Battle Axe is a hard game, but it never felt frustrating or unfair to play. I can appreciate a game that takes a lot of practice and technical skill, but my favorite thing about Battle Axe is the way that it engages your memory and map knowledge. Once I mastered a particular level’s layout, I felt like the hero of a time loop movie, casually advancing through each zone and deflecting attacks with ease. It’s a beautiful game created by developers that have a genuine love and talent for pixel art. Visually speaking, Battle Axe is pixel perfect. My biggest problem with the game is that I want more of it, and that’s never a bad problem to have.

When I wrapped up my experience with Nier Replicant, I realized it was the most satisfied I’d ever felt after working so hard for a particular ending. Yoko Taro asking me to relive the same experiences again and again wasn’t a repetitive journey, but a more meaningful reflection on a cycle of hate, pain, and trauma. Nier Replicant is Yoko Taro’s best work, brought up to modern standards, and finally delivered in the presentation its tale always deserved.

Bugs aside, it is an astoundingly well put together experience, balancing player choice, opportunities for chaos, deep introspection, and a thorough exploration of politics. That’s on top of the sordid and twisted murder at the narrative’s heart, too. I’m not necessarily a fan of all of the design choices - it’s often both too open ended and too restrictive - but I understand them all, and I wish it was less of an exception to the rule. I can’t fault its narrative, or even its design, despite my disagreements. If someone told me they consider it a perfect game, I wouldn’t have anything besides personal preference to come back at them. But with the fiddly game design likely to block off even more players than the already niche themes, I can’t help but wish a game so focused on socialism could have been more welcoming to the masses.

Had the characters been a little more charming, had each day’s play lasted slightly longer, and had there been something - anything - else to do outside of each day’s central tasks, Cozy Grove would be a much stronger game. But in such a crowded genre where everyone is struggling to emerge from the shadows of Animal Crossing and Stardew Valley, it’s hard to recommend a game like Cozy Grove.

Silicon Dreams is a tremendous detective game. The way you grill these androids for information is highly engaging. I was surprised many times by the responses I got from my interrogations and the narrative continued to get more and more compelling as I went on. If the idea of delving into the minds of androids to see what makes them tick sounds like a fun time, then you should experience the dystopian nightmare that is Silicon Dreams.

When you fail a Trial of Fire, you learn and you move on. The thing about this game is that every single run is better than the last one, even if it’s decidedly more short-lived. In fact, that’s actually a blessing in disguise - more time for another go before bed, eh?

Tasomachi: Behind The Twilight doesn't have anything that would make it worth playing over any of the much better 3D platformers available right now. Hopefully, the developer releases the soundtrack online so I can listen to these tunes without having to perform any more menial tasks for fog-ridden feline folk.

A Gummy’s Life is solid for what it is. It definitely feels like a game that belongs on the Switch, even more than it belongs on PC. The overall experience is great for younger players, but can be equally as fun as an option for family game night. Nice and juicy.

Oddworld: Soulstorm is clearly a labour of love, and I can see that in everything it does. The ambition that bleeds into its story, characters, and gameplay are all evident, but the execution is just sorely lacking everywhere it matters. Perhaps my perspective on past games is warped by nostalgia, but this isn’t the road I imagined Abe and company going down. It’s in the right direction, but they’ve veered off course and landed themselves in a ditch.

Outriders would have been a much better game had the campaign been half as long and the end game had twice as much content. I had fun exploring the dozen or so environments throughout the story mode, but the game doesn’t start firing on all cylinders until the gear you get becomes meaningful. The disposable nature of gear during the campaign/leveling process makes the game feel a lot more shallow than it actually is, and getting players to that end-game grind sooner would likely have exposed a lot more players to the best that Outriders has to offer. I hope that Outriders gets DLC, but only if it’s content that builds out the end game even further. If an Outriders expansion is just another story-driven campaign, I likely won’t even bother playing. If I do, I’ll almost certainly set the difficulty to easy, skip all the cutscenes, and rush to the new end game. If you’re playing Outriders for the first time, I highly recommend you do the same.

I don’t think I’ve ever referred to something vague as “charming,” yet that’s exactly what Narita Boy is. There’s certainly an underlying emotional narrative, but progressing through the game itself is so “out there” that I couldn’t help but want to uncover more of the Digital Kingdom and the life of The Creator. The 80s aesthetic makes the experience that much better, allowing me to revel in my own sense of nostalgia while playing.

