Summary:Julia, 40, is an alcoholic. She is a manipulative, unreliable, compulsive liar, all strung out beneath her still flamboyant exterior. Between shots of vodka and one-night stands, Julia gets by on nickel-and-dime jobs. Increasingly lonely, the only consideration she receives comes from her friend Mitch, who tries to help her. But she shrugsJulia, 40, is an alcoholic. She is a manipulative, unreliable, compulsive liar, all strung out beneath her still flamboyant exterior. Between shots of vodka and one-night stands, Julia gets by on nickel-and-dime jobs. Increasingly lonely, the only consideration she receives comes from her friend Mitch, who tries to help her. But she shrugs him off, as her alcohol-induced confusion daily reinforces her sense that life has dealt her a losing hand and that she is not to blame for the mess she has made of it. Glimpsing imminent perdition, and after a chance encounter with Elena, a Mexican woman, Julia convinces herself – as much in panic and despair as for financial gain – to commit a violent act. As the story unfolds, Julia's journey becomes a headlong flight on a collision course, but somehow she makes the choice of life over death. (Magnolia Pictures)…Expand
I was memorized by Swinton's devasting performance from start to finish. Tilda does deserve an Oscar for this!
0 of 1 users found this helpful
10
JimF
May 13, 2009
For about its first hour, "Julia" is one of the craziest good films I've ever seen, and when the lunatic kidnapping plot is put in motion, I thought perhaps I should be calling 911 to have the director arrested for creating the illusion of child endangerment. But the extremely For about its first hour, "Julia" is one of the craziest good films I've ever seen, and when the lunatic kidnapping plot is put in motion, I thought perhaps I should be calling 911 to have the director arrested for creating the illusion of child endangerment. But the extremely talented, original, and authentic director Eric Zonca, with the great help of a career performance by Tilda Swinton, has something much better and more interesting in mind, a redemptive drama morphed from the shell of a gutsy portrait of addiction that is in every way the movie "Rachel Getting Married" wanted to be but couldn't. "Julia" never for one moment of its almost 2 1/2 hour length plays things safe, but it's a deeply human and satisfying movie all the same.…Expand
0 of 1 users found this helpful
10
BrentA
Jul 22, 2009
There are not enough words to describe the veracity of of Tilda Swinton's performance. She is unmatched in her brilliance. This movie is undoubtedly the best movie of the year, and Tilda Swinton needs an oscar for this role.
This film has somehow slipped through the cracks. It is an amazing take on John Cassavetes' 'Gloria' with Gena Rowlands. Despite it's being a loose remake, 'Julia' retains enough originality to be it's own thing, piloted by an exceptional as always Tilda Swinton. This is EASILY one of herThis film has somehow slipped through the cracks. It is an amazing take on John Cassavetes' 'Gloria' with Gena Rowlands. Despite it's being a loose remake, 'Julia' retains enough originality to be it's own thing, piloted by an exceptional as always Tilda Swinton. This is EASILY one of her best roles, and I surely hope this film, with it's well plotted old-skool thriller feel, rich and unique cinematography, and great human element soars into people's lives one day. As missing 'Julia' is missing a modern near-masterpiece of suspense.…Expand
This was a really gripping watch - its a film about double crossing. Tilda Swinton gives a brilliant performance (it's hard to gauge when her character is being truthful or not) and it kept me guessing. The ending is pretty suspenseful. I would definitely recommend this film, yes.
0 of 0 users found this helpful00
7
JayH
Aug 15, 2009
Tilda Swinton's amazing performance makes the film. She puts so much thought into every role. It's a good story, fine direction and cinematography. It's a very detailed film. One complaint, more should have been cut, it's overlong.