Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. Competent but unimaginative horror entry.
  2. Though picture is downbeat and defiantly low-budget, its laid-back absurdist tone and no-nonsense pacing make for an audio-visual delight.
  3. Dazzlingly well made and perhaps deliberately less fanciful than the previous entries, this one is played in a mode closer to palpable life-or-death drama than any of the others and is quite effective as such.
  4. Basically a comedy but with typically Meadowsian dark edges, it forms an affectionate tribute to cross-cultural friendship and the rapidly changing landscape known as Somers Town.
  5. Undeniably funny, outrageous and boundary-pushing, this further documentation of Sacha Baron Cohen's sheer nerve will draw an abundant share of "Borat" fans.
  6. A visually mangy but frequently hilarious low-budgeter.
  7. While foreign viewers are apt to focus on the action, native English speakers can't help but notice the sheer awkwardness of the performances.
  8. Peaks early -- like, during the first three minutes -- and rapidly goes downhill from there.
  9. Joyously funky documentary.
  10. Engaging lead performances and snatches of witty repartee help lubricate the creaky plot mechanics in Weather Girl, a lightly amusing but thoroughly predictable dramedy.
  11. Director-producer Aviva Kempner's well-researched but unchallenging docu, like "The Goldbergs" itself, has cross-cultural appeal for Jews and goyim alike.
    • 72 Metascore
    • 50 Critic Score
    A lazy exercise in cute minimalist humor, low-budget but visually glossy Mexican film Lake Tahoe is so dry and slight that it threatens to drift right off the screen.
  12. A plodding mediocrity with an almost mercenary adherence to formula.
  13. A generally entertaining piece of fluff that's kept afloat by a weathered cast including Fabrice Luchini and Roschdy Zem.
  14. Balancing black humor against allegorical indictment of the Pinochet regime's oppression on narrow stack heels, striking, very offbeat period pic Tony Manero follows a psychotic petty criminal into the depths of his crazed obsession with John Travolta's character in "Saturday Night Fever."
    • 86 Metascore
    • 70 Critic Score
    Oddball mix that may strike some as overly whimsical but should delight the filmmaker's many fans.
  15. Oddly, too, the film is somewhat shortchanged by its great star, Johnny Depp, who disappointingly has chosen to play Dillinger as self-consciously cool rather than earthy and gregarious.
  16. With appreciably greater emphasis on action than its predecessors, and clever use of 3-D trickery to enhance storytelling as well as offer spectacle, Ice Age: Dawn of the Dinosaurs could prove the third time really is the charm.
  17. Boal's script stirs a little of everything into the pot, which boils down into seven setpieces divided by brief intervals of camaraderie/conflict among the three protags.
  18. Unsubtle, uneven and undeniably effective, this take-no-prisoners cancer weepie poses a fascinating moral quandary.
  19. Not the slickest or most crowd-pleasing among many recent performance-competition docus, it's nonetheless absorbing for the light it casts on those many Afghanis who want an end to guns and fanaticism, and the return of a social liberalism.
  20. Like a passable bottle of champagne, Cheri fizzes and slides down quite easily but lacks real body and doesn't really hit the spot.
  21. Nowhere near as much fun as its title, playing out like an unusually obtuse episode of "The Wire."
  22. A mildly amusing trifle with one of the genre's dafter plot twists.
  23. As the industry reshapes itself, this drama by helmer Kabir Khan -- with its bold, righteous, anti-Bush administration bent -- could cut out a new constituency for a genre usually devoted to purely escapist entertainment.
  24. Beautifully modulated, fluidly told film expresses pain with warm understatement.
  25. Little seems new compared to the first installment, except that this version is longer, louder, and perhaps "more than your eye can meet" in one sitting.
  26. This far-fetched, deliberately artificial game of musical chairs -- in which mismatched characters encircle, attract and repel each other -- feels forced, often losing itself in excess verbiage.
  27. The Proposal won't catch any bouquets for originality, but in terms of a bended-knee pitch for the affections of women -- including Ryan Reynolds’ boyish charms, a hip granny and even a beyond-adorable puppy -- this romantic comedy pretty much pulls out all the stops.
  28. Lacks seismic guffaws but elicits many mild smiles.

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