For 20,312 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,400 out of 20312
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Mixed: 8,446 out of 20312
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Negative: 2,466 out of 20312
20312
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dana Stevens
Vacillates between cutesy Disney-style anthropomorphism and "Born Free" exoticism.- The New York Times
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Reviewed by
A.O. Scott
With its pointed narrative, the film makes its case with a minimum of pushiness and a subtle nod to its crowd.- The New York Times
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- The New York Times
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Reviewed by
Stephen Holden
For all its narrative glitches and its homemade quality, Thirteen evokes the rhythm, texture and tone of Nina's world in a way that a more carefully scripted film never could.- The New York Times
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Reviewed by
Stephen Holden
The movie is essentially pro-Ecstasy. No matter how much the D.J.'s may claim that their electronic sounds produce the euphoria of a good rave, the movie clearly implies that Ecstasy is the key that unlocks it all.- The New York Times
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Reviewed by
A.O. Scott
It's hard to take Passion seriously because it brings to mind the kind of shallow psychology that wouldn't be out of place in a history short about Sigmund Freud on "ABC Schoolhouse Rock."- The New York Times
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Reviewed by
Stephen Holden
Its message is quite simple and all too familiar: when it comes to sex, all men are little boys.- The New York Times
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Reviewed by
Dana Stevens
A refreshing movie that's so good natured, so confident of its ability to provoke not queasy awe or numb exhaustion but pure delight.- The New York Times
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Reviewed by
Dana Stevens
Dreamy touches can't compensate for the film's main flaw, which is that the relationship between the two main characters never really develops.- The New York Times
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Reviewed by
A.O. Scott
Once the basic conflict is established, the story plods along, alternating between preposterous -- in a bad way -- speeches and even more preposterous -- but in a good way -- shootouts and slugfests.- The New York Times
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Reviewed by
Dana Stevens
With a neck-snapping jolt, turns into the scariest exercise in cinematic sleight of hand since "The Blair Witch Project."- The New York Times
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Reviewed by
Dana Stevens
It's a bit like "The Sixth Sense," but without the melodramatic comfort of the supernatural.- The New York Times
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Reviewed by
Stephen Holden
In this sweet, funny wisp of a movie, Mr. Allen shucks off his fabled angst and returns in spirit to those wide-eyed days of yesteryear, before Chekhov, Kafka and Ingmar Bergman invaded his creative imagination.- The New York Times
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Reviewed by
Stephen Holden
Bad taste is timeless. And sometimes it can be so funny that you can't help laughing.- The New York Times
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Reviewed by
Stephen Holden
It conveys plenty of wonder while mostly avoiding any saccharine preachiness.- The New York Times
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Reviewed by
Dana Stevens
As luxuriant and intoxicating as a theme park ride; more remarkably, it feels like a real movie.- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
By the end, even the irrepressible Mr. Foxx seems tired and defeated, and we can only hope he perks up in time for his next movie.- The New York Times
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Reviewed by
A.O. Scott
Its frank good humor stands in sharp contrast with the strange combination of timidity and exploitiveness of more widely distributed recent teenage comedies.- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
New York becomes a complex character in this vital and sharply intelligent film.- The New York Times
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Reviewed by
Stephen Holden
A confusedly misconceived hybrid of interracial buddy comedy and imitation Marx Brothers farce.- The New York Times
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Reviewed by
A.O. Scott
It may be a bit early to make such judgments, but Battlefield Earth may well turn out to be the worst movie of this century.- The New York Times
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- The New York Times
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- The New York Times
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- The New York Times
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Reviewed by
Janet Maslin
The purity and breadth of this meticulous study are all the more gratifying in view of its unprepossessing style.- The New York Times
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Reviewed by
Stephen Holden
Avoids succumbing to the preachiness that is the bane of so many family films, and for a movie like this, that's no small feat.- The New York Times
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Reviewed by
Stephen Holden
Advance word of mouth has suggested that Ms. Basinger...turns in a performance comparable to Meryl Streep's in "Out of Africa." Would that it were so. Ms. Basinger certainly works hard at her role.- The New York Times
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Reviewed by
Dana Stevens
It reminds us that Italy is beautiful, that Fascism was a dreadful nuisance and that Sean Penn is a great actor, deserving of better vehicles than this vintage lemon.- The New York Times
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