Earth Defense Force 5 is as video gamey as they come. No frills, just kills. If you want to unwind after a long day and just blast some baddies and see explosions until your eyes go red, you can get no better than this game. The absurdity of the story and the increasingly opressive odds of the missions make this a hell of an experience solo, and one of the most silly and satisfying cooperative experiences I’ve come across. It’s a shame that a few nagging issues from old games continue to persist in this one, but despite those, this is still a fun, wacky, addictive video game.

Screencheat is a hit of nostalgia for those who are beginning to feel old, and a fun new way to play for those who aren’t. The stream of unlockables and the chance to constantly try and better your old times are a good reason to play on your own, but the game is definitely at its best when played with friends. Screencheat: Unplugged is a fantastic addition to any game night, and will often serve up some genuinely funny moments between friends.

Floor Kids brings freeform fun to the dance rhythm action genre, successfully delivering on a unique gameplay system that provides the player with freedom and the opportunity to improvise. The restrictive chorus sections disappoint and the game is all over rather quickly, but whilst it lasts Floor Kids is definitely a ninja floating nut cracker.

Smash Bros. has often felt a bit like it was trying to do too much and while it has always been a fun series, the disparity between the fighting game and the party game didn't always mesh well. Ultimate is the perfect fusion of the two styles. There are countless additions to it as a fighting game to keep the competitive players happy, but the new items and features make the party game the most exciting it could be. Super Smash Bros. Ultimate feels like one of the best written love letters to gaming that there has ever been, the care and attention given to each of the games represented is incredible. This is quite simply a must-play game, one that will keep you going for hundreds of hours with its single player alone, and with multiplayer that will keep you going for thousands.

The Haunted Island is the perfect way to close out 2018. Playing this game made me happy and giggly in a way so few video games make me, and it’s the kind of video game experience I wish I had more of. In an industry that only grows larger and more expansive every year, this latest release from Grace Bruxner is a standout treat that goes against the tide of video games and delivers a silly, adorable adventure that everyone deserves to experience.

Arca’s Path subscribes to the ‘do one thing and do it well’ school of video game design, making it simple and intuitive to guide your ball through the steadily more complex and maze-like levels. It might lack some of the charm or adventurousness of other VR games released this year, but Arca’s Path is a wonderfully accessible VR game that’s incredibly easy to pick up and play.

Subnautica is a perfect example an open world survival game that doesn’t rely on action, horror or combat elements to excite. Whilst these classic gaming features are involved to an extent, they take a back seat compared to the story, crafting and surviving elements. And this is what sets Subnautica apart from other survival experiences out there. Don’t let this be the one that got away.

Just Cause 4 is the best entry in the series to date, offering spectacular free-wheeling destruction on a scale that’s not been attempted before. Rico remains one of gaming’s most enjoyable protagonists, but more than ever before, it’s really all about what he’s capable of doing rather than the events unfolding around him.

The Switch version is just the base game, but that’s more than OK. There’s plenty to sink your teeth into, providing hours upon hours of unique experiences, accompanied by a divine soundtrack to really get you in the mood for building nations. Civ VI is a titan of a game and well worth your time, even if you’ve already spent hours on the PC version, because, now it’s portable, which is potentially dangerous to those who have jobs.

I have mixed feelings about Farming Simulator 2019. For a biennial release, I would initially have expected more, so this might start off feeling like a large expansion rather than a new game. Get further into the game, you’ll start to enjoy the new features and vehicles, and the little improvements build up to what is still an enjoyable farming game at heart. For newcomers,

On paper Ride 3 offers a lot of variety both in terms of quantity of bikes and track options. It’s possibly the most refined Milestone game to date and you could spend 20 hours playing through the career and have a perfectly acceptable experience, but you’ll be left wanting more. It does little to innovate or move the genre forward. In many ways, Ride 3 is like eating a 14 piece KFC bargain bucket all to yourself. Initially it’s satisfying and feels like great value for money, but about halfway through, indigestion starts to make you question why you didn’t just get a Zinger burger instead. Sometimes, less is more.

Gensokyo Defenders, like so many Touhou spinoff games before it, is a low budget affair that fails to capture the same level of satisfying gameplay and unique artistry present in the original games. While the gameplay is functional and sometimes entertaining, every other part of the package serves to bring that enjoyment to a screeching halt.

There’s a lot to love about Red Dead Online – it’s remarkably stable, vast in scale, and completing storyline missions in co-op is a delight – yet, the unremarkable combat is really a sticking point. Essentially it is identical to what was found in the original Red Dead Online, and how Rockstar adapt to this over the coming weeks and months will prove vital in how long this virtual wild west remains populated. [Beta Impressions]

For Persona 5, the love and polish is there in equal amounts, but the somber jazzy style of the original game just doesn’t translate as successfully to a loud and groovy rhythm game experience.