I like the idea of creating a title that feels like a less complicated version of Civilization, but it seems easy to create a game that dumbs things down too much. It was hard for me to get immersed in ruling my kingdom in Conqueror 940 AD since the gameplay was so barebones. At times, it almost felt like I was feeling out a spreadsheet rather than ruling a kingdom. It's possible to take something like Crusader Kings 3 and make it more accessible for a general audience, but Conquerer 940 AD's buttons and toggles don't make for an exciting game of political intrigue.

It's worth diving into for visuals alone. The chibi art style is adorable and certainly elevated the visuals beyond the typical cheery Unreal Engine 4 vibe to something much more, and the variety of costumes, while the amount makes it a huge game of hit-or-miss, brings a new level of diversity to the character themselves.

The balance of needing to manage your lair and check your world map is particularly well done. As your network grows it can get harder to avoid lockdowns, but upgrades bring it back in line. My only minor gripe is that you can’t properly micromanage minions. They have auto-assigned tasks and if you need things prioritizing - for instance, the removal of dead agents blocking the corridor - you need to get your Genius to step in, which can be dangerous. If you love building games, creating elaborate strings of traps, playing the bad guy, and generally living your best island life scamming tourists, Evil Genius 2 is for you.

Without a doubt, the best thing about the PS5 version of the game is that it allows for cross-gen progression. The process is fairly straightforward - you essentially save and upload your PS4 version, and then download the file onto your PS5 - but it made me incredibly happy that I was able to bring over my custom character and his stats to the PS5 without hassle.

I came in expecting a pretty big learning curve in figuring out how to not jump in a platforming game, but developer Redstart Interacting did well to squash any of those concerns pretty much immediately upon starting the game. To put it plainly, Get-A-Grip Chip has me hooked.

Black Legend feels and looks like it could be at least ten years older than it is. The environments are all nearly identical, almost every attack has the same animation no matter how it’s actually described in the tooltip, the only tutorial is a 15-page menu you read at the start, and there’s an entire adrenaline system that I’m pretty sure is never explained anywhere. To say the game is unpolished would be generous, but I can’t lie, I really liked it. It apes Bloodborne’s atmosphere all the way down to NPCs you can talk to by knocking on doors that have a light on, and I have to admit I’m a total sucker for it. I loved coming up with ways to build a well-rounded party, even if it felt like I could probably breeze through combat without trying nearly as hard as I did. I’m the same guy that put 40 hours into Dark Crystal: Age of Resistance Tactics and loved every second of it, and I know I’m not the only one. If you’ve got the same passion for old-school tactics games, and I mean that in every sense of the word, Black Legend is just as infectious as the classics. It’s not for everyone, but the things it does well, it does really well.

It Takes Two is, without a doubt, the best co-op game you can play right now. It’s much more ambitious and bigger budget than A Way Out, which was still brilliant in its own way. Josef Fares and the team at Hazelight take things to the next level here, and I can only imagine what they’ll do when they’re inevitably given a triple-A budget. Grab a friend by the hand and pull them through an adventure unlike any other as soon as you can - you won’t regret it.

If you liked Immortals, this is basically the same game again, but shorter and with Chinese myths. It’s a shame that a different studio couldn’t, for whatever reason, make its DLC distinct from the base game, but if you want to experience a little bit more of Immortals Fenyx Rising, Myths of the Eastern Realm has you covered. It’s a disappointment, but it’s not a disaster.

It's a great entry point thanks to the Village Quests and helpful dog companion. If you're a fan who already pre-ordered and want to know if it's good, rest assured. You might actually like Rise better than World, as it brings back some of the strategic variety while building on more recent quality-of-life updates. It's a shame that the Switch holds the game back in small ways, but this is a contender for best in the series. If post-launch support is as good as it was for World, this game could easily rise above the rest.

Overall, Crash Bandicoot 4: It’s About Time on Nintendo Switch is well worth picking up if you liked the version that came out on console earlier this year and want a portable copy. It holds up very well on Nintendo’s system, and springs a few surprises with how well it handles everything. As for newcomers, this is probably as close to Warped as we’re going to get, so classic Crash fans should grab it too, even if it’s not quite Crash with all the trimmings.

It was fun developing my character as a newcomer to the franchise, but, goodness, it's been a lot of work. I’ll probably play Story of Seasons: Pioneers of Olive Town for a few more seasons just to see what develops. After that though, I’ll likely be saying, “So long,” to Olive Town for at least a little while.

My favorite part about the game was the animation. I loved the doll art style, and it fit really well with the quirky plot. The gameplay was okay, though it would have benefitted from clearer audio and more locations. Overall, Clea 2 was definitely worth playing through, but I’m unlikely to replay it. I’m hoping for a Clea 3 that expands upon the characters and setting, and a game that further improves upon the mechanics.

