Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. Lars von Trier cuts a big fat art-film fart with Antichrist. As if deliberately courting critical abuse, the Danish bad boy densely packs this theological-psychological horror opus with grotesque, self-consciously provocative images.
  2. What rankles most about Amelia is the timidity and lack of imagination with which Nair approaches one of America's most exceptional and intriguing celebrity life stories.
  3. Appropriately for a film about robots, efficiency is the primary virtue of Astro Boy, a well-oiled CG-animated superhero pic that makes up in competence and vitality what it lacks in originality.
  4. The Vampire's Assistant is too busy making impossible claims about just how spectacular its sequels will be to serve up a self-contained story with a satisfying finale.
  5. A film so frighteningly familiar it could well be called "Saw It Already."
  6. Though pregnant with possibility, Motherhood fails to deliver.
  7. Very Korean in its emotional content, while also preserving a quizzical distance that is quite French, picture is one of his lightest and most easily digestible metaphysical meals to date.
  8. Frequently cutting away from storylines just before they peak and returning to them too much later, odd editing/structural choices never let the picture build up a satisfying head of steam. Overall look is just slightly better than homevideo.
  9. An enthralling docudrama that examines the Dutch master's most famous painting, "The Night Watch," for proof that it was responsible for his dramatic fall from grace.
  10. Director Spike Jonze's sharp instincts and vibrant visual style can't quite compensate for the lack of narrative eventfulness that increasingly bogs down this bright-minded picture.
  11. True torture-porn aficionados will be disappointed, as editor Tariq Anwar cuts away right before blade meets flesh -- a move that feels a tad, well, gutless under the circumstances. But elsewhere, "Citizen" proves startlingly graphic, even by R-rated standards.
  12. The results are, well, formulaic, hobbled by weak dialogue and absent any sense of texture.
  13. Will have to overcome an unfortunate title and competition from this year's other nutrition-oriented titles, though it's a natural for the crunchy crowd.
  14. McCormick's Stepfather boasts a decent script by J.S. Cardone, but it seems to have been made in a bubble, as if nothing had transpired in the world of slasher/horror since the late Donald Westlake ("The Grifters") wrote the much-respected original.
  15. Sentimental and a bit too cute in evoking a child's-eye view, the picture, nevertheless will please its target Jewish auds.
  16. Saavedra is riveting as a servant whose unblinking focus on her routine masks a profound loneliness.
  17. Artfully observed, it's content to let Linda be the sole, compelling focal point.
  18. Carey Mulligan shines in a captivating performance.
  19. Telling with a light, surefooted touch a legendary tale from British soccer history, The Damned United reps the latest collaboration in factual fiction between chameleon thesp Michael Sheen, screenwriter Peter Morgan and producer Andy Harries ("Frost/Nixon," "The Queen").
  20. Those involved got to spend weeks at a Bora Bora luxury resort; all we get is this not lousy but unmemorable tropical-vacation comedy.
  21. Too smart/arty for the slasher set, and too violent for high-brows, Bronson may have a tough time finding its niche, although it has "cult hit" written all over it.
  22. A raucous and rigorous inquiry into the subject of African-American hair -- the stigmas, the secrets, the shocking price of maintenance -- that gets at universal but rarely discussed truths about black femininity.
  23. Playing a negligent mother isn't usually the way to get ahead in the acting biz, but the elfin Michelle Monaghan must have seen Trucker as her vehicle out of the ingenue parking lot of sidekicks and potential hostages.
  24. Eating Out: All You Can Eat somewhat departs from the series' gay spin on the raunchy teen sex comedy in favor of semi-sincere romantic comedy -- after a crass and abysmal first stretch, that is.
  25. Absurdist underdog yarn that feels positively Martian in its brand of tom-tomfoolery. Like a "Saturday Night Live" sketch gone on too long, Ari Gold's feature debut will tax unsuspecting viewers, while sending those on Gold's special wavelength into seizures of delight.
  26. There's scarcely a boxing-movie cliche left unrecycled by the end of From Mexico With Love, an inaptly titled and thoroughly predictable indie drama directed by vet stunt coordinator and fight choreographer Jimmy Nickerson.
  27. An aggravating romance that runs only 78 minutes but ends not a moment too soon.
  28. Finds its titular merry pranksters up to yet more capitalist-critiquing chicanery and fat-cat-fooling fun.
  29. Feels like it was made more for the kids' sake than to communicate their story to outside audiences, who would likely prefer a condensed newsmag-style recap.
  30. Trick ‘r Treat neatly apportions scary and campy elements while cleverly interlacing four storylines on Halloween night in an Ohio hamlet.

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