The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. Several times while watching the movie I laughed until the tears were running down my face.
  2. So campy it reflexively sends an elbow to its own ribs.
  3. Surprisingly enough, it often soars to heights of not bad.
  4. If you're amused by jokes involving male genitals, female pubic hair, flatulence and dismemberment, it should be a big hit.
  5. Uplifting, witty.
  6. Best and most touching when it shows how willing punk is to eat its young.
  7. Succumbs to its blockbuster ambitions and turns into a noisy, bloated mess.
  8. The Perfect Storm is no "Titanic."
  9. Despite its occasional flashes of brilliance (every Rudolph film has them), this unsavory stew never comes to a boil.
  10. Shamelessly stirring, brandishing Mr. Gibson's anguished masculinity like a musket. It may be effective, but you leave the theater feeling used.
  11. The humor in Me, Myself and Irene is often outrageous but rarely cruel.
  12. Praise will stick with you. It's more than worthy of its title.
  13. Doesn't try to cram messages of uplift down its audience's gullet. It's a great eggscape from banality.
  14. Suffers from a fatal lack of modulation. It paints a picture of inner-city life as an endless sequence of beatings and shouting matches, and in its glum cartoonishness insults the people whose strivings it means to honor.
  15. Struggles under the burden of adapting such rarefied material.
  16. Despite some gorgeous sequences. . . Titan A.E. is bland.
  17. This may be the first movie that runs under two hours and yet has no attention span. Characters are abandoned and picked up; narrative threads dissolve before your very eyes.
  18. The best thing that can be said about Boys and Girls is that it is studiously inoffensive.
  19. Delicate, quietly devastating.
  20. You probably won't feel comfortable when Humanité is over, but as you leave the theater you will feel more alive than when you entered.
    • 76 Metascore
    • 80 Critic Score
    One of the pleasures of Jesus' Son is watching a filmmaker take risks and discover new resources of style.
  21. Strives desperately for a zaniness that is largely absent from the screenplay and from comic performances that are too blank and unfocused to register as parody.
  22. For a film devoted to celebrating intimacy and the breaking down of emotional barriers, Pop and Me is oddly withholding of information about the travelers.
  23. The movie is like spending an idle afternoon browsing, and not buying.
  24. Even though Love's Labour's Lost is, in showbiz terms, a turkey stuffed with chestnuts, you wouldn't trade it for a pot of gold.
  25. The film's seductive lack of pretension will make a fan of you.
  26. Leaves you with a sense of quiet, chastened grace.
  27. This new version is mindless hot-rodding fun, especially for those with a weakness for vintage cars hurtling down city streets, a group whose members include -- sigh -- me.
  28. What we are left with is a mildly entertaining "man on the street" gloss, seasoned with fragments from blaxploitation movies and music by Isaac Hayes, Marvin Gaye and others.
  29. Fitfully amusing.

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