For 17,805 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17805
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Mixed: 7,020 out of 17805
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Negative: 1,637 out of 17805
17805
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Mathew Kaufman and Jon Hart's documentary is just functionally assembled, lacking the style or larger social context that distinguished similar studies like "Inside Deep Throat."- Variety
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- Variety
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Reviewed by
John Anderson
If a doc manages to inform and entertain, it's ahead of the competition. If it features engaging personalities (or penguins), so much the better. And if it manages not to lose its assets while dipping its toe into murkier issues -- becoming, say, a brow-knitting thumb-sucker -- then it's really a work of art.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Genre fans always looking for something new and awesome may feel like they've seen most of this before, but the conceptual and emotional strength of Summit's Nicolas Cage starrer largely carries the day.- Variety
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Reviewed by
Todd McCarthy
Fukunaga refrains from artificially amping up excitement for its own sake, maintaining an intimate, observational style that offers up a host of things to look at and think about.- Variety
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Todd McCarthy
A Judd Apatow clone that's one of the few recent R-rated raunch fests the ubiquitous auteur of larky crudeness actually had nothing to do with, I Love You, Man cranks out the kind of lowball humor that makes you gag on your own laughs.- Variety
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Reviewed by
Todd McCarthy
Smart, droll and dazzling to look at and listen to, writer-director Tony Gilroy's effervescent, intricately plotted puzzler proves in every way superior to his 2007 success "Michael Clayton."- Variety
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Justin Chang
Behind-the-curtains comedy reps an amusing showcase for John Malkovich's diva-like theatrics in the title role.- Variety
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- Variety
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Reviewed by
Alissa Simon
What adds heart, and humor, is the interplay between the legendary couturier and Giancarlo Giammetti, his longtime partner in business and life.- Variety
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Derek Elley
A monumental piece of miscasting in the title role, and an apparently tin ear for the nuances of English dialogue by Gallic helmer Francois Ozon.- Variety
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Todd McCarthy
Director Christine Jeffs, who previously helmed "Rain" and "Sylvia," tries to strike a balance between the yarn's dark currents and offbeat comedy, but the result is often uneasy, with the humor receding as things progress.- Variety
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John Anderson
Miss March is overall a raggedy, unfocused affair that wastes both directors' acting talent and feels like too much work between the laughs.- Variety
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Reviewed by
Dennis Harvey
If the original could be accused of having a real point (even a subtext), the uninspired redo has none whatsoever.- Variety
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- Variety
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Reviewed by
Leslie Felperin
While the period drama has several redeeming features, tonally it's all over the map, veering between artsy stylization and hum-drum, sometimes almost twee melodrama.- Variety
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Reviewed by
Andrew Barker
Unfortunately, Alter's often inventive work is kneecapped by a deliriously nonsensical script, which misses the mark as both over-the-top parody and straight-faced homage, and could have been intended as either.- Variety
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Reviewed by
Joe Leydon
Strikes a deft balance of chase-movie suspense and wisecracking humor, with a few slam-bang action setpieces that would shame the makers of more allegedly grown-up genre fare.- Variety
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Reviewed by
Peter Debruge
"Pathfinder" meets "Gerry" in Severed Ways: The Norse Discovery of America, a striking and virtually wordless story of two Vikings separated from their tribe and left to stumble through the North American wilderness.- Variety
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Derek Elley
Though there's nothing here that hasn’t been dealt with in other Japanese movies, picture benefits considerably from its pitch-perfect performances.- Variety
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Alissa Simon
Provides some interesting perspectives but also veers dangerously close to vanity project.- Variety
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Justin Chang
The movie is ultimately undone by its own reverence; there's simply no room for these characters and stories to breathe of their own accord, and even the most fastidiously replicated scenes can feel glib and truncated.- Variety
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Ronnie Scheib
Partly produced by Lifetime, the pic attempts to elevate the disease-of-the-week movie into a moral dialectic between conformity and imagination.- Variety
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Todd McCarthy
Artistically on a plane with or near the vet filmmaker's best work, this period drama about a woman slowly discovering her metier is an artisanal creation par excellence.- Variety
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- Variety
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Reviewed by
Justin Chang
An uneven but enjoyable trio of films that take affectionate (and sometimes literal) aim at the Japanese capital.- Variety
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Ronnie Scheib
Drearily pretentious, ultra-stagy exercise in middle-age self-loathing.- Variety
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Reviewed by
Ronnie Scheib
Expansively, dramatically, magnificently Russian, Nikita Mikhalkov's loose remake of "12 Angry Men" plays like vintage jazz from a veteran band.- Variety
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Reviewed by
Todd McCarthy
The way the picture dwells almost exclusively on cinematically exploitable elements -- gangbanger crime, prostitution, honor killing, terrorism paranoia -- gives it a sordid patina that even the classy, able thesps can't offset.- Variety
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