This port is an enjoyable way to experience the game, but it is much more limited than the name ‘Neo Dimension’ might imply, especially with Square Enix branding it as an enhanced release. The inventive combat and gorgeous dioramas Fantasian always excelled at are still incredible here, while its inconsistent pacing and poor character development remain untouched. It has had some bells and whistles added, including an easier difficulty mode over the at-times grueling challenge of the original game, but nothing that substantially improves the experience. Fantasian is still a mobile game, you can just play it on a bigger screen now.

At its core, it might be ‘Arkham for kids,’ with an open-world that takes the best from Arkham Knight, Lego Marvel Super Heroes, and even a smidge of GTA 4, but it’s also TT Games through and through. It’s because the studio’s personality shines through the unabashed inspirations that it all comes out on top.

Pathfinder: Wrath of the Righteous is exactly what I’ve been looking for in terms of a video game version of a traditional D&D campaign. I haven’t been able to play D&D with my group in over a year and a half, but Wrath of the Righteous scratches that itch, and then some. This is easy for me to say as a more casual tabletop RPG player. However, I’m confident in saying that Pathfinder: Wrath of the Righteous is rich and robust enough that even the most battle-hardened tabletop RPG veterans can have a blast while saving Golarion.

Pokemon Legends: Arceus is proof that Pokemon can evolve. It's taken 25 years but this feels like the first true evolution of the series; a far bigger change than moving from 2D to 3D. It feels like the awkward middle evolution though, as graphics, voice acting, and boss fights all need serious work. If this is the path that the series is headed down, then I can’t wait for it to evolve again because let’s face it, nobody remembers Quilava.

It’s a shame that Invasions and the snail’s pace progression drag Mortal Kombat 1 down a little because, if it wasn’t for them, this would easily be the best Mortal Kombat to date. Even with those problems, MK1’s excellent gameplay and story mode make it a much-needed breath of fresh air for the series and a great first step into an exciting new timeline.

I was still, however, absolutely blown away by the tabletop RPG experience that Demeo offers. Not once did I experience any sort of motion sickness, meaning I can play Demeo for extended periods of time – far more than any other VR title can boast with me. I can’t wait to play Demeo with my regular D&D group as we ease our way back into in-person sessions. As a solo adventurer, though, Demeo is perfect for when I’m in need of a quick-play session with other players from around the globe.

While it could serve to offer more of a challenge and some quests feel a little rote, the times when The Plucky Squire twists genre convention and blends 2D and 3D puzzles are a sparkle of imagination in the genre. Every level feels fresh, the puzzles are satisfying, and it’s all wrapped up in that gorgeous art style that put the game on so many people’s radars.

Marvel’s Midnight Suns won’t be for everyone. A 60-hour campaign that’s at least half made up of talking to Spider-Man about his feelings is going to turn off even some of the biggest Marvel (or at least MCU) fans, and the combat, despite its cinematic qualities, isn’t exactly God of War. But its limited appeal is also its greatest strength. In a sea of blockbuster open-world and third-person action games, it was a delight to play something so clearly driven by passion for these characters and this kind of gameplay.

Though it finished with a thud, Grounded still stands with the greats of the genre, like Subnautica or The Forest. It just oozes confidence in its theme, and successfully pulls off the feeling of wonder Honey I Shrunk The Kids gave me when I first saw it almost 30 years ago.

MIO: Memories in Orbit is a demanding, luminous journey through decay and empathy, one that asks a lot of its players and gives back just enough to make the struggle worthwhile.

What it mostly comes down to is whether or not you need this game on-the-go. The Talos Principle is great and absolutely worth it for puzzle fans, but the Switch port doesn't present it in the best light. If you can set aside performance issues, however, this is a wonderful game to play portably.

As the first expansion of what I’ll assume will be many, Royal Court has impressed me. This expansion has had some serious effort put into it for a company that has put out a lot of DLC in the past that simply adds more buttons to press and counters to track. For what it adds, it’s an expensive purchase, but improving the experience of a game you’re meant to play for hundreds of hours might just make it worthwhile. It’s the sort of expansion that you’d feel the exclusion of, and that in itself is an accomplishment.

You’ll end up learning a huge amount about both animals and management without even realising it as you sink deeper into one of the most engaging simulation games I’ve ever played.

I got what I was expecting from the game: a damn fun time. What I didn’t expect, however, is to be thinking about it so much after each game, wanting to dive right back into hell with others alongside me. I can’t wait to get better at the game, face bigger threats, to see what planets this galaxy holds, and just what each planet will throw my way.

Hatsune Miku Project Diva Megamix+ is the perfect introduction to the series for PC. It’s easily accessible to newcomers and more experienced players alike and offers an extensive catalog of songs and customisation items that will keep you busy for hours. The joy of arcade games like this is that they’re easy to pick up and play whenever the feeling takes you.