Unless you really want to see an ear of walking corn fire machine gun rounds at a zombie dressed as a football player, Plants Vs. Zombies: Battle For Neighborville is far from the best option for a multiplayer shooter on the Switch.

The visuals and audio in combination with the meaningful and positive narrative come together to construct the complete package for a short ride into What Comes After.

Adios is the kind of contemplative experience that will stick with me for a long time. While I think Adios is a much better story than it is a game, I’m fully convinced this is a great proof of concept for bigger stories in the interactive theater genre. Adios could have been a one-dimensional story about a man who has nothing left to live for, but through a series of short, concise conversations, the game does an exceptional job of fleshing out this character, humanizing him, and giving meaning to his death. That’s a lot to do in just an hour, but Adios handles it beautifully.

Frustration aside, if you're a fan of old-school horror in both film and games, Mundaun may be a place that's worth visiting. Just watch out for headless goats.

As far as racing games go on the Switch, WRC 9 takes top honors. The realistic racing sim has been ported to the mobile device near-flawlessly, falling short only due to the hardware capabilities of the Switch. The definitive way to experience WRC 9 is on the PS5 or Xbox Series X. However, the Nintendo Switch version of the game is a solid option for players who are looking to take their races on-the-go.

If video games had an equivalent of Mystery Science Theater 3000, The Uncertain: Light At The End would be a worthy candidate to appear on it. Everything from the story to the acting to the gameplay to the constant onslaught of bugs makes it a title deserving of mockery. Its only saving graces are its passable graphics and the puzzles that made me temporarily forget that I was playing a horrendous Telltale clone. I may be uncertain about a lot of things in life, but I'm 100% certain that you should stay away from this.

The difficulty is the only other thing that may be offputting to some. I'm a play-on-easy mode person for various reasons, but even then, I had to restart several scenarios because it took a few tries to get the resources and military balance correct. There are different difficulty levels but if you are new to the franchise or take a while to get your head around how new units and mechanics work the learning curve may feel steep. However, if you stick it out then you'll find it's all worth it. Also, if it all gets too much just hit up free build mode and explore the new troops, defenses, and mechanics in a far more relaxing environment.

Anodyne 2: Return to Dust is a surreal experience, simply put. I think that it has the ability to make its players try and find the deeper meaning of the game, even if there’s not necessarily one to be found. One other nice thing about the game is that you don’t have to have played the first Anodyne to know what’s going on in Anodyne 2, this note coming directly from the developer. The game certainly doesn’t appeal to everyone, especially with its grandiose nature. But if you’re looking for a unique gaming experience this weekend, look no further than Anodyne 2: Return to Dust.

Sea of Solitude: Director's Cut will be an indie game I'll remember for years to come, just like Celeste and What Remains of Edith Finch. Its powerful storytelling, excellent performances, and stunning world will eventually invite me back to play it once again.

I would highly recommend checking this out if you're looking for an original indie experience. I tend to criticize games when they make me run around in circles, but I'm more than willing to make an exception for Loop Hero.

3 out of 10’s move to Nintendo Switch is a successful port that makes sense on the portable device. Taking in the game’s 30(ish)-minute episodes one at a time is a great format that works well on Switch, since you can watch it from wherever you may be in your house. Season two is slated to release on the Epic Games Store on Thursday, April 8 for free, so now is the perfect time to get caught up on all of the shenanigans from season one.

I was really hoping to be wowed by Maquette, but my time spent with it was not the magical, romantic experience I was hoping for. The bugs, overall wonkiness, and lame puzzle design annoyed me to no end. Especially when it would punish me by making me start a chapter over because it had broken itself. As a result, my already low tolerance of the love story between Michael and Kenzie grew to the point where I couldn't stand the couple. I would actively cheer when things went wrong because I didn't like them. The game seemingly wants you to feel like their relationship is one for the ages, but it just felt like a couple who had issues after the honeymoon period was over. It's a tale as old as time, but not one worth basing a game on.

The multiplayer component is the key selling point here as quick multiplayer strategy matches sound fun, yet even that is hurt by the apparent lack of an active online player base. All of these issues leave The Battle Of Polytopia as a title that doesn't have enough options and content to make it worth going to war for.

For anyone who’s never heard of Crazy Taxi, Taxi Chaos will be a good enough racing title that’s fine for a quick pick-up-and-play experience. For everyone else, this near-duplicate ride likely won’t be worth the cab fare.

