Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
  1. A straightforward actioner that delivers the goods with no unnecessary frills or digressions.
  2. Made with gentle grace and sensitivity.
  3. Though it may feel undernourished to the faithful, Winnipeg is an easily digestible meal, for the uninitiated and fans alike.
  4. A strikingly original and provocative first feature from scribe-helmer Carlos Brooks.
  5. Recent history once again intrudes on the present-day lives of working Czechs in the masterful multicharacter drama Beauty in Trouble.
  6. A visually breathtaking essay about daredevils hooked on the thrill of speed rock-climbing.
  7. Resultant picture -- one of Herzog's best and most purely enjoyable -- may lack the built-in curio factor of "Grizzly Man."
  8. A nice looking but heavily formulaic DreamWorks animation entry.
  9. The off-the-wall comedy of Robert Smigel and Judd Apatow leaves a mark on the script, but it would require a talent of Peter Sellers' magnitude to conquer this material, and he's not around.
  10. An unusually fresh-feeling indie with a nice sense of style. The potentially predictable story of a young man who undertakes an impromptu journey to resolve some unfinished family business emerges as an appealing tale of personal growth with hand-crafted contours.
  11. Miscast and miscalculated, Miss Conception hopes to collect on Hollywood's recent baby-on-board craze, delivering instead the least credible take on human pregnancy since Arnold Schwarzenegger gave birth in "Junior."
  12. This Central Asia-set historical epic from Russian helmer Sergei Bodrov ("Nomad") boasts breathtaking landscapes, dazzling cinematography, bloody battles and unique traditions.
  13. This hectic pileup of supernatural nonsense is a treasure trove of seemingly unintentional hilarity. Although lacking helmer's usual aesthetic panache, this "Mother" is a cheesy, breathless future camp classic.
  14. A stillborn would-be comedy.
  15. This day in the life of a young man attempting to earn cash for his family back home gathers impact by the reel.
  16. Picture raises pithy questions sure to provoke animated discussions pro and con. Credit Davenport for a mostly unbiased presentation that presents her own disenchantment in a balanced manner.
  17. More scrupulously reported than your average Michael Moore film but every bit as entertaining, Bigger, Stronger, Faster* is as commercial as documentaries come.
  18. The character of Fred Simmons is a Cliff Clavin-esque sensei deluxe in The Foot Fist Way, a low-budget, low-flying farce a la "Napoleon Dynamite" or "Jackass: The Movie."
  19. Scripter Howard A. Rodman's treatment of an enthralling book is more a series of vignettes rather than a fully connected work, and helmer Tom Kalin seems unable to decide how much Sirkian melodrama to introduce into the heady mix. Gone are the reasons to be fascinated with these people, merely replaced with maddeningly over-arch dialogue and struggles with characterization.
  20. Best in its small moments, the movie should find receptive gal pals congregating for the mother of all viewing parties.
  21. It's all efficiently nerve-jangling, with Tyler and Speedman credibly registering every hue of panic. Still, after such a long, creepy, cannily restrained buildup, it must be said the resolution is rather flat, a full-circle postscript rote.
  22. Brings peaks of violence and suspense to the vivid story of a young East European prostitute-turned-cleaning lady intent on carrying out a mysterious mission in Italy.
  23. Ingeniously nasty and often shockingly funny as it incrementally worsens a very bad situation, then provides a potent payoff with the forced feeding of just desserts.
  24. Scrub away a needlessly fussy visual style, trendy narrative tweaks and a climax both morally repugnant and logically absurd, and there’s a tough little noir about buried transgressions coming out of the past in Renny Harlin’s lackluster thriller “Cleaner.” Too mainstream to attract genre interest, and too tangled in its character motivations to sit well with the multiplex crowd, this is a minor stain that should fade quickly and leave only faint traces in ancillary.
  25. Giving Jonathan Rhys Meyers the kind of manly yet paternal role Spencer Tracy once mastered, this carefully wrought international production relates the basic story of reporter George Hogg without any vibrancy, emotion or style.
  26. A blackly comic take on the first totally outsourced war? We're too close to being in one right now, which makes this John Cusack vehicle too close for comfort. It's also so close to being funny you can just about taste it -- just about.
  27. This anything-goes exercise isn't dull -- one just wishes the outrageousness were more consistently funny.
  28. Nineteen years after their last adventure, director Steven Spielberg and star Harrison Ford have no trouble getting back in the groove with a story and style very much in keeping with what has made the series so perennially popular.
  29. Superbly cast drama, in which the lives and emotional arcs of six people -- four Turks and two Germans -- criss-cross through love and tragedy.
  30. Predicament makes the picture kin to 2001's "Trembling Before G-d," about gay Orthodox Jews. Both docs share the same fascination and limitation.

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