For 20,312 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,400 out of 20312
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Mixed: 8,446 out of 20312
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Negative: 2,466 out of 20312
20312
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
Far from being a typical Hollywood desecration of a difficult play, it stays true to the work's quirky, renegade spirit.- The New York Times
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Reviewed by
Stephen Holden
Sustains a lovely balance between enchantment and playfulness.- The New York Times
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Reviewed by
Janet Maslin
One of those films that create a mix of erudition, pageantry and delectable acting opportunities, much as "Shakespeare in Love."- The New York Times
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Reviewed by
Stephen Holden
Has the rambling pace of an episodic 1950s costume drama.- The New York Times
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Reviewed by
Janet Maslin
It's astonishing to see a film begin this brilliantly only to torpedo itself in its final hour.- The New York Times
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Reviewed by
Stephen Holden
The author's fantastical world of wonders and the director's tender-hearted compassion mesh into what is easily the finest film realization of an Irving novel.- The New York Times
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Reviewed by
Janet Maslin
Although Robbins might have drawn some of these characters with less obviousness and more satirical bite, he ably keeps this lively, complicated film on track.- The New York Times
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Reviewed by
Stephen Holden
The dialogue may be crisply idiomatic, but there's finally nothing realistic about the speed with which the characters hurtle through their mood swings and power plays.- The New York Times
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Reviewed by
Janet Maslin
The actor Tim Roth makes a fierce, disturbing directorial debut with a film that treats incest as something worse than a terrible secret.- The New York Times
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Reviewed by
Stephen Holden
The only thing about the movie that isn't a transparent paste imitation is Douglas' hard, gleaming performance.- The New York Times
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Reviewed by
Janet Maslin
Another thriller that packs a spooky wallop as it conjures an unseen world within reach.- The New York Times
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Reviewed by
Janet Maslin
A film with a counterproductive tendency to take its time...but unassumingly strong, moving performances and Darabont's durable storytelling make it a trip worth taking just the same.- The New York Times
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Reviewed by
Lawrence Van Gelder
Juvenile comedy targets a gallery of imperfect women.- The New York Times
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Reviewed by
A.O. Scott
The film's shapeliness and depth are not immediately apparent; for much of its running time, it feels diffuse and anecdotal, but in retrospect you appreciate the subtlety and heft of the story, as well as the tricky profundity of Mr. Ceylan's approach.- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
As Holy Smoke moves from its early mix of rapture and humor into this more serious, confrontational stage, it runs into trouble.- The New York Times
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Reviewed by
Janet Maslin
When it comes to holiday films worth swooning over, here's the one to see.- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
Something disturbing has happened to this story en route to the screen.- The New York Times
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Reviewed by
Stephen Holden
So awful it just might put an end to Hollywood's hypocritical infatuation with men in drag as symbols of its own supposedly liberated sexual attitudes.- The New York Times
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Reviewed by
Stephen Holden
There are many moments when what is on the screen stops looking like acting and becomes life itself, and you're watching real people change and grow before your eyes.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Dramatically skimpy, even though the movie stirs together themes of love, sex, death and war.- The New York Times
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Reviewed by
Janet Maslin
Making sure that computer-generated animation will never be the same.- The New York Times
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Reviewed by
Janet Maslin
In his third and most comfortable effort to model the Bond mantle, Pierce Brosnan bears noticeably more resemblance to a real human being.- The New York Times
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Reviewed by
Janet Maslin
It weaves life and art into a rich tapestry of love, loss and compassion.- The New York Times
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Reviewed by
Janet Maslin
Turns the tale of the Headless Horseman into the pre-tabloid story of a rampaging serial killer.- The New York Times
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Reviewed by
Janet Maslin
When this hugely ambitious project began, it was a longitudinal study of class divisions among English schoolchildren. But time and persistence have turned it into much more.- The New York Times
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Reviewed by
Stephen Holden
Ms. Rozema has made a film whose satiric bite is sharper than that of the usual high-toned romantic costume drama.- The New York Times
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Reviewed by
Stephen Holden
If Liberty Heights is much too soft at its center, it still offers a deeper immersion in that old '50s feeling than any other Hollywood film in recent memory.- The New York Times
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