Encodya doesn’t bring anything new to the point-and-click genre, but that’s not really what it’s going for. It’s a coming-of-age tale set in a dystopian world that, honestly, doesn’t seem too far off from where we as a society might be headed. Chaosmonger Studio does well to ground Tina in reality, despite living in a world full of superficial facades and virtual dangers - all with the help of her lumbering, lovable companion SAM-53. (Great name, by the way.)

Despite having spent plenty of time in Littlewood (yes, I kept the default name for my town), I still often find myself wondering when the other shoe is going to drop. When will I be thrust back into a life of combat to defend the town and community that I have spent hours upon hours rebuilding? There’s been nothing to indicate that that is going to happen, and I hope nothing ever will. I have every intention of continuing my journey in Littlewood for a long time - whether that comes in the form of extended hour-long playthroughs or five to ten minutes at a time.

I’ve grown to enjoy it more and more as I’ve played. But despite how much I can enjoy it, I can’t get away from those minor frustrations, as much as I’d like to. Bravely Default 2 makes a compelling case for itself as a modern JRPG that evokes the classic era, but it doesn’t do as much with the concept as modern contemporaries, and it never quite reaches the soaring highs of those classics, either. This is a game in between a rock and a hard place, and while it will definitely find its audience, it won’t make it onto any list of essential RPGs as its predecessor did.

Had the gameplay been tuned up a bit more I could see myself recommending this, but unfortunately, Ghosts 'n Goblins Resurrection is one game that feels like it came back from the dead a little too soon.

Its visuals can be striking, but that's about all I can remember about my time with it. At this point, I've played plenty of Soulslikes. The ones that I did enjoy tried to play around with the formula in some way. But Shattered doesn't reinvent the wheel or even try to gussy it up. It's just a so-so Soulslike that tries to stand out by having the same aesthetic as The Corpse Bride. And that's simply not enough.

I’m not generally a visual novel type of person, but Half Past Fate: Romantic Distancing was a fun little adventure that reinforced my appreciation for not having to wade through the digital dating waters myself. I’m not sure the game did enough to make me want to take a crack at another playthrough for a different ending, but it did make me interested in picking up the full Half Past Fate release that is currently on sale. I’d say that makes Half Past Fate: Romantic Distancing a success.

Taking all aspects into consideration, I would highly recommend Rogue Heroes: Ruins of Tasos. Despite its lack of engaging plot and characters, the gameplay is outstanding and makes the experience worth it on its own. I did not find myself wishing for a better plot and characters 99% of the time, because I was so caught up in trying to figure out how to make it through or find the next dungeon. Even better, the game can be multiplier, so it has the perfect setup to have a blast trying to get through the dungeons with family or friends.

Ultimately, Super Mario 3D World, in this package, is the best that game has ever been, with the increased speed and ease of multiplayer access making it far more enticing than ever before. Bowser’s Fury, meanwhile, is essentially the Super Mario Odyssey DLC that never was. It feels like Odyssey’s level and game design sensibilities, but placed in the Super Mario 3D World game engine, with all of the power-ups and quirks that game has to make something truly unique. Putting both of these games in one package is the best decision that Nintendo has made in a long while, as Super Mario 3D World + Bowser’s Fury is one of the best Mario offerings available on Nintendo Switch, which is lofty praise given the existence of Super Mario Maker 2.

If Persona 5 was about forming bonds with new people and recruiting them for a common cause, Persona 5 Strikers is about taking the Phantom Thieves and proving that the friendship they share is lasting, that it can and will endure any hardship. I think, right now, that message is immeasurably important, and hits harder than a bullet formed from the Seven Deadly Sins.

Little Nightmares 2 is an enthralling, nerve-racking journey into madness. And it's all thanks to the terrifying imaginations of the people over at Tarsier Studios: a group of developers who seem dead set on giving us all childhood trauma even as grown-ass adults.

While I may not be interested in replaying Werewolf: The Apocalypse - Earthblood any time soon, the game did increase my intrigue to learn more about the World of Darkness universe. I think maybe I’ll steer clear of werewolves for now, though, and instead see what the WoD’s vampires have to offer.

I wanted to love Destruction AllStars. I still do. There’s just not enough there to make it worth my while right now. A couple of times, I ran into a weird technical issue where I would jump into a brand-new car, but it just wouldn’t move. I think that issues like this can certainly be fixed in a future patch, though. I also know that the development team of Lucid Games has a year’s-worth of content planned for the game. As such, although I can’t recommend playing Destruction AllStars right now, I do have high hopes for the future of the game. Especially since the car combat genre is ripe for the taking with no new Twisted Metal in sight.

