For 20,312 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,400 out of 20312
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Mixed: 8,446 out of 20312
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Negative: 2,466 out of 20312
20312
movie
reviews
- By Date
- By Critic Score
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- Critic Score
An 87-minute documentary on the life, work and thought of George Condo, a garrulous painter with a mischievous sense of humor and an eccentric, quasi-mystical view of art and the world it inhabits.- The New York Times
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Reviewed by
Stephen Holden
The moment the movie loses its lighthearted spirit is the moment it loses touch with reality- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
There is a lot of violence, but not much action; a plot involving vengeance, jealousy and double-crossing, but not a great deal of suspense.- The New York Times
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Reviewed by
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Reviewed by
A.O. Scott
A dreary crash of malapropisms and slapstick maimings wrapped very loosely around a murder mystery.- The New York Times
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Reviewed by
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Reviewed by
A.O. Scott
Wants to be sweet and dark at the same time, but it is as distant as a planet's satellite.- The New York Times
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- Critic Score
Feels like a very long late-night comedy sketch that occasionally veers beyond tastelessness toward something worse.- The New York Times
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Reviewed by
Stephen Holden
Mendelsohn's fusion of science fiction and Chekhovian melancholy finds a fresh perspective on a familiar theme.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
The brusque realism of Kragh-Jacobsen's style -- his careful suppression of style -- allows a surprising sweetness to emerge.- The New York Times
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Reviewed by
Stephen Holden
Cartlidge's beautifully still performance, mournful one moment, defiant the next, lets you see into Claire's soul without editorializing or begging for our empathy.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Dana Stevens
Sivan has accomplished something extraordinary: he has given political extremism a human face.- The New York Times
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Reviewed by
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Reviewed by
A.O. Scott
The movie is staged like a pit stop -- Reindeer Games goes from being fun to being laughable.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
Lawrence Van Gelder
Simultaneously fascinating and vexing in ways that might tax informed devotees of both baseball and film.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
Is, in the end, a boisterous love song -- a funny valentine to London, to chaos and to human decency.- The New York Times
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Reviewed by
Dana Stevens
Reflects the sensibility of the generation it holds up to critical scrutiny, and it's a cunningly ambiguous act of self-portraiture.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
Shrewdly taps into the lurking primal terrors of anyone who ever had to sleep with a night light.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
An adequate piece of children's entertainment, though it seems better suited for home viewing...than for the big screen.- The New York Times
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Reviewed by
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Reviewed by
A.O. Scott
Not a terrible movie, just an insubstantial one. All of DiCaprio's charisma and the director's savvy are used to divert us from the fact that there's not much going on.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
Funny and brisk, with enough good lines to make the comedy more satisfying than the somewhat routine but still unsettling jolts to the spine.- The New York Times
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Reviewed by
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- The New York Times
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