As confusing as this might sound, Exo One is every bit relaxing as it is intense. Its exploration of the mysterious and deep reaches of space combined with its perfectly arranged soundtrack creates a different kind of sci-fi experience that should definitely be checked out by fans of the genre. As far as I know, this is Exbleative’s first title, but it’s an absolute banger. I’ll be eager to see future projects from the studio, science fiction-based or otherwise.

Even if it can be a little too easy and was over far before I’d have liked, Gunbrella’s incredible movement options, surprisingly intriguing mystery, and punchy gunfights quickly made it one of my favourite indies in recent memory and a universe I’d love to see more of in the future. Just remember, there’s a 100 percent chance of blood raining from the sky, so you better bring a brolly.

I love the world of SteamWorld. Heist 2 is as flavorful as ever, with great characters, funny writing, and a great soundtrack by Steam Powered Giraffe. The overworld exploration is charming too, with its own pirate ship progression system and simple naval combat. I really want to like SteamWorld Heist 2, but I can’t get past the more tedious aspects of the grind, or the long, punishing missions in the late game. It’s an improvement over the original to be sure, but I’ll have to wait patiently for SteamWorld Heist 3 to see if this series can finally reach its full potential.

As somebody who grapples with my mortality every day, Necrobarista helped me want to live each day to the fullest - lest my time be stolen away in the blink of an eye. And for a game to have that impact on a person, for a work of art to rattle the soul that thoroughly, is perhaps one of the highest forms of art that I can think of.

I'm as conflicted about Stellar Blade as it seems to be about itself. It's competent and occasionally interesting with combat as unique and rewarding as it is repetitive and frustrating. Less style over substance than it is beauty over brains, there is a good time to be had in Stellar Blade, but it comes at the cost of knowing there are better versions of this game that will never be realised.

While their restoration itself leaves a lot to be desired, The Gate Rune And Dunan Unification Wars is still the easiest way to access the first two games in the Suikoden franchise, and despite my many quibbles, the quality of the original titles bears out. That is more than enough to justify this collection’s existence, even if it does feel like a bit of a squandered opportunity.

Lost Ark feels like a reward after so many hashed-out and rocky launches of new games. You know what you’re getting with Lost Ark, it’s an experience that has already been through the tests and tribulations of its first two years of content. Its story won’t speak to everyone, but the endgame experience is worth a few cutscenes here and there. Lost Ark is one of the most polished titles I’ve played for some time, especially an MMO.

I’ve admittedly spent all of my free-time playing WRC 9 since installing the game on my PlayStation 4. With its ongoing in-game events, it’s hard to imagine that changing for me anytime soon.

Apart from that, there’s a lot of fun to be had with Black Myth: Wukong, and it’s a must-play for anyone that enjoys a good soulslike. It’s also perfect for anyone with soulslike fatigue and weary of the brutal difficulty that usually comes with them. It’s beautiful, frantic, challenging, and a delight to play.

Fittingly for a game where our hero hears multiple voices in her head, Senua's Saga: Hellblade 2 is confused about who it is, what it wants, and where it's going. Is it an indie game eager to be unique in the marketplace, or another triple-A hit with the usual trimmings? Is it a peaceful puzzle game, or a mini soulslike? Is it an inwardly reflective tale about the demons of trauma, or a very literal tale of gods and monsters? Is it even a game, or is it an interactive art piece?

Kena: Bridge of Spirits is a very good game that feels like it’s already been left behind by modern genre conventions. There’s nothing all that frustrating in that - we shouldn’t expect games, especially those made by studios the size of Ember Labs, to be constantly groundbreaking, but so much of Kena feels borrowed from elsewhere that it’s difficult to call it great. It’s a solid, enjoyable experience, and charming enough that you won’t care that you’ve played versions of it before. It doesn’t reinvent the wheel, but it’s a pretty nice wheel nonetheless.

Gears Tactics transitions the series into a new genre admirably well. Although there is much to be desired regarding mission variety and replayability, the developers did a great job interweaving classic Gears combat and weaponry into a tactical format, making for a positive experience overall.

Paper Trail is a beautifully crafted adventure that utilises origami techniques to create a unique puzzle game with cosy vibes, stunning illustrations, and a captivating storyline. It had my attention from the first fold to the final destination, and the journey was beautiful.

Dragon Quest 7 has always been the series' most ambitious entry - a sprawling anthology of tragedy and hope that attempted things no other Dragon Quest has matched. It was also, frankly, too long. Reimagined solves that problem without sacrificing what made the original special. For series veterans, it's a chance to revisit a flawed classic in its best possible form. For newcomers, it's finally a reasonable entry point into one of the franchise's most rewarding narratives.