As it stands right now, The Captain Is Dead is an interesting take on the strategy genre, but I feel like it boldly goes too far in being a frustrating, teeth-grinding, mind-numbing exercise in futility.

With some godly patchwork, Gods Will Fall could reach new heights. As it stands, though, it falls long before its eponymous gods ever truly have a chance to.

Bonkies is a good enough solo experience that I’ll be more than happy to jump in from time to time whenever I only have a few moments to game, or perhaps as a way to warm up before a night of Warzone or GTA Online. However, you can bet that once I’m able to have people over to my house again, Bonkies will be the first party game of the night that we play. And given its fun factor, possibly the only party game we’ll need.

A stealth game above all else, Disjunction is a fun journey through a dystopian world. Its head-to-head combat woes can be generally overlooked because stealth is such a major component. It’s clear that Ape Tribe Games put a lot of effort into building up the game’s cyberpunk setting, successfully making Disjunction a game that needs to be played by fans of the genre, or even OG Metal Gear Solid fans.

I can't say that Olija is a complete misfire. The way that the characters and enemies are animated in this pixel art style is superb. The world of Terraphage is fantastically bleak and it says a lot that my biggest criticism that I wanted to spend more time there. Unfortunately, the combat mechanics and story lack the depth that I wanted them to have. There are some good ideas here, but Olija is a voyage that ends far too soon.

Heaven’s Vault is a game that was made with love and passion, that much is clear. This is a fascinatingly unique concept for a game, and the Ancient text must have taken a team months upon months of planning and work to put in place, but that doesn’t necessarily translate into a fun or engaging experience when stretched out into hours of vague and unsatisfying puzzling.

The Medium never hits a flat note. I beat the game in two long sittings, and there was never a point during either that I felt like the game dragged, or could’ve used a little more polish, or left too many loose ends hanging. It’s a lean, compelling experience that says what it has to say, then leaves you to grapple with the specifics afterwards. There are images, lines, and ideas from The Medium that I’ll likely take to my grave thanks to this approach, as it puts the onus on the player to piece everything together. You have to wrap your brain around the spirit world’s twisted logic so much that it becomes a part of you, as you live through Marianne’s pain with her and help to navigate her trauma. Much like Marianne’s past, don’t expect The Medium to leave your head any time soon.

It all adds up to a beautiful experience in Atelier Ryza 2: Lost Legends & the Secret Fairy. There’s a bit of a learning curve with the game’s synthesis and battle systems, but Atelier Ryza 2 is a game that is easy going enough to allow you to take your time to truly get a handle on everything it has to offer (which is a lot). I was already eyeing the 1:7 Scale PVC Ryza statue that’s available next month. After playing Atelier Ryza 2: Lost Legends & the Secret Fairy, I can say with complete confidence that I’ll be pulling the trigger on that purchase. Not too many games can boast having that sort of impact on me.

With its interesting story, mechanics that are easy to pick up but difficult to master, and its overall fun factor, Cyber Shadow is a retro platformer that is easy to recommend.