For Persona 3, it’s touching to see these characters, the wonderful music, and their original voice actors return after so long for one more group outing.

Darksiders III, while more limited in scope than its predecessor, provides a tighter, more deliberate experience that elaborates on the lore we’ve seen so far. The smaller world of Darksiders 3 may disappoint some fans of the previous game, but this feels like a reboot of the series. Poor PC performance, a lack of side-objectives and some unimaginative world-design point to a game with ambitions bigger than its budget, but Darksiders III is a fun and challenging experience that kept me engaged across the length of its story.

Building on the foundations of the 2016 game, Hitman 2 is full of the best Hitman stealth action yet. Yes, it’s evolutionary in some ways, and you have to accept the series’ idiosyncratic take on the genre, but there’s space for it to keep growing with the return of Escalation missions and continuing Elusive Contracts. Whether you’re a blackmailing pink flamingo he satisfaction of an expertly planned and executed hit is like nothing else.

Overkill’s The Walking Dead could have been something special, but it finds itself dragged down by poorly implemented and designed systems. There’s flashes of what could have been, and there’s a chance that Starbreeze will turn this game around in the coming months to rebuild from a poor launch, but as it stands I couldn’t even recommend this game to the most hardcore of The Walking Dead fans.

Steel Rats is an undeniably daring experiment; fusing gameplay mechanics, varied visuals and control inputs that have no right to go together. The game should be an absolute mess, but it deftly weaves these disparate elements together and what we are left with is a thrilling and refreshing stunt=based shoot ’em up.

Maybe it is just the way the game is designed, maybe it is because of the poor balance, but The Legend of Evil ends up feeling like a puzzle game. It doesn’t work as intended, or at least it doesn’t seem like it. Without better balance, or maybe just a better explanation of what you are meant to do, this game has an unplayable campaign, but an enjoyable enough ‘arcade’ mode.

Fallout 76 had a lot to say when it was revealed. It was multiplayer, it had the largest world of any Fallout, it was going to be fun. The trouble is that it just doesn’t work, the world is too big and empty, and the quest design as uninspired as it gets. If the only way for a game to be entertaining is by having your friends make jokes about it as you journey together, then it has failed at one of the things that most games should be. It has failed at being fun, it has failed at being entertaining in its own right.

The Bug Butcher is a spiritual successor that is very much possessed by its muse. This isn’t a subtle nod, it is soaked in Pang and it’s great because of it. The ability to play the game endlessly to beat your own score will keep you coming back. The fact that you can do it with a friend is just an even bigger incentive. The Bug Butcher isn’t reinventing anything, but it is a damn fine version of a classic game.

While Road Redemption does have its issues, it did more than enough to keep me playing. Following in the tracks of Road Rash, it nails that one more go feeling that you can lose so much time to. However, while the core gameplay is entertaining, the surrounding package could have been better with basic online and and a roguelite structure that some may find uninspired. Road Redemption is a mixed bag that is fun to play, but it could have been so much better.

Galak-Z: Variant S just feels a bit soulless, as someone who has played the original. Where that game was sleek and well designed, this feels basic and haphazard. The Switch would have been far better served by a port of the first game, and when you add microtransactions into the mix you get a spoiled experience and a somewhat tainted memory of a better time for the series.

Its commitment to manic, arcade shooting is one of its biggest strengths, but this unfortunately highlights the game’s weaker elements, namely the platforming. The narrative is ultimately the stand out feature here, as the nuanced character writing highlights the surprisingly profound overarching narrative in a way that keeps players engaged.

Déraciné isn’t for everyone, even if you fancy yourself a staunch fan of FromSoftware’s previous work. The slow, deliberate pacing, the vague puzzles, and a story that revolves around fairies don’t add up to a must-buy PlayStation VR experience. It’s an oddity and one that wants you to occasionally stop, stare, and soak in its atmosphere. Déraciné will be divisive; a borefest for some, yet bizarrely enthralling for others.

Unfortunately, Omen of Sorrow feels like it’s taken a “quantity over quality” approach that results in a flaccid, broken experience. From the characters and art to the core act of fighting, nothing in Omen of Sorrow quite sticks the landing. There are a lot of incredible fighting games to check out this year, but Omen of Sorrow is not one of them.

Battlefield V scratches an itch that many will have had since Battlefield 4. DICE have found a great feel for the gunplay, the tweaks to classes and additions like fortifications largely work as intended, and the way that Grand Operations have evolved brings a refreshing variety to the game. Sure, it’s around the edges at launch and with some largely forgettable single play War Stories, Battlefield V is a diamond in the rough.