This is the best Fire Emblem game to play ever. No exaggeration. I have not experienced all of the very early games, but I have seen enough to plant my flag for this one. But to fully experience? Way down the list. It's frustrating in the extreme - I just do not care about these characters and their plight, and even the ones where I might have, the game offers me no reason to invest whatsoever. I highly recommend Fire Emblem Engage because the gameplay and battles are stellar. Just be prepared to find yourself skipping a lot of stuff by the end.

Patch Quest is a novel dungeon crawling rogue-lite that has unique ideas which set it apart from some of the most noteworthy in the genre. However, it quickly becomes repetitive, with a huge, sprawling dungeon full of discoveries to be made that leave little impact on the world back home, turning it into an adventure that soon becomes aimless and disjointed.

Annapurna Interactive has a staggering back catalogue, but 2021 has frankly not been great for the publisher. Last Stop failed to leave any kind of impact, Maquette is a game with Bryce Dallas Howard in it and not much else, and Twelve Minutes, despite being loaded with star-power, wastes its time loop mechanic in service of a ridiculous twist ending that derails the entire game. With The Artful Escape, plus Neon White, Stray, and Solar Ash to come in the near future, it feels like Annapurna is back.

Dredge is a nice, enjoyable fishing game with a low-fat horror coating. The mechanics, upgradability, and weird fish variety are enough to make for a lightweight and engaging time. But if your primary interest is in the narrative or atmosphere, you may find yourselves disappointed.

Rune Factory: Guardians of Azuma is a game of two halves. You have the village management where you’re decorating empty spaces and making numbers go up - this is the half that’s generic and shallow. The other half is a more-than-decent action-adventure populated with a pretty great cast. The gameplay cycle keeps you flipping between these two halves often enough to keep you interested and distracted, but when you look at Azuma with a few steps taken back, it’s not the prettiest sight.

With a tighter script and more polish, this could've been a fantastic game that paralleled the trauma of child loss to the evil enterprise of colonial expansion. Instead, it's one that insincerely mines trauma from a colonizer's perspective... then asks you to do a half-hearted physics puzzle.

Arizona Sunshine 2 does everything the original game does well. It’s a visually stunning experience with well-designed levels, an engaging narrative, and enjoyable gunplay. While the new features like explosive crafting and buddy commands fall short of being meaningful additions, they don’t hinder the overall package. If you loved the first game or are looking for a good story-driven shooter, then I recommend giving it a try.

Assassin’s Creed: The Rebel Collection gives you plenty of bang for your swashbuckling buck.

This is a punishing set of games that plops you into a temple and expects you to get out using your own puzzle-solving prowess. If you're looking for a game on your Switch that takes the idea of Indiana Jones but substitutes the action for obtuse brain-teasers, then look no further. La Mulana 1 & 2 offer up a challenging puzzle experience and figuring your way through these ruins will make you feel smarter than a whip-lashing Harrison Ford.

As a whole product, it’s hard to fault a package that gives us a faithful remaster of one of the most beloved Sonic games, and a great Shadow game to boot. I only hope now that Sega trusts itself to look to the future some more, and keeps moving ahead with the new formula that Sonic Frontiers - and now Shadow Generations - promises us.

Just like its PC and console versions, PowerWash Simulator VR is a bizarrely enthralling game. The to-the-point gameplay loop provides the perfectly formulated dopamine drip feed to keep me going longer than I ever actually plan to. It’s refined, calming, and super satisfying to see an absolutely ruined skatepark become squeaky clean. Compared to most games on the VR market, it provides an above-average level of polish and content. The biggest disclaimer I can give is that if you’re someone who wants action-packed gameplay with linear direction, you might find this game a bit underwhelming or directionless. For everyone else, it’ll have you putting power washers on your Amazon wishlist before you know it. [Meta Quest 3]

Eidos-Montreal’s Guardians of the Galaxy is brilliant, but the one thing holding me back from giving it a higher score is how dated many of its conventions seem. The power cooldown has no plan B, QTEs are everywhere, and again… Eagle Vision. It’s a few years behind the times, even without George Michael's dulcet tones. It’s fun, but it certainly isn’t fresh, and for a lot of people, that will be enough. In some ways, it's an experience not to be missed. In others, it's an experience you've had before.

Even with the confusing cut content that hopefully gets added back in at a later date, Ninja Gaiden 2 Black is the perfect way for newcomers to get into the series with its most action-packed and visceral entry. Veterans are still likely to prefer the ridiculous cruelty of the original game, but most fans are just going to be happy to see Ryu return and right most of Sigma’s wrongs.

Wanderstop balances the discomfort brought on by seeing a game strike so true at the heart of burnout with being an absolute pleasure to play, full of delightful secrets and a healthy helping of whimsy. I’m awed at how well it’s all balanced and how, despite some occasionally schlocky dialogue, it so effectively gets its point across.