For 20,312 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,400 out of 20312
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Mixed: 8,446 out of 20312
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Negative: 2,466 out of 20312
20312
movie
reviews
- By Date
- By Critic Score
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- The New York Times
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- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Anita Gates
The film has some charm and a winning simplicity but not an iota of depth.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
An intense, volatile film full of sorrow and wild, mordant humor.- The New York Times
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Reviewed by
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Reviewed by
Lawrence Van Gelder
Amounts to recycling rather than reinvention.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Janet Maslin
The territory where the circus sideshow meets the avant-garde...visually arresting, dramatically blurry.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
Though it sets out to explain why this marriage is worth saving, The Story of Us could prompt even single members of the audience to file for divorce.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
Overly schematic, not always believable in its crude sexual mechanics and ultimately unsensual. But it lays out the laws of erotic attraction with a brutal directness that is downright scary.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Dramatically Joe the King feels unglued, as if crucial sequences had been left on the cutting-room floor.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
Switching gears radically, bravely defying conventional wisdom about what it takes to excite moviegoers, Lynch presents the flip side of "Blue Velvet" and turns it into a supremely improbable triumph.- The New York Times
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Reviewed by
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Reviewed by
Lawrence Van Gelder
Plods along, never catching dramatic fire, sometimes suffering from amateurish acting and often relying on its intrusive and treacly music to impart mood and rhythm.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
The sardonic, testosterone-fueled science fiction of Fight Club touches a raw nerve.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
The film confines them to an affair that is the sexual equivalent of Easy Listening.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Lawrence Van Gelder
Brims with understanding of the complexities of relationships, the frailties of humankind and the possibilities of joy.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
The impact of these stories is not in the words but in the way the mood, texture and the acting build each situation into a visually intense parable about the similarity of spiritual, erotic and aesthetic aspiration.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
Among Soderbergh's widely varied films ("sex, lies and videotape," "Kafka," "The Underneath," "Schizopolis," "Out of Sight"), this one actually has the best chance of becoming anyone's sentimental favorite.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Janet Maslin
Stunning...a film much tougher and more transfixing than its wan title.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
(Shue's) sweetly likable performance is the only coherent element in a film that has the impersonal feel of a television drama slapped together in a rush.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
None of it adds up to terribly much beyond a rip-roaring adventure that shows off Carlyle and Miller as cynical British city cousins of Butch Cassidy and the Sundance Kid.- The New York Times
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Reviewed by
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Reviewed by
Lawrence Van Gelder
Artfully treading a fine line between operatic tragedy and romantic comedy.- The New York Times
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Reviewed by
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- The New York Times
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