PowerWash Simulator 2 proves itself a worthy successor, following a strong first game and a wide range of DLC, and offers a whole host of relaxing and enjoyable gameplay. With a few new quirks thrown in to make it more exciting, and a couple of much-needed changes, it’s easy to say that - even with a couple of niggles, some of which are returning frustrations - if you loved the first one, you’ll love the sequel as well.

One Step From Eden could be my go-to wind down roguelike at the end of the night. The progression isn't quite as rewarding as I would like, but experimenting with spells and trying out new things isn't going to get old anytime soon. Even if you aren't a Battle Network fan, give One Step From Eden a try. You've got nothing to lose except dozens of hours of your life.

Tales of Arise presents a refreshing sense of nostalgia in a shiny new package. At times it can misfire between its lovable but inconsistent cast of characters and political narrative, but there’s still a band of loveable heroes brandishing the classic Tales archetypes I’ve always adored. Perhaps it wields subtlety like a cudgel—placing Shionne, the woman who causes pain, and Alphen, the man who can’t feel pain, together—yet it’s that same ungraceful melodrama I remember being so fond of a decade ago. Arise elevates Tales back into the RPG spotlight, but it doesn’t leave the pieces of the past you loved behind.

FAR: Changing Tides’ gameplay loop of keeping your ramshackle vehicle running is simple but enjoyable. When you get into a good rhythm, you feel at one with your craft, everything goes smoothly for a minute, and you can enjoy the ride until the next mast snaps or abandoned wreckage blocks your way. It takes patience, but when every quick task is rewarded by a hum, whir, or click, and every obstacle inspires as much awe as it does terror, it’s all worth it.

It's a cute little runner that has the aesthetic and feel of a children's TV show, which could make it ideal for younger audiences or people looking for a game that won't stress them out. Aside from that, Tadpole Treble Encore is a tad too shallow of a title to fully recommend.

Vampire Crawlers is a tremendous achievement. Everything here works almost flawlessly, with a gameplay loop that is quick, sharp, and smart. Genre transitions within the same game series rarely work so wonderfully, but Luca Galante and Poncle have created an incredible experience that will make you crave more, even if it overstays its welcome a tad for completionists.

The Great Ace Attorney Chronicles is a Godsend for AA fans, finally compiling and localising two games that the fanbase have been begging for. While the Ace Attorney formula hasn't actually been changed much, what is here is what the fans adore. Interactions with Herlock Sholmes manage to be a highlight, and uncovering mysteries through twisted testimonies is as satisfying as ever.

What I really love about Stray is the way the world treats you. None of the robots know what a cat is—they’ve never seen one before. You trip them up in the street, ruin their board games, and rub up against their legs, but for the most part, they forget you’re even there at all. Yours is a largely thankless task. But what do you care? You’re a cat. As the characters embrace and cheer, or break down and cry, and when the game comes to its ultimate conclusion, you are just a cat, who saunters off into the night, indifferent to it all.

All of that said, denouncing Eastward’s strengths and successes for any of the above would be disingenuous. It is a remarkable game that, while retro in ambition, will paradoxically go on to inspire the drive and uniqueness of future projects. It is clever, vibrant, and unapologetically original, and unless some magnificent twist of fate occurs over the next three months, it will undoubtedly go down as one of the best games of the year.

Assassin’s Creed Valhalla was a risk. Not really because it took Vikings as its subject matter — people love Vikings, to the extent that loads of folks are a bit sick of Norse stuff at this point. It was a risk because it compounded the ideals of Assassin’s Creed’s origins and Assassin’s Creed Origins. Fortunately, it turns out that the best game in this series is the one that’s drawn from pretty much everything that came before it, in order to carve out its own unique identity based on the absolute best bits of its many, many predecessors.

I can easily see Cult of the Lamb becoming one of the next indie darlings, and it would be utterly deserving of the epithet. It’s a blend of elements that, by rights, shouldn’t really work, but Massive Monster executed it with aplomb. The game lures you in with a lush and lurid art style and the promise of action-packing combat, and then indoctrinates you with a gameplay loop that keeps you coming back for more. I, for one, would follow the Lamb to the ends of the earth.

A Plague Tale: Requiem is relentless in its depiction of misery. It imparts the troubling message that no matter how hard we try, we can’t change the future, and trying to do so only invites more pain and suffering than willingly submitting to our eventual demise. A series about two children losing their innocence and being corrupted by the evils of the world is one I welcome, but not when it teaches us to give up instead of fighting for a future all our own. The world may seem hopeless right now, but if we give in to the despair we’re choosing doom, and I’d rather go down slinging.

If Death Stranding were a movie, it undoubtedly would have been a hit, which is a good sign for Kojima Productions’ move into the cinematic space. Though the video game has enough spectacular moments to earn a passing grade, the amount of downtime keeps it from receiving a glowing recommendation.