For 17,807 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17807
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Mixed: 7,022 out of 17807
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Negative: 1,637 out of 17807
17807
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Engaging documentary draws on plentiful archival footage and A-list interviewees, and should lure dedicated nostalgists.- Variety
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Reviewed by
John Anderson
Darker, grimmer and more stylistically single-minded than its two relatively giddy predecessors, Terminator Salvation boasts the kind of singular vision that distinguished the James Cameron original, the full-throttle kinetics of "Speed" and an old-fashioned regard for human (and humanoid) heroics.- Variety
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Reviewed by
Leslie Felperin
Has some style as well as compelling content.- Variety
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Reviewed by
Derek Elley
A family ensembler of utter simplicity, Oliver Assayas' Summer Hours is a salutory (and belated) reminder that, as with his earlier Cold Water and Late August, Early September, some of this writer-director's best work comes in modest packages.- Variety
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Reviewed by
Todd McCarthy
Less turgid and aggravating than its predecessor, this cleverly produced melodrama remains hamstrung by novelist's Dan Brown's laborious connect-the-dots plotting and the filmmakers' prosaic literal-mindedness in the face of ripe historical antagonisms, mystery and intrigue.- Variety
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- Critic Score
Decidedly odd, even by Japanese standards, this mockumentary about an electrically charged, skyscraper-high superhero saddled with misfortune, bad press and even worse TV ratings is tears-down-the-face funny and a genuine, jaw-dropping oddity.- Variety
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Reviewed by
Ronnie Scheib
The result is a rough-edged, head-scratching mix of tones. Fortunately, musicvideo vet Rhein's competent helming skills counterbalance her off-putting dialogue and flat acting style so that the picture doesn't come off strictly amateur.- Variety
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Reviewed by
Derek Elley
A tightly constructed "dramatic thriller" in which the tension comes as much from what the characters are thinking as from what they end up doing, Jerichow again confirms writer-helmer Christian Petzold ("Yella," "The State I Am In") as a world-class talent who remains underappreciated beyond Germany.- Variety
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Reviewed by
Joe Leydon
Picture benefits greatly from appealing performances by Jennifer Aniston and Steve Zahn, who deftly apply darker emotional shadings to their characters when necessary, and equally fine work from a small ensemble of solid supporting players.- Variety
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Reviewed by
Justin Chang
This ambitious think-piece ultimately smothers its good intentions in didactic revelations, earnest pleading and incessant violin music. Engrossing nonetheless, the story of a high schooler troubled by his parents' legacy reps one of the Canadian writer-director's most accessible efforts.- Variety
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Reviewed by
Eddie Cockrell
The miscalculated and overlong Julia proves a startling misfire for "The Dreamlife of Angels" writer-helmer Erick Zonca and dependably fearless actress Tilda Swinton.- Variety
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Reviewed by
Peter Debruge
For much of its running time, Little Ashes wavers between the polite, stuffy style of a "Masterpiece Theater" production and the more pointed agenda of gay indie cinema, with real Spanish locations classing up the otherwise low-budget affair. Acting is stagy and hindered by thick Spanish accents.- Variety
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Reviewed by
Peter Debruge
Bland as its title, Love N' Dancing extends the cliches of the dance-and-romance genre -- so overplayed that it's targeted for a Wayans brothers spoof later this month -- to the world of West Coast Swing.- Variety
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- Variety
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Reviewed by
John Anderson
An exploding bathroom stall of a movie, Outrage makes an excellent ipso facto case for itself: If closeted gay politicians vote against equal rights for gays to protect their own secrets, outing them is for the common good.- Variety
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- Critic Score
The heartstring-pulling contrivances of the film, set during Christmastime, go way over the top.- Variety
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Reviewed by
John Anderson
Picture scores a solid goal for its national cinema and the cause of comedy.- Variety
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Reviewed by
Todd McCarthy
Blasting onto the screen at warp speed and remaining there for two hours, the new and improved Star Trek will transport fans to sci-fi nirvana.- Variety
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- Variety
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Reviewed by
Alissa Simon
In what's essentially a six-hander, the casting is aces. All actors turn in fine, naturalistic perfs, but it would be remiss not to remark on 83-year-old Thanheiser's profoundly moving turn as the grandfather.- Variety
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- Variety
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Reviewed by
John Anderson
As original and convincing a feature as the better Japanese animes of recent years --"Tekkonkinkreet" comes to mind, along with the slightly older "Metropolis."- Variety
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- Variety
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Reviewed by
Todd McCarthy
Despite its shortcomings as a plausible, compelling story, The Merry Gentleman, Michael Keaton's directorial debut, exhibits genuine promise behind the camera.- Variety
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Reviewed by
Justin Chang
But gripping as the film often is, its unrelenting doom and gloom offers fewer lasting rewards.- Variety
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Reviewed by
Andrew Barker
While it admirably avoids either schoolboyish titters or schoolmarmish prudery, the docu's cheery neutrality comes at the expense of any point of view at all.- Variety
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Reviewed by
Rob Nelson
The film is banal by obvious intent. The only question, as with other Ellis adaptations including "American Psycho," is whether auds will appreciate the aggressively shallow depiction of an aggressively shallow milieu, or mistake the pic's implicit critique for the crime itself.- Variety
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Reviewed by
John Anderson
Don't expect a pot full of boiling bunnies, because nothing so creatively crazy ever happens in Obsessed, a "Fatal Attraction"-inspired predatory-female domestic thriller that spends much time spinning its wheels and making auds practically beg for an explanation to all the madness and obsession.- Variety
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Reviewed by
John Anderson
For all the utter phoniness of Fighting -- the cockeyed, faux-verite shooting, the lurches in storytelling, the lack of character development, a contrived crisis between Shawn and his would-be girlfriend Zulay and Tatum's dopey-charming thing--Fighting's not so bad.- Variety
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Reviewed by
Jay Weissberg
An intensely political film so wildly inventive and witty that it will become a touchstone for years to come, Il Divo is a masterpiece for maverick helmer-scribe Paolo Sorrentino.- Variety
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