The A.V. Club's Scores

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For 10,413 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,571 out of 10413
  2. Mixed: 3,735 out of 10413
  3. Negative: 1,107 out of 10413
10413 movie reviews
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  1. Trapped
    Trapped is hit-and-miss as a piece of filmmaking but effective as an argument, contending not only that some Americans’ rights are being systematically taken away, but that when only a handful of organizations stand up for those rights, they become a bigger target.
  2. Knight of Cups
    Malick’s tricks may be aging, but every world still looks new through his eyes.
  3. Whiskey Tango Foxtrot
    A movie like this doesn’t require 30 Rock’s joke density or silly streak, but it’s surprising that Fey and Carlock’s satirical eyes aren’t a little more alert.
  4. Zootopia
    Like Disney’s "Big Hero 6," the movie is busy, but not breathless with invention.
  5. London Has Fallen
    Perhaps the movie’s politics—which range from tone deaf to irredeemable—would be more of an issue if it weren’t so inept.
  6. Songs My Brothers Taught Me
    Viewers will be torn between admiring its laid-back naturalism and wishing it possessed just a little more oomph.
  7. The Mermaid
    A relatively straightforward comic love story/environmental parable, it’s a sharper bit of whimsy than CJ7 and less weighed down with mythology than Journey To The West.
  8. Crouching Tiger, Hidden Dragon: Sword of Destiny
    Anyone merely hoping for more gravity-defying fight sequences will be reasonably satisfied by Sword Of Destiny, which chugs along amiably enough and never goes very long without a skirmish of some sort.
  9. Gods of Egypt
    A treasure trove of gilded fantasy bric-a-brac and clashing accents, Proyas’ sword-and-sandals space opera is a head above the likes of Wrath Of The Titans, but it rapidly devolves into a tedious and repetitive succession of monster chases, booby traps, and temples that start to crumble at the last minute.
  10. Paul Verhoeven's Tricked
    The fundamental problem is that Tricked is more mildly amusing than funny, and most of said amusement comes from the pacing, which is one uninterrupted sprint.
  11. Only Yesterday (1991)
    Only Yesterday is animated, but rarely cartoony, in either its design or its storytelling.
  12. A Country Called Home
    There are a lot of bad things this movie doesn’t do, which is not quite the same as doing anything particularly well.
  13. Marguerite & Julien
    It’s somehow both mannered and style-less, fantastical and under-imagined—perversely watchable, in other words.
  14. Eddie the Eagle
    Starring Kingsman: The Secret Service’s Taron Egerton jutting out his chin and sporting oversized glasses in a concerted attempt to appear less handsome, Eddie The Eagle wears its quirkiness on its puffed sleeve.
  15. Triple 9
    As a game of cops and robbers, Triple 9 was probably more fun to play than it is to watch.
  16. Risen
    Refreshingly unpretentious, Risen reimagines the Gospel as an ancient Roman cop movie.
  17. Race
    The rest of Race has other moments of engagement in a slickly produced and watchable package. But ultimately, it offers history told as a series of passing anecdotes.
  18. Snowtime!
    Dialogue is witless (though at least there are no pop-culture references), and the kids are all generic types with pre-packaged personalities.
  19. Rolling Papers
    At its best, Rolling Papers is like a paean to old-fashioned journalism, with its curious, intrepid writers — backed by well-heeled publishers — diligently finding and piecing-together important stories in the public interest. If Dickman had really wanted to be clever, he could’ve called this movie "Potlight."
  20. Forsaken
    An opportunity to see the Sutherlands onscreen together — with Donald playing Kiefer’s disapproving preacher dad — is the only new thing that Forsaken has to offer. Whether that’s enough will vary according to taste.
  21. The Witch
    The result is a horror movie that comes dangerously close to showing sympathy for the real devils, the kind that burned witches instead of instructing them. Good thing it’s scary.
  22. Embrace of the Serpent
    One just wishes it weren’t doing all the work for the viewer.
    • 75 Metascore
    • 83 Critic Score
    Funny or Die Presents: Donald Trump's the Art of the Deal: The Movie
    Like the real Trump, [Depp] delivers a bizarrely magnetic performance, and that magnetism is enough to hold the whole enterprise together, even as the intentional incompetence of the film-within-the-film threatens to sink the final act.
  24. Nina Forever
    Despite these uneven moments, the film still serves as a dark and morbid fable about the poor choices people can make in their efforts to prove that they are how they see themselves.
  25. A War
    The film is low-key and evenhanded to a fault, resisting opportunities for melodrama at every turn; it radiates intelligence and fairness, which, while admirable, don’t exactly inspire a strong emotional response.
  26. Glassland
    The script is consistently either overexplicit or undernourished, and there’s only so much two fine actors can do.
  27. Mountains May Depart
    Sentimental, and plotted with the elegance of a silent film, Mountains is nearly hamstrung in its futuristic final section by one very bad performance and a whole lot of tin-eared English dialogue.
  28. Cabin Fever
    Scene for scene, line for line, gag for gag, it’s basically the same movie. And the original was no masterpiece to begin with.
  29. Zoolander 2
    It’s a bizarre and pointless spectacle, but not an unamusing one. Characters like Alexanya and Atari feel very much like try-outs for Saturday Night Live characters — not surprising, given that at least four of the cast members have worked on that show.
  30. Touched With Fire
    Yet as personal, well-performed, and sometimes lyrical as this material is, Dalio also has a peculiar way of making it all play like a public service announcement—like a feature commissioned for a mental-wellness convention.
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