For 20,312 reviews, this publication has graded:
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46% higher than the average critic
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5% same as the average critic
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49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Short Cuts | |
|---|---|---|
| Lowest review score: | Gummo |
Score distribution:
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Positive: 9,400 out of 20312
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Mixed: 8,446 out of 20312
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Negative: 2,466 out of 20312
20312
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Holden
Several times while watching the movie I laughed until the tears were running down my face.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
Dana Stevens
If you're amused by jokes involving male genitals, female pubic hair, flatulence and dismemberment, it should be a big hit.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
A.O. Scott
Best and most touching when it shows how willing punk is to eat its young.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
Succumbs to its blockbuster ambitions and turns into a noisy, bloated mess.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Stephen Holden
Despite its occasional flashes of brilliance (every Rudolph film has them), this unsavory stew never comes to a boil.- The New York Times
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Reviewed by
A.O. Scott
Shamelessly stirring, brandishing Mr. Gibson's anguished masculinity like a musket. It may be effective, but you leave the theater feeling used.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
The humor in Me, Myself and Irene is often outrageous but rarely cruel.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
A.O. Scott
Doesn't try to cram messages of uplift down its audience's gullet. It's a great eggscape from banality.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
Suffers from a fatal lack of modulation. It paints a picture of inner-city life as an endless sequence of beatings and shouting matches, and in its glum cartoonishness insults the people whose strivings it means to honor.- The New York Times
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Reviewed by
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Reviewed by
Janet Maslin
Struggles under the burden of adapting such rarefied material.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
A.O. Scott
This may be the first movie that runs under two hours and yet has no attention span. Characters are abandoned and picked up; narrative threads dissolve before your very eyes.- The New York Times
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Reviewed by
Dana Stevens
The best thing that can be said about Boys and Girls is that it is studiously inoffensive.- The New York Times
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Reviewed by
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- The New York Times
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Reviewed by
Stephen Holden
You probably won't feel comfortable when Humanité is over, but as you leave the theater you will feel more alive than when you entered.- The New York Times
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- Critic Score
One of the pleasures of Jesus' Son is watching a filmmaker take risks and discover new resources of style.- The New York Times
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Reviewed by
Stephen Holden
Strives desperately for a zaniness that is largely absent from the screenplay and from comic performances that are too blank and unfocused to register as parody.- The New York Times
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Reviewed by
Stephen Holden
For a film devoted to celebrating intimacy and the breaking down of emotional barriers, Pop and Me is oddly withholding of information about the travelers.- The New York Times
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Reviewed by
A.O. Scott
The movie is like spending an idle afternoon browsing, and not buying.- The New York Times
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Reviewed by
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Reviewed by
Dana Stevens
Even though Love's Labour's Lost is, in showbiz terms, a turkey stuffed with chestnuts, you wouldn't trade it for a pot of gold.- The New York Times
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Reviewed by
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- The New York Times
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- The New York Times
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Reviewed by
A.O. Scott
This new version is mindless hot-rodding fun, especially for those with a weakness for vintage cars hurtling down city streets, a group whose members include -- sigh -- me.- The New York Times
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Reviewed by
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Reviewed by
Stephen Holden
What we are left with is a mildly entertaining "man on the street" gloss, seasoned with fragments from blaxploitation movies and music by Isaac Hayes, Marvin Gaye and others.- The New York Times
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Reviewed by
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- The New York Times
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