For 17,807 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17807
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Mixed: 7,022 out of 17807
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Negative: 1,637 out of 17807
17807
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
The timing in the Clooney-Farmiga scenes is like splendid tennis, with each player surprising the other with shots but keeping the rally going to breathtaking duration.- Variety
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Reviewed by
Todd McCarthy
Solid middlebrow biographical fare in which meaty roles are acted to the hilt by a cast more than ready for the feast.- Variety
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Reviewed by
Dennis Harvey
Fangs aside, it sticks with the same basic menu of T&A and lowbrow humor.- Variety
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Reviewed by
Justin Chang
Though it renders a convincing portrait of fractured family life and boasts its share of powerfully acted moments, this schematic tale of two siblings, ripped apart by jealousy, misunderstanding and unshakable trauma, plays like a more polished but less effective twin to the 2005 Danish original.- Variety
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Reviewed by
Rob Nelson
A so-so heist-gone-awry thriller, light on the thrills, Armored doesn't exactly take its audience captive.- Variety
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Andrew Barker
Though a bit too artful to merit the pejorative "tearjerker" label, the film is rigorously streamlined to deliver a good emotional uppercut by the end, and purely on the strength of its craft, it connects.- Variety
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Reviewed by
Justin Chang
Overplotted and underwhelming, Breaking Point is the type of movie that finds it necessary to invent a far-reaching legal/political conspiracy just so one guy can redeem himself by overthrowing it.- Variety
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John Anderson
A less-than-frothy domestic showdown starring Meg Ryan and Timothy Hutton, it owes as much to Edward Albee as to Nora Ephron, with an occasional nod to "A Clockwork Orange."- Variety
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Reviewed by
John Anderson
Marder, surely, was looking for a big bonanza at the end of Loot, but suspense and catharsis prove as elusive as two old men's memories.- Variety
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Reviewed by
Derek Elley
Though unrecognizable, Amitabh Bachchan is the star of -- and the only reason to go see -- Paa.- Variety
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Andrew Barker
It's certainly an unusual movie, aiming more often than not for pathos rather than pratfalls while nonetheless maintaining a slapstick tone, but it remains resolutely unmemorable.- Variety
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John Anderson
Stylistic overreach and neglect of the uninitiated make Until the Light Takes Us a too-specialized examination of Norway's black-metal movement and the aberrant culture surrounding it.- Variety
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- Variety
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Alissa Simon
A profound, elemental and hauntingly beautiful period drama that makes an intimate story of endurance into a metaphor for an entire culture.- Variety
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Reviewed by
John Anderson
Often wryly hilarious, completely overboard and unpredictable.- Variety
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Reviewed by
Alissa Simon
Feels as schizophrenic as its eponymous heroine.- Variety
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Rob Nelson
Typically sharp work by d.p. Agnes Godard and lead thesp Isabelle Huppert.- Variety
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Reviewed by
Todd McCarthy
Except for the physical aspects of this bleak odyssey by a father and son through a post-apocalyptic landscape, this long-delayed production falls dispiritingly short on every front.- Variety
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Justin Chang
This cheeky update of a classic fairy tale boasts almost as many talking points as merchandising opportunities.- Variety
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Reviewed by
Dennis Harvey
Too bad this shrilly tuned comedy doesn't demand more than clock-punching effort from everyone involved.- Variety
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Reviewed by
Rob Nelson
Seemingly made to capitalize on a dubious CG innovation -- namely, the slicing of bodies in half by whizzing five-pointed stars -- Ninja Assassin has little else to recommend it, not even laughs.- Variety
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Reviewed by
Todd McCarthy
There are moments, especially when Welles is alternating between acting as Brutus and directing everyone else, that it’s possible to forget you’re watching an actor and really believe you’re beholding Orson Welles at work.- Variety
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- Variety
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Reviewed by
Todd McCarthy
The film is offbeat, silly, disarming and loopy all at the same time, and viewers will decide to ride with that or just give up on it, according to mood and disposition.- Variety
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Jonathan Holland
A restless, rangy and frankly enjoyable genre-juggler that combines melodrama, comedy and more noir-hued darkness than ever before, the picture is held together by the extraordinary force of Almodovar’s cinematic personality.- Variety
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Jordan Mintzer
Carried by Kristen Stewart's compellingly dark performance, but also by helmer Chris Weitz's robust visuals.- Variety
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Todd McCarthy
There's nothing funny, provocative or involving about what "Shrek" co-writer Joe Stillman and the team from Madrid-based Ilion Animation Studios do with the notion here.- Variety
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Reviewed by
Leslie Felperin
End result is at once intelligent, wry and -- there's no way around it -- quintessentially Jewish, in the best sense.- Variety
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Reviewed by
Dennis Harvey
The diversity of visual tactics, characters, settings and incidents keep this shaggy-dog tale consistently diverting.- Variety
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Reviewed by
Leslie Felperin
As usual, Sokurov's unhurried pacing will test the patience of more fidgety viewers, although the script is more accessible than some of his recent efforts.- Variety
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