Giant mech battles are nothing new to the gaming scene. Unfortunately, also not new is that the genre has few examples of quality mech-battling gameplay. Override 2: Super Mech League recently added its name to the fray, bringing hectic arena combat to PS4, PS5, Xbox Series X, Xbox One, PC, and Nintendo Switch. Although fun at times, it’s ultimately hard to recommend this particular arena fighter over other fighting games that are also available right now, unless you REALLY like mechs. After saving the planet from an intergalactic threat, giant mechs battle it out in arenas for the pleasure of the people they saved. These giant robots - controlled by a human pilot - vary in size and stature, ranging in everything from beefy and strong to smaller and elusive. You’re the newbie on the mech-fighting circuit, seeking to make a name for yourself as you rise through the ranks and gain influence and rewards in various Mech Leagues. via Modus Override 2’s career campaign has everything you need to experience the game’s various game modes. 1v1, 2v2, 4v4 free-for-all… even a King of the Hill mode is available to you as you duke it out as one of the game’s 20 different robots. Each mech has a handful of different moves while having a special Ultimate ability available to them once their special meter bar is full. Of course, just because your Ultimate is ready, it doesn’t mean an automatic hit. Therein lies part of the game’s frustrations: the controls. Related: Hitman 3 Review - Slick, Stylish, Smooth I never expect a mech game to have the tightest of controls. They are giant mechanical robots, after all. However, I feel like Override 2: Super Mech League just isn’t sure what kind of game it’s trying to be. I’d love to say that this game feels like a legitimate, heavy-geared robot fighting game, but it just doesn’t. There are times when controlling your robot feels great - like you’re behind the wheel, levers, or whatever it is that you use to control a giant mech. Then, there are times when the hand-to-hand combat - which rewards combo attacks - is fun and exciting. But there’s never a good mix of the two mechanics. Often, this results in you attempting to make some sort of offensive attack, but the wonkiness of the robot’s controls causing your robot to veer off in the wrong direction. As such, there is a lot of button-mashing that takes place, which really doesn’t work well from a strategy standpoint. via Modus Battles also include weapons that randomly drop around the arena, such as laser blasters and giant melee weapons. Weapons are limited-use items that eventually disappear. That said, some of the melee weapons well outstay their welcome. I have won multiple matches from trapping my opponent in a loop of being hit with my melee weapon, with them being unable to escape. For some reason, the weapon’s limited usage is greatly extended, allowing me to take full advantage. It’s an incredibly cheap way to win, and an even worse way to lose (speaking from experience). Not a great mechanic for any fighting game to have. This extends into the game’s online multiplayer component, which features the same game modes that are available offline. Online matches can be fun and more challenging than single-player mode, but actually connecting to an online match can take a very long time, that is if you’re even able to connect. There just aren’t enough players playing the game, leaving much to be desired in terms of replayability. https://youtu.be/cIWzzAzmUxU The main selling point of Override 2: Super Mech League is its playable robots. If you’re a fan of kaiju or large-scale mech battles, you’ll likely enjoy this game. This is especially true with the game’s DLC character of Ultraman. Override 2 offers plenty of fun characters to play as in the base game, but Ultraman shines as one of the most enjoyable characters to play as. It’s a shame that Ultraman is locked behind a paywall (in the form of coming with the Deluxe Edition of the game), as he should really be a major selling point for the game. Ultimately, your Override 2: Super Mech League experience will boil down to one simple factor: if you’re playing the game for its take on giant mecha/kaiju arena combat, you’re probably going to enjoy Override 2. Unfortunately, with its control woes and small online player base, Override 2: Super Mech League just doesn’t really have anything else to offer for fans of the fighting genre in general.

ITTA may have released last year, but there’s a reason why ITTA has hit the mark on Metacritic with both fans and critics alike. There’s also a reason why Super Rare Games decided to release the indie title in physical form. The game does have some forgettable bits of quirky dialogue, but ITTA is overall a fun and challenging journey through a mysterious world with accessibility features that make the game a must-play, especially for fans of the bullet-hell and boss-rush genres.

It's a cute little runner that has the aesthetic and feel of a children's TV show, which could make it ideal for younger audiences or people looking for a game that won't stress them out. Aside from that, Tadpole Treble Encore is a tad too shallow of a title to fully recommend.

In an alternate universe, Hitman became one of the best-selling series of all time, its influence akin to something like PUBG. In this better world, where the pandemic never even happened, Hitman spawned a genre of its own - the Hitmanlike, where developers put level design and systemic play right at the top of their priority list. Alas, we can’t break through the skin of the world and reach that universe. We’re stuck here. In our world, Hitman stands alone. There’s nothing like it, and Hitman 3 is an outstanding refinement of that unique 21-year-old recipe. Just watch out for that secret ingredient. (It’s poison).

I will say that Ubisoft’s rerelease of Scott Pilgrim is relying a lot more on nostalgia than other recent beat ‘em ups. I’d still think something like Streets of Rage 4 is a fine game on its own even in the absence of Streets of Rage 1 through 3, while Scott Pilgrim might not have the same appeal to someone who’s never read the comics, seen the movie, or played the game back in 2010.

Otherwise, Tanuki Justice is an absolute delight. The 8-bit graphics are about as detailed as you can get, with backdrops and background animations that are brought to life, thanks to the game’s vibrant colors and smooth animations. There were moments when I forgot I was playing a Switch game, since Tanuki Justice does a great job of providing a NES feel while playing, with a shoot ‘em up factor that brings the gameplay into the modern era.

If the Switch is the only choice you have, it's not the worst option. This is perfectly playable and works fine. But if you can somehow play this in person with your small group of socially distanced friends or on your PC while talking through Discord, then that would be the optimal way to experience this lovely little game.

The game does deliver what it promises: magic girls, animals, cute furniture, a relaxed pace, and the chance to bend the rules with magic and ride a giant cat. However, it also has some glitches, a few quirks in its gameplay, and some slightly iffy controls. How much you get out of Calico will truly depend on how much you love its themes as well as your tolerance for glitches. It will also matter if you were looking for a game that lets you actually run a café, since this aspect of gameplay is surprisingly passive.

