Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
  1. A filthy-rich fantasy for these cash-strapped times, Beverly Hills Chihuahua features the voices of Drew Barrymore and much of the industry's top Latino talent in a live-action talking-dog lark that should please young pups.
  2. Meirelles' slickly crafted drama rarely achieves the visceral force, tragic scope and human resonance of Saramago's prose.
  3. Moderately inspiring in the way such true-life stories of "the indomitable human spirit" are always constructed to be.
  4. Conservatives score a few political points but aren't very funny in An American Carol, a cheesy spitball directed at the very large target of a Michael Moore-like filmmaker.
  5. Cleverly titled but noxious British comedy.
  6. This is the kind of sparsely plotted comedy that depends on compelling characters, but it stars two young actors defined by ironic detachment.
  7. This amusing rather than laugh-out-loud funny project is best suited to smallscreen exposure.
  8. Bloody and irredeemably misanthropic, Canadian funeral farce Just Buried nonetheless has enough charm to make for a sporadically enjoyable if wildly uneven entry in the growing body of cheeky corpse comedies initiated by Hitchcock's "The Trouble With Harry."
  9. A rock-ribbed sense of committed, personal cinema and a core belief in people being able to pull themselves out of misery supports Ballast, an extraordinary debut by editor-writer-director Lance Hammer.
  10. It's hard to find the genuine heartfelt moments in The Lucky Ones.
  11. Cameron is genuinely compelling as Caleb.
  12. The performances are credible across the board, excessive sentimentality is largely avoided, and the sequences devoted to rough-and-tumble rugby match-ups are expertly shot and edited.
  13. Diane Keaton can still sink her actorly teeth into a wacked-out character, and Vince Di Meglio's screwball comedy provides her with one of her best purely comedic roles since "Annie Hall."
  14. The picture's first 35 minutes sizzle until a Byzantine plot nudges the story toward near-parody in the final act.
  15. This is a sloppy stew in which the ingredients of battle action, murder mystery, little-kid sentiment and history lesson don't mix well.
  16. Palahniuk's antic absurdism is duly present, but the hurtling pace and barely-underlying nihilism that transferred to screen so vividly in "Fight Club" aren't much in evidence here.
  17. Hardly groundbreaking, but for those with an appetite for an increasingly rare gust of unapologetic romance, well, as they say, any port in a storm.
  18. Likeable if rambling first feature by Icelandic helmer Olaf de Fleur Johannesson ("Africa United") evinces the helmer's background in documaking, and reps a kind of quasi-doc itself with real-life trannies riffing on their own personas.
  19. Its low-key charms are considerable enough to engage venturesome ticketbuyers.
  20. The case for publisher Barney Rosset's place as a hero in post-war America's battle for freedom of expression is persuasively argued in Obscene.
  21. A disappointingly stilted melodrama masquerading as a political thriller.
  22. Deeply influential, even to his enemies, Atwater's career is viewed here with fascination and some sympathy.
  23. A one-note celebration of violence-for-good that plays like a recruitment film for fascist thugs.
  24. A quiet work with Ozu-like structure and concerns, but remains more an intellectual exercise than one from the heart.
  25. Harris' first directorial outing since his impressive and entirely different "Pollock" biopic bears echoes of many genre predecessors, especially Howard Hawks' "Rio Bravo" -- but echoes they remain.
  26. Picture's ambition, cogency and decent performances make up for its uneven aspects. Woody Harrelson has some especially good moments as a cop.
  27. A serviceable picture that offers all the sumptuous visual pleasures of a historical costume drama, yet little in the way of actual history.
  28. An indigestible gumbo of Southern Gothic ingredients seasoned with snake oil, biblical hash and thoroughly unpalatable spice.
  29. Delivers fairly tense and engrossing drama before succumbing to thriller convention.
  30. Smartly supernatural, and featuring sensational performances by Ricky Gervais and Tea Leoni, Ghost Town is a "Topper" for our times.

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