For 17,807 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17807
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Mixed: 7,022 out of 17807
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Negative: 1,637 out of 17807
17807
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
At 76 minutes, the film is nearly twice as long as even the band's most dedicated admirers might need, with weariness setting in around the 40-minute mark.- Variety
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Reviewed by
Rob Nelson
Neither the best nor the worst of movies derived from videogames, Street Fighter: The Legend of Chun-Li at least gives action fans plenty to ogle besides the titular heroine (Kristin Kreuk), whose original incarnation, legend has it, was among the first distaff figures controllable by joystick.- Variety
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John Anderson
Very little that anyone here says, or does, has the slightest connection to any known reality, and if a film is going to perform an autopsy on love, the corpse should at least be recognizable.- Variety
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Reviewed by
John Anderson
Like many aspects of An American Affair, the music and the lopsided dramatic priorities take the viewer right out of the movie.- Variety
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- Variety
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Reviewed by
Joe Leydon
Wildly uneven effort, which is notably more strained and slapdash than such earlier efforts as "Madea's Family Reunion" and "Tyler Perry's Meet the Browns."- Variety
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- Variety
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Reviewed by
Joe Leydon
A low-key charmer that's bound to enchant small children and amuse their parents during many hours of repeat viewings.- Variety
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- Variety
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Reviewed by
Leslie Felperin
This plays almost like an academic master class, meticulously exploring the event's ramifications but only catching full fire at the end.- Variety
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Jay Weissberg
Utilizing a mesmerizing documentary style that studiously avoids glamorizing the horrors, Garrone cherrypicks episodes from Saviano's muckraking tract, building to a chillingly matter-of-fact crescendo of violence, though interwoven tales tend to dissipate the full force of the criminal Camorra families' insidious control.- Variety
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Todd McCarthy
This very New York tale is old-fashioned in good ways that have to do with solid storytelling, craftsmanship and emotional acuity.- Variety
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Rob Nelson
As in his "Chainsaw" remake, Nispel's scare tactics amount to little more than carefully timed cattle-prod shocks, aided by high-volume speaker blasts that were beyond the budgetary reach of the early '80s films.- Variety
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Ronnie Scheib
Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye.- Variety
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Justin Chang
This eccentric and deliriously inventive fantasy finds stop-motion auteur Henry Selick scaling new heights of ghoulish whimsy, buoyed by a haunting score that works its own macabre magic.- Variety
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Reviewed by
John Anderson
No one has anything to distract them from the minutiae of their love lives, which they proceed to incinerate through overanalysis. It's a moral fable, maybe, if you make half a million a year.- Variety
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Todd McCarthy
Serves up enough goofy pranks and fractured wordplay to keep the series purring along.- Variety
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Reviewed by
Todd McCarthy
As a young lady who can't say no to a beautiful dress or accessory, Isla Fisher is not to be denied, and her irrepressible comic personality overcomes a number of the film's impediments.- Variety
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Reviewed by
Todd McCarthy
Graced with well-chosen location eye candy, Tom Tykwer's biggest production to date is proficient but lacks the added tension and characterization to put it anywhere near the top tier of contempo action suspensers.- Variety
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Reviewed by
Peter Debruge
End result feels like an uneven cross between an amateur "Project Greenlight" pic and such recent comedies as "Superbad" and "Pineapple Express," in which indie directors brought a certain edge to material that might once have felt more at home under the National Lampoon label.- Variety
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Reviewed by
Alissa Simon
With a low-budget look, cliched dialogue, a stale plot and so-so acting, this supernatural thriller is unlikely to achieve the phenomenal success of its fabled predecessor.- Variety
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Derek Elley
Neeson growls his way through the functional dialogue as an unstoppable killing machine in impressive, cold-eyed style.- Variety
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Dennis Harvey
Weak even by the standard of uninspired recent Asian-horror remakes, The Uninvited is more likely to induce snickers and yawns than shudders and yelps.- Variety
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Joe Leydon
It doesn't help that Zellweger, in an unfortunate attempt to make the aud appreciate her character's uptightness, spends many of the early scenes moving about as stiff as a flagpole in January.- Variety
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Jay Weissberg
Brillante Mendoza’s latest opus that revels in shock value.- Variety
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- Variety
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Reviewed by
Dennis Harvey
Senesh was a budding writer, and her poems and diary entries add flavor to an already dramatic tale in Roberta Grossman's Blessed Is the Match.- Variety
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Reviewed by
John Anderson
What needed to be a taut, structurally sound psychothriller instead malfunctions from the start.- Variety
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Reviewed by
Joe Leydon
First-time helmer Patrick Tatopoulos (who designed creatures for all three pics) offers a satisfyingly exciting monster rally that often plays like a period swashbuckler.- Variety
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Reviewed by
Todd McCarthy
Shows the sort of edge in places that will be appreciated by horror fanboys of all ages, but is mostly too overwrought and over-the-top.- Variety
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