Variety's Scores

For 17,805 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17805 movie reviews
  1. Stripped of "Royale's" humor, elegance and reinvented old-school stylishness, Quantum has little left except its plot, which is rudimentary and slightly barmy, in the line of the Roger Moore pics of the '70s and '80s.
  2. Largely thanks to the snappy editing, short scenes and a strong cast led by a matronly Deveuve and Amalric's enjoyable perf as the black sheep of the family, A Christmas Tale never devolves into a tedious two-and-a-half hours of self-examination. But it also never goes very far, either.
  3. Picture loses its delicate edge when it builds to a prescribed dramatic flashpoint within an overly compressed timeframe
  4. Meandering mindlessly, Wizards comes off as yet another humdrum Pottery artifact.
  5. Gay's the way, but the way's not really gay, in the fluffy and largely entertaining Dostana.
  6. With Davi and Chazz Palminteri fronting a first-rate ensemble cast, and a tasty soundtrack of golden oldies, this unpretentious indie dramedy has much to recommend.
  7. Comedic and sentimental beats are as predictable as the storytelling is sloppy.
  8. Driven by fantastic energy and a torrent of vivid images of India old and new, Slumdog Millionaire is a blast.
  9. Laden with more than enough profane humor to warrant its R rating, this is nonetheless a formulaic crowd-pleaser.
  10. A French-language meta-movie parody par excellence, constitutes the headiest stretch of the beefy star's career since, well, ever.
  11. Opening half-hour has some of the best stuff in the movie, walking a precarious line between black irony and showing the war from a totally German viewpoint, without tipping over into gallows humor or parody.
  12. Well-meaning but underachieving drama.
  13. Lively and quite funny without being obnoxious, this follow-up smoothly mixes the original's New York Zoo escapees with a number of engaging new characters.
  14. Gini Reticker's lucidly impassioned film, filled with strong, eloquent spokeswomen, garnered Tribeca's docu award.
  15. So over-the-top it's purple. At the same time, it's not too many lengths of intestine beyond some mainstream movies, "Sweeney Todd" being the most obvious comparison.
  16. There's a nice chemistry between Mac and Samuel L. Jackson in this latest variant of the road movie, which contains comedic elements but actually works better as a drama.
  17. Meandering at the same draggy pace as its titular gay zombie, eroto-horror-satire mixes movie-within-a-movie machinations with graphic sex scenes that will titillate anyone who's ever wanted to see someone shagging an open wound.
  18. The way Kuenne presents the material, with an aggressive style that lingers less than a second on most shots, it's impossible not to feel emotionally exhausted.
  19. Eden Lake doesn't feel like torture porn so much as a rural-jeopardy thriller in extremis.
  20. This softcore thriller runs strictly by the numbers.
  21. A spare, effective and genuinely frightening retro-nightmare.
  22. It would be too much to say that what Smith has come up with here is inspired, but it is pretty funny and very energetic.
  23. Cheerfully embracing his status as cult B-movie genre megastar even as he sends it up, Bruce Campbell's sophomore directorial excursion, My Name is Bruce, is a big in-joke of definite if limited appeal.
  24. As cross-cultural bridge-builders go, picture is smart, funny and sweet enough to make you reassess your attitude next time you get reach tech support in New Delhi.
  25. A story very much by, about and for middle-aged men, and with the commercial limitations that implies, this intermittently amusing outing is graced by one of Robert De Niro’s more engaging performances of recent vintage.
  26. A humorless, relentlessly ethnocentric docu about Jews in basketball.
  27. Calling to mind the work of Anne Rice and Stephen King, atmospheric adaptation of Swedish author John Ajvide Lindqvist's bestseller is well directed by his countryman Tomas Alfredson ("Four Shades of Brown") and should click with cult and arthouse auds.
  28. A wildly ambitious and gravely serious contemplation of life, love, art, human decay and death, the film bears Kaufman’s scripting fingerprints in its structural trickery and multiplane storytelling.
  29. Emotionally powerful and stylistically sure-handed, this true story-inspired drama begins small with the disappearance of a young boy, only to gradually fan out to become a comprehensive critique of the entire power structure of Los Angeles, circa 1928.
  30. A movie that is utterly engrossing despite being, on the surface, about very little.

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