Darksiders III, while more limited in scope than its predecessor, provides a tighter, more deliberate experience that elaborates on the lore we’ve seen so far. The smaller world of Darksiders 3 may disappoint some fans of the previous game, but this feels like a reboot of the series. Poor PC performance, a lack of side-objectives and some unimaginative world-design point to a game with ambitions bigger than its budget, but Darksiders III is a fun and challenging experience that kept me engaged across the length of its story.

Crackdown 3 manages to escape its troubled development in style, offering up a somewhat safe return to the superhero cop action of its predecessors in a bright and unpretentious campaign. It feels like the perfect antidote to some of the more bloated open world experiences of recent years. You can also briefly revel in the Wrecking Zone’s glorious destruction, even if all that fancy cloud tech simply leaves you hungry for what the game could have been.

I was blown away by the gorgeous character designs and illustrated portraits and the tactical combat also impressed me with unique systems that made it a bit more than just a cookie cutter tactical RPG. Unfortunately, for as much as I loved those aspects, hamfisted humor and clunky menu navigation on console dampened what could have otherwise been a magical experience. It’s hard to get past those issues, but if you’re able to, there some truly special stuff here in Regalia.

Through its lengthy story, Resolutiion provides real moments of awe and beauty. From dark and dingy caves through to soaring heights at the peak of the monolithic buildings, the world is a sight to behold, it’s just a shame that traversing it doesn’t feel any where near as great as it looks. Resolutiion’s snappy, visceral combat does help make that journey slightly more bearable, but you’ll still likely end up wandering in circles trying to find the right path forward.

While I enjoyed Prince of Persia Classic, it’s hard to recommend to someone who has never played the original because they will see an old-school platformer and wonder what the fuss is about.

It was definitely an experiment worth trying yet the action gameplay does little to hold up its side of the bargain.

while True: Learn () is a novel and interesting puzzle game that is well worth a look for anyone interested in the thought processes behind computer coding. The comprehensive history of machine learning is a fascinating context, and the quest to teach a computer to understand the thinking process of a cat is as silly as it is effective.

Needless to say, this isn’t cheap spinoff rushed out of the door – Activision has plans for Battlecast in the future and so far it’s managed to create a solid, if imperfect, foundation for them to build on.

Without a doubt the best AR game on the PS Vita. It’s challenging, diverse and addictive.

It’s hardly complex and far from essential, but Lethal VR is a fun and polished romp while it lasts. Shelf life may be a concern, but the minimal setup time needed makes Lethal VR easy to slip into whenever in need of some brief ballistics training.

Hunt the Night is close to being a great Bloodbourne-inspired Souls-like, but it suffers from a midgame area that's a chore to navigate and a late game difficulty spike that goes beyond punishing and straight into sadistic. Some of this could be adjusted in updates, but as things stand, I can only recommend this title to those who really want to challenge themselves. If that sounds like you, then there is much to like.

The game can be incredibly frustrating but this pays off with a huge sense of achievement when you finally nail a level.

The Baten Kaitos Collection is a duology remaster that's full of contrasts, demonstrating perfectly the highs and lows that come with bringing decades old games to new consoles. The two games are great little JRPGs from yesteryear, however given the weird nature of the first and the generic nature of the second, it’s difficult to recommend to any but those wanting the nostalgia trip or die-hard fans of the genre.

The Lost Bear isn’t necessarily what you’d call a killer app for PlayStation VR. It doesn’t have that same immediate impact games like Batman VR, Farpoint, or Arizona Sunshine demonstrate so well. Over time, however, that brand of first person virtual reality has become more and more familiar and I find myself looking for games that attempt to use the technology in new ways, which is what you get from The Lost Bear.

Naughty Bear: Panic in Paradise is a much better effort than its predecessor. By adding in the costumes system, 505 Games have managed to give the game a layer of depth previously missing. However, whilst repetition doesn't entirely spoil the party, it certainly takes the shine off after a while.

A fun and funky sequel, Patapon 2’s bolstered roster of cheerful eyeball folk make for another welcome trip soundtracked to the beat of Pata Pata Pata Pon. It’s a shame then that the remaster feels incomplete, offering an experience that’s fundamentally less comprehensive than the PSP original.

Ever Oasis is a decent game for a younger audience to get into, but it doesn’t do a lot that’s completely new. It blends the adventuring with town management nicely and is a well made game, but at the same time there’s nothing that really thrilled me while playing it. It’s a shame really, as there’s nothing necessarily wrong with Ever Oasis, there’s just nothing particularly special either.

A compelling take on a Martian colonisation and terraforming project, Per Aspera also comes with a gripping mystery to unravel as you fight to survive and thrive. There's some muddled pacing and it's not always how you can proceed, but this is a thoroughly enjoyable sci fi planetary sim.

ELEX is the very opposite of the accessible games that have revolutionised the open world RPG in recent years. I enjoyed it as a modern looking take on the Gothic series, but newcomers will have to be prepared to fight against the systems through the beginning of the game. This has resulted in the game quickly gaining a cult following who celebrate its obscurity and lack of accessibility. I don’t agree with this take and would argue that the best aspects of the game would only be improved by a more polished and refined presentation.

As with any book, you’ll want to take Steins;Gate out and about without being tethered to a desk or sofa.

This Is The Police leans on cliched scenarios and characters, but it represents some of the real struggles a police force has to deal with, like budgets being cut and a city with a lot of social problems.

There is something comforting about Jet Kave Adventure. It doesn't take any risks or fly off on any wild tangents, it is just a solid, well-made side scrolling platformer. Mastering each level will be a challenge, but younger players will still enjoy the story and zipping around on the jet pack. Jolly good fun!

Bezier Second Edition is a great twin-stick shooter, that should be an essential purchase for fans of arcade high score chasing. It is a bit light on content though, so I'd perhaps recommend holding out for a sale before picking it up.

Kotama and Academy Citadel hits the ground running and expects you to keep up from frame 1. It's a beautiful and well animated metroidvania that packs a punch when it comes to art and gameplay, but leaves a lot to be desired when it comes to creating a cohesive beginning-and-end narrative experience.

The course design is perhaps a little bit too traditional and reserved given the somewhat over the top racing and weaponry, but it's all nicely rooted in the Cars universe so Pixar fans will lap up the fan service.

Hugely satisfying combat and some smart world design carries a decent Souls-like that feels like a solid, if safe, alternative for genre fans. The Surge 2 is competent, with flashes of excellence, but loses some of its own identity in the shadows of its inspirations.

There aren’t many games like Shadow Tactics, and thankfully, it sets the bar high for any would-be challengers. The blend of RTS controls with stealth-oriented gameplay and level design create incredibly satisfying, almost puzzle-like encounters. It takes a lot of time and patience to be able to discover the solutions to these puzzles, however, and the hours long missions often left me feeling fatigued before I was even halfway through with them. Shadow Tactics is a unique exploration of the stealth genre with a great amount of polish, but if you’re going to dive in, be prepared for just how deep the water is.

Nicely produced, consistent but with a few flaws and some silly wingmen mechanics that often threaten to get in the way of the fun, but there’s nothing else like this on the PS3 and for that reason H.A.W.X stands out more than perhaps it might if it were a FPS, for example.