Picklock isn’t a bad game, and - despite some localization woes - is actually packed with some great ideas. They just don’t quite make the connection for me, at least not on Nintendo Switch.

Recommending Doom Eternal on Nintendo Switch ultimately boils down to two factors: the Switch is the only gaming system you own, and/or you plan on playing the game near-exclusively while on-the-go. Honestly, for a Nintendo Switch title, Doom Eternal is solid. It just feels like a game that benefits from being played on a more powerful platform.

There is a lot to be uncovered in Airborne Kingdom - far more than I've mentioned here. From the slow and steady movement of the city to the various interactions that can take place around the delightfully designed open-world, Airborne Kingdom lets me build and explore at my own pace, never making me feel like I need to rush. That’s exactly the kind of thing that I need in my life right now.

The game is utterly addicting thanks to its well-executed VR gunplay and bullet-hell mechanics, along with its overall fun-factor.

My short time with Morkredd was unsettling, frustrating, and – ultimately – enjoyable. It does an excellent job of slowly ramping up the action, culminating in a final level that is both challenging and thrilling, even though it's drastically different from the rest of the game. The early levels were a bit of a slog, as you need to wrap your head around the controls before diving into the meat of the experience, but once it clicks there's a lot of fun to be had. As chilling as the story is, I wish there was more for me to experience after the credits roll. Morkredd left me with a lot of questions, but there's not a lot of replay value beyond discovering a few paintings you missed on your first go-round.

I think I’ve sunk about 250 hours into Ace Combat 7. Most of that was spent just endlessly replaying the campaign with as many different aircraft as were available. I’m not sure yet if I’m going to play Project Wingman for quite as long, but given how I’ve lost sleep all week just so I could play one more mission, I suspect I might come close.

Monster Sanctuary is a Pokémon game smashed together with pixel-art, JRPGs, and Metroidvanias. If that's not a recipe for an indie game hit, then I don't know what is.

Outcasters is truly a unique experience. For Stadia, it's no doubt a huge win. Splash Damage did an incredible job of homing in on the essence of what makes a great multiplayer experience – and the result is Outcasters. Curving bullets is a blast, every battlefield is blessed with adorable graphics, and the unlockable cosmetics and abilities give you plenty of reasons to keep coming back. I'm hopeful that Outcasters will eventually land on other platforms. Otherwise, it may not get the attention it truly deserves.

Madden 21 on PS5 exceeds my expectations. As someone who plays Madden every single year, that says a lot. If you already bought the PS4 or Xbox One version of the game, dual-entitlement will allow you to snag the next-gen version for free. It’s well in your best interest to do so with your brand-spankin'-new next-gen console.

I’m V and the game is Silverhand - I can’t get Cyberpunk 2077 out of my head. I’ve had it a week and played 70 hours, which is probably about as healthy as scooping out my face and replacing it with electronics, but it didn’t feel like work. Like a digital personality loaded onto a biochip, it felt like stepping into another life for a while. It’s a life I can’t wait to relive.

Part of me wants to say Haven is my game of the year, but I should probably let the post-play buzz die down first. What I do know is that Yu and Kay will stick with me for a long time.

Although I would have liked for that Zen to have come into play way earlier than it did, once everything clicked, Absolute Drift became worth picking up for a quick race whenever I have a spare moment. Just don’t expect to reach that level of driving skill quickly… if at all.

Worms Rumble is great. It’s fun and as hilarious as ever, whether it be from an over-the-top-kill or the witty banter from the Worms themselves. I worry that the steep learning curve may turn some players off, but if you’re able to stick with it, you’ll have a ton of fun in the latest game from a longstanding franchise that keeps on delivering.

ALTDEUS: Beyond Chronos caters to a very specific audience - an audience that enjoys visual novels first and foremost, but who also has an appreciation for VR. If, like mine, your first playthrough isn’t up to par with your expectations, it’s highly recommended that you give the game another playthrough or two, making different decisions along the way. It’ll be worth it to take in the full narrative of what ALTDEUS: Beyond Chronos has to offer.

With the blessing of Sam & Max creator Steve Purcell, Skunkape Games has done well to bring the original highly-praised title to modern platforms, offering up plenty of reasons for new players to check out the game, and former players to come back.

If you're looking for a psychological thriller to sink your teeth into, you could definitely do worse than Twin Mirror, but it's honestly only worth checking out if you're strapped for choices.

I can’t help but feel like the Switch version of the game would be my preferred choice of platform, simply due to the fact that I could play the game anywhere, even if for just a few minutes at a time. However, the PlayStation 4 version comes highly recommended if you’re looking to take in the incredible visuals awaiting you in the world of Erdrea.

