The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. Wargnier's sumptuous, moving new film, captures both the hope of the returning Russians and their brutal betrayal.
  2. Electrifying.
  3. Settles for being an atmospheric scenes-in-the-life biography of someone's most unforgettable character. It could have been so much more.
    • 23 Metascore
    • 10 Critic Score
    Not a satire of the idiocy of professional wrestling, but a long, self-satisfied wallow in it.
  4. It's another of Mr. Toback's quick-talking autobiographies that, like the best pop, have a clock running on their expiration dates.
  5. In films, as in the ring, heart and will without exceptional talent don't produce winners.
  6. Little more than a sanitized blend of nonsense and adventure and just a teeny bit of romance, interspersed with the occasional pop song.
  7. Less interested in politics than in profitably flattering the suspicions and resentments of its intended teenage audience.
  8. Witty, exquisitely fine-tuned screen adaptation of Nick Hornby's 1995 novel
  9. A film that has the sweep and esthetic power of a full-length ballet.
  10. X
    Has the sleepy feel of an urban fairy tale, but getting there is a long trip.
  11. Leans a bit too much toward the lachrymose and has a wrong-note final image.
  12. Still never having to say you're sorry.
  13. Even the walls seem to be sweating something viscous and unpleasant.
    • 20 Metascore
    • 10 Critic Score
    A thinly veiled "Cyrano," with the prom in mind.
    • 60 Metascore
    • 50 Critic Score
    Surprisingly pleasant, thanks to smart, unstereotyped performances.
  14. The main problem with Such a Long Journey is its storytelling. There is simply too much happening.
  15. Forever stumbling over itself and breaking its own spell.
  16. Winter Sleepers has many such breathtaking moments in which sounds and images synergize with an explosive precision.
  17. Sadly, if this movie was a fight, they'd have stopped it.
  18. A sharp critique of empty values and pointless striving.
  19. The feel-good movie of the year.
  20. Even by the crude standards of teenage horror, Final Destination is dramatically flat.
  21. Wants to blend thrills and pathos, getting at the many sides of what is, as Mr. Blaustein describes it, a carny act.
  22. Acted by an appealing cast, enlivened with well-chosen and varied music and filmed with bleak beauty by the cinematographer Eduardo Serra.
  23. The general talent and dedication of the ensemble mitigate the script's occasional lapses into sentimentality and noisy confrontation.
  24. Would much rather wallow in music than develop the strands of a story.
  25. Probably serves some useful purpose, despite its ham-fisted preachiness and mediocre acting.
  26. There doesn't seem to be an original moment in the entire movie, and the score is so repetitive that it could have been downloaded directly from EnnioMorricone.com.
  27. About as scary as a sock-puppet re-enactment of "The Blair Witch Project," and not nearly as funny.

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