Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. Engaging documentary draws on plentiful archival footage and A-list interviewees, and should lure dedicated nostalgists.
  2. Darker, grimmer and more stylistically single-minded than its two relatively giddy predecessors, Terminator Salvation boasts the kind of singular vision that distinguished the James Cameron original, the full-throttle kinetics of "Speed" and an old-fashioned regard for human (and humanoid) heroics.
  3. Has some style as well as compelling content.
  4. A family ensembler of utter simplicity, Oliver Assayas' Summer Hours is a salutory (and belated) reminder that, as with his earlier Cold Water and Late August, Early September, some of this writer-director's best work comes in modest packages.
  5. Less turgid and aggravating than its predecessor, this cleverly produced melodrama remains hamstrung by novelist's Dan Brown's laborious connect-the-dots plotting and the filmmakers' prosaic literal-mindedness in the face of ripe historical antagonisms, mystery and intrigue.
    • 62 Metascore
    • 90 Critic Score
    Decidedly odd, even by Japanese standards, this mockumentary about an electrically charged, skyscraper-high superhero saddled with misfortune, bad press and even worse TV ratings is tears-down-the-face funny and a genuine, jaw-dropping oddity.
  6. The result is a rough-edged, head-scratching mix of tones. Fortunately, musicvideo vet Rhein's competent helming skills counterbalance her off-putting dialogue and flat acting style so that the picture doesn't come off strictly amateur.
  7. A tightly constructed "dramatic thriller" in which the tension comes as much from what the characters are thinking as from what they end up doing, Jerichow again confirms writer-helmer Christian Petzold ("Yella," "The State I Am In") as a world-class talent who remains underappreciated beyond Germany.
  8. Picture benefits greatly from appealing performances by Jennifer Aniston and Steve Zahn, who deftly apply darker emotional shadings to their characters when necessary, and equally fine work from a small ensemble of solid supporting players.
  9. This ambitious think-piece ultimately smothers its good intentions in didactic revelations, earnest pleading and incessant violin music. Engrossing nonetheless, the story of a high schooler troubled by his parents' legacy reps one of the Canadian writer-director's most accessible efforts.
  10. The miscalculated and overlong Julia proves a startling misfire for "The Dreamlife of Angels" writer-helmer Erick Zonca and dependably fearless actress Tilda Swinton.
  11. For much of its running time, Little Ashes wavers between the polite, stuffy style of a "Masterpiece Theater" production and the more pointed agenda of gay indie cinema, with real Spanish locations classing up the otherwise low-budget affair. Acting is stagy and hindered by thick Spanish accents.
  12. Bland as its title, Love N' Dancing extends the cliches of the dance-and-romance genre -- so overplayed that it's targeted for a Wayans brothers spoof later this month -- to the world of West Coast Swing.
  13. An altogether bumbling excuse for an action-comedy.
  14. An exploding bathroom stall of a movie, Outrage makes an excellent ipso facto case for itself: If closeted gay politicians vote against equal rights for gays to protect their own secrets, outing them is for the common good.
    • tbd Metascore
    • 20 Critic Score
    The heartstring-pulling contrivances of the film, set during Christmastime, go way over the top.
  15. Picture scores a solid goal for its national cinema and the cause of comedy.
  16. Blasting onto the screen at warp speed and remaining there for two hours, the new and improved Star Trek will transport fans to sci-fi nirvana.
  17. Worst of all, it just feels tired and recycled.
  18. In what's essentially a six-hander, the casting is aces. All actors turn in fine, naturalistic perfs, but it would be remiss not to remark on 83-year-old Thanheiser's profoundly moving turn as the grandfather.
  19. An old-fashioned postmodern hoot.
  20. As original and convincing a feature as the better Japanese animes of recent years --"Tekkonkinkreet" comes to mind, along with the slightly older "Metropolis."
  21. Mostly clunky and vaguely unsavory.
  22. Despite its shortcomings as a plausible, compelling story, The Merry Gentleman, Michael Keaton's directorial debut, exhibits genuine promise behind the camera.
  23. But gripping as the film often is, its unrelenting doom and gloom offers fewer lasting rewards.
  24. While it admirably avoids either schoolboyish titters or schoolmarmish prudery, the docu's cheery neutrality comes at the expense of any point of view at all.
  25. The film is banal by obvious intent. The only question, as with other Ellis adaptations including "American Psycho," is whether auds will appreciate the aggressively shallow depiction of an aggressively shallow milieu, or mistake the pic's implicit critique for the crime itself.
  26. Don't expect a pot full of boiling bunnies, because nothing so creatively crazy ever happens in Obsessed, a "Fatal Attraction"-inspired predatory-female domestic thriller that spends much time spinning its wheels and making auds practically beg for an explanation to all the madness and obsession.
  27. For all the utter phoniness of Fighting -- the cockeyed, faux-verite shooting, the lurches in storytelling, the lack of character development, a contrived crisis between Shawn and his would-be girlfriend Zulay and Tatum's dopey-charming thing--Fighting's not so bad.
  28. An intensely political film so wildly inventive and witty that it will become a touchstone for years to come, Il Divo is a masterpiece for maverick helmer-scribe Paolo Sorrentino.

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