From stoner oracles to gods who have been turned into trees, to the sheer batshittiness of its entire cast of gods and monsters, Immortals Fenyx Rising is a genuine joy to play, and a real treat for Greek mythology lovers. It’s got personality to burn, and both puzzle and combat design capable of mechanically backing it up. It’s a shame that the platforming can be so unforgiving, and that crashes happen far more than you’d like them to, but these are both problems that can be rectified in future updates. Once that happens, Immortals could easily - and surprisingly - go down as one of the best games of the year.

But if you don't own a PS5 and wouldn't mind staring at those bright red World Stones from Remnant again, then Chronos: Before The Ashes might make for a decent distraction. Especially since completing this lifelong journey may not take you all that long.

Empire of Sin is one of the most accessible strategy titles I’ve ever played. It allows me to play the game in a way that’s in line with my playstyle while offering up rich and in-depth gameplay for those with more experience in this genre.

Even if you don’t become an expert player, Destropolis has plenty to offer in the way of a casual quickplay experience. It feels like it could easily be a mobile title, but it fits well on Nintendo Switch. Destropolis is, at the very least, a nice way to take a break from the holiday craziness for a quick gameplay session or two.

If I were to use a single word to describe Strobophagia, it would be “confusing.” With good music and puzzle mechanics, there’s a solid foundation for what the game is trying to be. It just feels too disconnected to stand on its own as a single cohesive unit.

Pikmin 3 Deluxe is a better version of one of the best games ever made - one of Nintendo's crowning achievements, even. Whether you've played it before, or are lucky enough to experience it for the first time, you owe it to yourself to play this irrevocable environmentalist masterpiece.

There's still a long way to go of course. I'm about halfway through the campaign, I've only unlocked three dungeons. I don't know what the end-game grind will be like and the rogue-like activity Torghast is still unknown to me. But I'm enjoying the process more than I ever have before, and more than anything, I just want to rescue the heroes of Azeroth and stop Sylvanas and the Jailer from doing... whatever it is they're doing.

If this is your first time playing Halo 4, prepare for a treat. Gameplay remains identical to previous installments, but with some additions enhancing the experience. The story is also a big highlight. With this game, it's hard not to consider Master Chief and Cortana as gaming's greatest duo. Halo 4 caps off The Master Chief Collection on PC nearly perfectly.

As the first horror game on a next-gen system, Observer: System Redux has me really excited for the future of the genre - and for Bloober Team's next project.

I don't hate The Falconeer. I don't even think it's a particularly terrible game. There are great ideas here, and in the aesthetic department, it's a resounding success. However, it just needs more. It needs more polish, more reason to keep playing, and more reliable controls to navigate its interesting setting in. I would love to revisit this world at some point, and I hope that the dev can find a way to keep me more engaged next time.

It teems with little story beats I’m not allowed to talk about that will make long-time Zelda fans reel with excitement, and its fast-paced, punchy combat is brilliantly belligerent. I haven’t gotten into the art much, because you probably know from the trailer that it looks like Breath of the Wild, but for what it’s worth: it’s gorgeous. It gives voice and agency to a variety of excellent characters who deserved them, and I think its narrative is shaped with a sense of finesse that, on close consideration, is quite endemic to Zelda as a series. It’s just a shame that it’s held back by the only hardware it’s playable on, both in terms of input controllers and screen resolution.

The wait to get the game fully stable is worth it, since this expansion is looking likely to shoot straight to the top of all the best expansions ranked lists. Snowy Escape offers more depth than pretty much any Sims 4 expansion I've ever played, and that's not just the snow.

Five Dates not only portrays dating in a digital world in a succinct and believable manner, but it’s also a title that deserves to be mentioned in the same breath as some of the greatest rom-com films of all-time.

Mechanically, this is the Call of Duty game I’ve enjoyed the most since Modern Warfare 2, and the only game in the series where I’ve ever felt the need to finish the campaign more than once. It’s just a shame it’s a bit light on multiplayer maps, even if there’s no denying that, between the three modes, it’s still one of the best value video games you can buy. Enjoy, Bell.

Ultimately, Prinny 1 & 2: Exploded and Reloaded achieves what it sets out to accomplish. The games are by no means for the faint of heart, featuring fast and chaotic platforming that can make your head spin. The games are a perfect fit on the Switch, whether playing in docked mode or while on-the-go. The humor, art design, and soundtrack round out the experience making Prinny 1 & 2: Exploded and Reloaded a great pickup for platforming fans.