Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. Kalmbach’s laid-back approach proves more likable than revelatory.
  2. Bristling with wry wit and peopled with a rogue's gallery of disaffected losers.
  3. Breaking through any period-piece mustiness with piercing insight into the emotions and behavior of her characters, the writer-director examines the final years in the short life of 19th-century romantic poet John Keats through the eyes of his beloved, Fanny Brawne, played by Abbie Cornish in an outstanding performance.
  4. Claire Denis’ latest may appear whisper-thin on the surface, yet it’s marvelously profound, illuminating the love between a father and daughter but also highlighting the difficulty of relinquishing what most people spend a lifetime putting into place.
  5. Crams a wealth of material into 90 minutes without losing clarity or momentum.
  6. Perry's latest emotional roller coaster starts with considerable promise and a high-wattage cast, including Taraji P. Henson and singers Gladys Knight and Mary J. Blige, before giving way to melodramatic predictability.
  7. Despite teasing hints of supernatural influences throughout much of the storyline, Not Forgotten satisfies as a solidly crafted and persuasively acted thriller that relies more on dark secrets than black magic.
  8. Goes down far easier than, say, an all-natural, fiber-enriched peanut butter sandwich without a glass of soy milk. It's that rare doc (these days) that could go theatrical, largely because it's a film about a couple, more than a movement.
    • 24 Metascore
    • 50 Critic Score
    An average slasher picture that meanders indecisively between gore and gags.
  9. The bros are built, and "Hand," with its gorgeous shots of mist-shrouded woods and sun-burnished hay, plus a brief but rapturous foray into gay sex, may attract queer auds.
  10. Its amusingly off-kilter humor underserved by pedestrian packaging, Dave Boyle's sophomore feature, White on Rice, is the kind of comedy that hinges on a protagonist near-imbecilic in all matters social, physical and especially romantic.
  11. 9
    Design aspects are arresting and the filmmaker's abilities are obvious, but the basic survival story remains slight, just as the general setting, no matter how artfully imagined, is by now pretty familiar.
  12. Picture makes an engrossing case for justice.
  13. The audience gets played in Gamer. This latest eye-scraper from writer-directors Mark Neveldine and Brian Taylor is as hopped up as their "Crank" pics, but with dour Gerard Butler as a soldier commandeered by a teenage gamer, it's considerably less interactive.
  14. Sitting through the picture is an endurance test.
  15. This film will delight both discriminating fans of the blaxploitation tradition and ordinary lovers of goofy, in-ya-face thrills.
  16. The picture's attempts at comic portraiture feel sketchy at best, more or less assigning each character a single, belabored trait.
  17. A culture-clash dramedy whose background in Middle-East conflict is leavened with vibrant energy, balanced politics and droll humor by first-time feature director Cherien Dabis.
  18. Carriers has moments of genuinely communicable horror.
  19. Picture touchingly conveys the everyday closeness of the Rashevskis, who are wont to tango their troubles away, but spiritual upheavals and tonal shifts feel artificial and strained.
  20. A radiant perf by Annie Parisse and a virtuoso turn by Eli Wallach are insufficient to lift this male intergenerational angst-fest out of the ghetto.
  21. The filmmakers' metaphor of the housing market as a casino, with hard-working people's homes used as chips, although apt, may lack the visual and visceral excitement.
  22. An exquisitely tender tale of two young Euro immigrants trying to find themselves (but not each other) in contempo London, Unmade Beds has a lively, romantic spirit that recalls the playfulness and spontaneity of the French New Wave.
  23. With an array of gory mayhem only marginally enhanced by 3-D and a plot as developed as a text message, The Final Destination may finally sound the death knell for New Line's near-immortal horror franchise.
  24. A genuinely funny but amateurishly constructed laffer from Derrick Comedy, a troupe of YouTube-savvy NYU grads with promising writing careers ahead of them.
  25. Boasting strong performances by Jeff Bridges and Justin Timberlake.
  26. A dishy and engrossing peek inside the fashion world’s corridors of power -- every bit as slickly packaged as the publication it seeks to uncover.
  27. This astounding new documentary burrows into the thin and darkly funny spaces between artistry and vanity, isolation and community, collaboration and exploitation, sanity and madness.
  28. Mildly amusing result, with plenty of slack in its 100 minutes, should work OK with its target audience of female Brit tweenies, who won't notice the pic's shoddy technical package, sloppy direction and the way the original films' antiestablishment tone has morphed into a celebration of dumbed-down "yoof" culture.
  29. A nonfiction pirate movie that tickles one’s inner eco-radical.

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