The New York Times' Scores

For 20,312 reviews, this publication has graded:
  • 46% higher than the average critic
  • 5% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Short Cuts
Lowest review score: 0 Gummo
Score distribution:
20312 movie reviews
  1. Ludicrous, impenetrable and headache-inducing.
  2. Eventually becomes preaching that is likely to tax the credibility of the unconverted.
  3. Finds a sprawling, vivid middle ground somewhere between documentary and myth.
  4. Never quite comes to dramatic or comic life.
  5. A mildly amusing Japanese appropriation of 1950's American detective movies.
  6. Intelligent, insightful, touching.
  7. Seems a little too desperate to be liked.
  8. Some of it is, I'll admit, pretty funny.
  9. Bland, unrevealing.
  10. Does an almost dismayingly good job of conveying its characters' grim, bare-bones existence and the stultifying sexual and religious taboos that the lovers flout.
  11. Slight but bright and charming.
  12. It is Ms. Dunst who carries the movie and unifies its disparate elements. She's a terrific comic actress.
  13. Finally fails to escape the conventions of the Hollywood cinema it so proudly deplores.
  14. In spite of its many flaws, the film never loses its focus on its fascinating central figure.
  15. Mr. Singh may have an artist's temperament, and he shows signs of being a director
  16. Likable but muddled screen biography.
  17. Their comedy gives audiences that have never seen anything like it a hilarious window on a new world.
  18. A youth comedy so relentlessly sordid and depressing that it's likely to send its audience straight into the arms of the nearest psycho-pharmacologist.
  19. This is one of the best-photographed pictures of the year, but not ostentatiously so; the look is organic to the less-than-glamorous badlands of Sunnyside, Queens.
  20. Ultimately as sycophantic as it is needling.
  21. There is surprisingly little emotional amplitude in the film.
  22. Clearly, this is an affair to forget.
  23. Flagrantly old-fashioned, triple-hankie tear-jerker.
  24. A supernatural soap opera.
  25. Consistently amusing and smart in its choice of targets, but it lacks the manic edge of some of Waters' earlier movies.
  26. A desperate, broad comedy.
  27. Feels like an early rehearsal for a play where all the movement is being coordinated but the underlying emotional notes have yet to be set.
  28. Can't redeem the moves toward its predictable happy ending. But the movie has a protagonist who has a great time getting there.
  29. Like most movies that examine specific ailments, this gawky, occasionally touching film has the feel of a dramatized case history whose purpose is to educate as much as it is to tell a story.
  30. That they're English and elderly apparently makes their antics screamingly funny to people who would turn up their noses at similar humor in a film like "Scary Movie."

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