Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. The timing in the Clooney-Farmiga scenes is like splendid tennis, with each player surprising the other with shots but keeping the rally going to breathtaking duration.
  2. Solid middlebrow biographical fare in which meaty roles are acted to the hilt by a cast more than ready for the feast.
  3. Fangs aside, it sticks with the same basic menu of T&A and lowbrow humor.
  4. Though it renders a convincing portrait of fractured family life and boasts its share of powerfully acted moments, this schematic tale of two siblings, ripped apart by jealousy, misunderstanding and unshakable trauma, plays like a more polished but less effective twin to the 2005 Danish original.
  5. A so-so heist-gone-awry thriller, light on the thrills, Armored doesn't exactly take its audience captive.
  6. Though a bit too artful to merit the pejorative "tearjerker" label, the film is rigorously streamlined to deliver a good emotional uppercut by the end, and purely on the strength of its craft, it connects.
  7. Overplotted and underwhelming, Breaking Point is the type of movie that finds it necessary to invent a far-reaching legal/political conspiracy just so one guy can redeem himself by overthrowing it.
  8. A less-than-frothy domestic showdown starring Meg Ryan and Timothy Hutton, it owes as much to Edward Albee as to Nora Ephron, with an occasional nod to "A Clockwork Orange."
  9. Marder, surely, was looking for a big bonanza at the end of Loot, but suspense and catharsis prove as elusive as two old men's memories.
  10. Paa
    Though unrecognizable, Amitabh Bachchan is the star of -- and the only reason to go see -- Paa.
  11. It's certainly an unusual movie, aiming more often than not for pathos rather than pratfalls while nonetheless maintaining a slapstick tone, but it remains resolutely unmemorable.
  12. Stylistic overreach and neglect of the uninitiated make Until the Light Takes Us a too-specialized examination of Norway's black-metal movement and the aberrant culture surrounding it.
  13. Creepy but uneven.
  14. A profound, elemental and hauntingly beautiful period drama that makes an intimate story of endurance into a metaphor for an entire culture.
  15. Often wryly hilarious, completely overboard and unpredictable.
  16. Feels as schizophrenic as its eponymous heroine.
  17. Typically sharp work by d.p. Agnes Godard and lead thesp Isabelle Huppert.
  18. Except for the physical aspects of this bleak odyssey by a father and son through a post-apocalyptic landscape, this long-delayed production falls dispiritingly short on every front.
  19. This cheeky update of a classic fairy tale boasts almost as many talking points as merchandising opportunities.
  20. Too bad this shrilly tuned comedy doesn't demand more than clock-punching effort from everyone involved.
  21. Seemingly made to capitalize on a dubious CG innovation -- namely, the slicing of bodies in half by whizzing five-pointed stars -- Ninja Assassin has little else to recommend it, not even laughs.
  22. There are moments, especially when Welles is alternating between acting as Brutus and directing everyone else, that it’s possible to forget you’re watching an actor and really believe you’re beholding Orson Welles at work.
  23. Uplifting and entertaining feel-good, fact-based sports drama.
  24. The film is offbeat, silly, disarming and loopy all at the same time, and viewers will decide to ride with that or just give up on it, according to mood and disposition.
  25. A restless, rangy and frankly enjoyable genre-juggler that combines melodrama, comedy and more noir-hued darkness than ever before, the picture is held together by the extraordinary force of Almodovar’s cinematic personality.
  26. Carried by Kristen Stewart's compellingly dark performance, but also by helmer Chris Weitz's robust visuals.
  27. There's nothing funny, provocative or involving about what "Shrek" co-writer Joe Stillman and the team from Madrid-based Ilion Animation Studios do with the notion here.
  28. End result is at once intelligent, wry and -- there's no way around it -- quintessentially Jewish, in the best sense.
  29. Fix
    The diversity of visual tactics, characters, settings and incidents keep this shaggy-dog tale consistently diverting.
  30. As usual, Sokurov's unhurried pacing will test the patience of more fidgety viewers, although the script is more accessible than some of his recent efforts.

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