The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. Far from being a typical Hollywood desecration of a difficult play, it stays true to the work's quirky, renegade spirit.
  2. Sustains a lovely balance between enchantment and playfulness.
  3. One of those films that create a mix of erudition, pageantry and delectable acting opportunities, much as "Shakespeare in Love."
  4. Has the rambling pace of an episodic 1950s costume drama.
  5. It's astonishing to see a film begin this brilliantly only to torpedo itself in its final hour.
  6. The author's fantastical world of wonders and the director's tender-hearted compassion mesh into what is easily the finest film realization of an Irving novel.
  7. Although Robbins might have drawn some of these characters with less obviousness and more satirical bite, he ably keeps this lively, complicated film on track.
  8. The dialogue may be crisply idiomatic, but there's finally nothing realistic about the speed with which the characters hurtle through their mood swings and power plays.
  9. The actor Tim Roth makes a fierce, disturbing directorial debut with a film that treats incest as something worse than a terrible secret.
  10. The only thing about the movie that isn't a transparent paste imitation is Douglas' hard, gleaming performance.
  11. Another thriller that packs a spooky wallop as it conjures an unseen world within reach.
  12. A film with a counterproductive tendency to take its time...but unassumingly strong, moving performances and Darabont's durable storytelling make it a trip worth taking just the same.
  13. Juvenile comedy targets a gallery of imperfect women.
  14. The film's shapeliness and depth are not immediately apparent; for much of its running time, it feels diffuse and anecdotal, but in retrospect you appreciate the subtlety and heft of the story, as well as the tricky profundity of Mr. Ceylan's approach.
  15. Has an episodic rhythm and little dramatic tension.
  16. As Holy Smoke moves from its early mix of rapture and humor into this more serious, confrontational stage, it runs into trouble.
  17. When it comes to holiday films worth swooning over, here's the one to see.
  18. This is one very tuneful labor of love.
  19. Something disturbing has happened to this story en route to the screen.
  20. So awful it just might put an end to Hollywood's hypocritical infatuation with men in drag as symbols of its own supposedly liberated sexual attitudes.
  21. There are many moments when what is on the screen stops looking like acting and becomes life itself, and you're watching real people change and grow before your eyes.
  22. Two ridiculous blood-soaked hours.
  23. Dramatically skimpy, even though the movie stirs together themes of love, sex, death and war.
  24. Making sure that computer-generated animation will never be the same.
  25. In his third and most comfortable effort to model the Bond mantle, Pierce Brosnan bears noticeably more resemblance to a real human being.
  26. It weaves life and art into a rich tapestry of love, loss and compassion.
  27. Turns the tale of the Headless Horseman into the pre-tabloid story of a rampaging serial killer.
  28. When this hugely ambitious project began, it was a longitudinal study of class divisions among English schoolchildren. But time and persistence have turned it into much more.
  29. Ms. Rozema has made a film whose satiric bite is sharper than that of the usual high-toned romantic costume drama.
  30. If Liberty Heights is much too soft at its center, it still offers a deeper immersion in that old '50s feeling than any other Hollywood film in recent memory.

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