The New York Times' Scores

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For 20,268 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
  1. Positive: 9,377 out of 20268
  2. Mixed: 8,427 out of 20268
  3. Negative: 2,464 out of 20268
20268 movie reviews
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  1. Been Here Stay Here
    Time is slipping away for Tangier Island, just like its shoreline. Been Here Stay Here beautifully captures what it is right now, then asks us to consider what will probably be lost soon.
  2. In the Grey
    These days, Ritchie’s films are all about fabulous looking people causing a ruckus and blowing a lot of stuff up and taking out less good-looking bad guys in the bargain. “In the Grey” not only delivers these goods but goes into copious detail about just how Sid and Bronco get their ruckus up to speed.
  3. Is God Is
    Is God Is asks us to pay heed — in ways subtle and bold — to its comedy and anguish. It demands, without seeming to, that we watch to see, really see.
  4. The Wizard of the Kremlin
    It’s a useful framework for understanding leaders around the world, and Baranov is the ideal cipher, someone who intimately understands how easily people’s minds are swayed and molded.
  5. Agatha's Almanac
    While not everything that Bock does is equally fascinating — a director’s personal connection to a subject can be both an advantage and a hindrance — a fair amount of it is endearing, even inspiring.
  6. Decorado
    Vázquez’s deadpan directorial style, which occasionally swerves into grim spoofs of Looney Tunes-style antics, perfectly suits the animated dystopia.
  7. LifeHack
    By putting us inside the internet, Corrigan makes their insular world feel uncomfortably close to ours.
  8. Magic Hour
    A crafty reveal does not a clever film make, and even at a merciful 80 minutes, the device eventually feels more tired than the sullen Erin, who soldiers on through her suffering.
  9. Obsession
    Barker shows real promise as a horror storyteller; his instincts about when to hold back and when to plunge the knife are scalpel sharp. If only the sexual politics at play in Obsession didn’t feel so callow.
  10. The A List: 15 Stories from Asian and Pacific Diasporas
    Shorn of any larger narratives or showy touches, the film spotlights each subject telling, in brief, the individual histories and struggles of their lives.
  11. Remarkably Bright Creatures
    While being cynical about a wise-octopus movie is probably unfair, being bored by it isn’t great, either.
  12. Blue Film
    I left this movie with an exhilarated kind of heaviness. Here is a work of art that wants to know what makes us us. There’s no caution. I don’t sense any compromise, either. Nor do I detect judgment. We’re being trusted with these souls, entrusted with them.
  13. Mortal Kombat II
    The spectacle — its eardrum-shattering, eye-popping pyrotechnics, with the violence framed against all manner of phantasmagoric computer-generated backdrops — is its own reward.
  14. Silent Friend
    Plenty of things happen, but Silent Friend isn’t traditionally plot-driven. It’s a film of sprawling ideas that float around like pollen, with some particles creating marvelous blooms. Others drift off aimlessly.
  15. The Sheep Detectives
    Not only is The Sheep Detectives delightful, but it’s funny and emotionally complex and, dare I say, unusually deferential toward the noble sheep, frequently cast as brain-dead losers in cinema’s barnyards (Shaun notwithstanding).
  16. Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D)
    In some ways, the movie is a bizarre Venn diagram of aesthetic and emotional interests: a totally immersive experience into the power of Eilish’s music, and a test film for Cameron to play with his latest gadgets.
  17. Our Land (Nuestra Tierra)
    Drawing attention to the filming technology, Martel implicitly reminds us that Chocobar’s case only came to trial because it was filmed and uploaded to the internet in the first place.
  18. Swapped
    Pelage and plumage noticeably lack the tactile quality of a Pixar extravaganza, but the animation gets a pass for the movie’s purposes — namely, to impart a message that communities should trust each other, whether they’re covered in rotely-rendered feathers or fur.
  19. Departures
    Departures is still tender and winsome, with graphic-novel-style animation lightening the load, but is ultimately punishing in tone. It lives by a truth that might ring familiar for gay men particularly: Humor that cuts deep is a form of survival.
  20. One Spoon of Chocolate
    An empty muddle of social commentary with little intensity.
  21. Animal Farm
    There’s a reasonably OK movie somewhere inside Animal Farm, but it’s drowning in ideological confusion, which wouldn’t be such a big deal — one rarely asks children’s cartoons featuring talking pigs to be wellsprings of thoughtful political theorizing — except that this is “Animal Farm.”
  22. Two Pianos
    Looking for rational behavior, especially in a crucial flashback, is pointless. To the extent that Two Pianos coheres, it is in a way that might be described as musical.
  23. That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea
    It’s honestly easier to feel more invested in these characters (or to have a reference point for the understatement of Rimuru’s role) if you’ve been hanging out with the show for one or more seasons. But it’s a diverting dip in the anime sea.
  24. Deep Water
    This picture is not as ridiculous as a “Sharknado” movie — Harlin is out to make a genuine nail-biter, and he largely succeeds, maintaining interest even as the two-hour mark approaches. But it’s not enough to make you genuinely afraid to go into the ocean this summer.
  25. Hokum
    Reveling in misdirection and a teasing duality . . . Hokum profits from Colm Hogan’s insinuating camera as it noses through gloomy corridors and a terrifying dumbwaiter shaft, hinting at what lurks on the other side of the frame.
  26. The Devil Wears Prada 2
    Like the first movie, the second is a sleek diversion with brittle and sharp laughs, truckloads of couture threads and lashings of light drama.
  27. Bernstein's Wall
    While his celebrity has largely faded, Bernstein’s Wall makes the case that his charge to artists to lead the way in culture is timeless, and more vital than ever.
  28. Apex
    This Netflix thriller is a fun-enough time that is elevated by the performances of predator and prey.
  29. Desert Warrior
    Rather than extend the epic sweep of this picture into the cosmic ineffable, he just wants the viewer bouncing along and rooting for its female hero. And the film succeeds admirably in this respect.
  30. Fuze
    Despite a plot (by Ben Hopkins) bursting with double- and triple- crosses, the movie feels programmatic, its characters bland cogs in a Rube Goldberg machine.
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