For 17,805 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17805
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Mixed: 7,020 out of 17805
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Negative: 1,637 out of 17805
17805
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
A filthy-rich fantasy for these cash-strapped times, Beverly Hills Chihuahua features the voices of Drew Barrymore and much of the industry's top Latino talent in a live-action talking-dog lark that should please young pups.- Variety
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Reviewed by
Justin Chang
Meirelles' slickly crafted drama rarely achieves the visceral force, tragic scope and human resonance of Saramago's prose.- Variety
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Todd McCarthy
Moderately inspiring in the way such true-life stories of "the indomitable human spirit" are always constructed to be.- Variety
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Reviewed by
Todd McCarthy
Conservatives score a few political points but aren't very funny in An American Carol, a cheesy spitball directed at the very large target of a Michael Moore-like filmmaker.- Variety
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Todd McCarthy
Cleverly titled but noxious British comedy.- Variety
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Reviewed by
John Anderson
This is the kind of sparsely plotted comedy that depends on compelling characters, but it stars two young actors defined by ironic detachment.- Variety
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Dennis Harvey
This amusing rather than laugh-out-loud funny project is best suited to smallscreen exposure.- Variety
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Andrew Barker
Bloody and irredeemably misanthropic, Canadian funeral farce Just Buried nonetheless has enough charm to make for a sporadically enjoyable if wildly uneven entry in the growing body of cheeky corpse comedies initiated by Hitchcock's "The Trouble With Harry."- Variety
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Robert Koehler
A rock-ribbed sense of committed, personal cinema and a core belief in people being able to pull themselves out of misery supports Ballast, an extraordinary debut by editor-writer-director Lance Hammer.- Variety
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Todd McCarthy
It's hard to find the genuine heartfelt moments in The Lucky Ones.- Variety
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- Variety
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Reviewed by
Joe Leydon
The performances are credible across the board, excessive sentimentality is largely avoided, and the sequences devoted to rough-and-tumble rugby match-ups are expertly shot and edited.- Variety
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John Anderson
Diane Keaton can still sink her actorly teeth into a wacked-out character, and Vince Di Meglio's screwball comedy provides her with one of her best purely comedic roles since "Annie Hall."- Variety
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Robert Koehler
The picture's first 35 minutes sizzle until a Byzantine plot nudges the story toward near-parody in the final act.- Variety
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Todd McCarthy
This is a sloppy stew in which the ingredients of battle action, murder mystery, little-kid sentiment and history lesson don't mix well.- Variety
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Dennis Harvey
Palahniuk's antic absurdism is duly present, but the hurtling pace and barely-underlying nihilism that transferred to screen so vividly in "Fight Club" aren't much in evidence here.- Variety
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Brian Lowry
Hardly groundbreaking, but for those with an appetite for an increasingly rare gust of unapologetic romance, well, as they say, any port in a storm.- Variety
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Leslie Felperin
Likeable if rambling first feature by Icelandic helmer Olaf de Fleur Johannesson ("Africa United") evinces the helmer's background in documaking, and reps a kind of quasi-doc itself with real-life trannies riffing on their own personas.- Variety
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Joe Leydon
Its low-key charms are considerable enough to engage venturesome ticketbuyers.- Variety
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Alissa Simon
The case for publisher Barney Rosset's place as a hero in post-war America's battle for freedom of expression is persuasively argued in Obscene.- Variety
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Alissa Simon
A disappointingly stilted melodrama masquerading as a political thriller.- Variety
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Robert Koehler
Deeply influential, even to his enemies, Atwater's career is viewed here with fascination and some sympathy.- Variety
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Jay Weissberg
A one-note celebration of violence-for-good that plays like a recruitment film for fascist thugs.- Variety
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Todd McCarthy
A quiet work with Ozu-like structure and concerns, but remains more an intellectual exercise than one from the heart.- Variety
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Todd McCarthy
Harris' first directorial outing since his impressive and entirely different "Pollock" biopic bears echoes of many genre predecessors, especially Howard Hawks' "Rio Bravo" -- but echoes they remain.- Variety
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Dennis Harvey
Picture's ambition, cogency and decent performances make up for its uneven aspects. Woody Harrelson has some especially good moments as a cop.- Variety
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Justin Chang
A serviceable picture that offers all the sumptuous visual pleasures of a historical costume drama, yet little in the way of actual history.- Variety
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Todd McCarthy
An indigestible gumbo of Southern Gothic ingredients seasoned with snake oil, biblical hash and thoroughly unpalatable spice.- Variety
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Dennis Harvey
Delivers fairly tense and engrossing drama before succumbing to thriller convention.- Variety
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John Anderson
Smartly supernatural, and featuring sensational performances by Ricky Gervais and Tea Leoni, Ghost Town is a "Topper" for our times.- Variety
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