horrific relationship with a colleague incapable of emotional intimacy.
  28. In short, this is a Shyamalan movie minus the bravado, the swagger; there are no audacious attempts to pull out the rug from under the audience, no ham-fisted lessons about the importance of religious belief or the power of storytelling.
  29. A straightforward actioner that delivers the goods with no unnecessary frills or digressions.

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