The A.V. Club's Scores

For 10,410 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10410 movie reviews
  1. Few drug-induced visions, however, can match the playful ingenuity of this freewheeling assault on the senses, which eschews conventional narrative in favor of one mesmerizingly bizarre image after another.
  2. Anarchy finally reigned supreme in 1932's classic Horse Feathers, which was the first Marx brothers comedy that smoothly integrated the story into the troupe's routine.
  3. Much of what makes Freaks so unsettling comes from its refusal to treat its stars as, well, freaks.
  4. Frankenstein works as a fast-moving thriller and, even now, a stylish, frighteningly atmospheric horror film, but also as a sad outcast parable. Frankenstein's creature may be a monstrosity, but he's also instantly sympathetic to anyone who's ever felt like a misfit.
  5. In casting the brothers as stowaways on an ocean liner, Monkey Business gets laughs from broad Keystone Kops chase scenes, but extends the absurdity even further with bizarre one-liners (Groucho claims he "licked his weight in wild caterpillars") and a sequence in which all four brothers try to get off the boat by impersonating Maurice Chevalier.
  6. Alfred Hitchcock's early films run the gamut from not-bad to dreary, but they're mainly remarkable for how Hitchcockian they are.
  7. Animal Crackers leaves the song-and-dance to Groucho in the great "Hooray For Captain Spaulding," sends Harpo running after screaming blondes in the background, and breaks down the fourth wall for a wry Eugene O'Neill parody.
  8. Milestone’s visual style lacks the flourish of Wellman’s Wings, but it’s no less explicit, as the camera pans across battlefields where dismembered body parts hang from barbed wire.
  9. Only about half of 1929's The Cocoanuts, an early sound-era comedy, was entrusted to the Marx brothers' vaudevillian antics; the rest was left to drippy Irving Berlin songs, kick-lines of bathing beauties, and a half-baked subplot about a stolen necklace. Yet the good scenes establish the Marx dynamic to hilarious effect.
  10. It's a unique, unforgettable, enlightening experience.
  11. Danish director Carl Dreyer's 1928 film The Passion Of Joan Of Arc is one of the indisputable masterpieces of the silent era.
  12. Wings is primarily a grand spectacle, with an ingenious piece of visual storytelling rolling along every few minutes.
  13. Sunrise remains a magnificent tale of adultery and forgiveness, and contains more lessons in visual storytelling in any given five-minute sequence than most film schools deliver in a semester.
  14. As for its quality as an actual movie, well, The Jazz Singer is hardly great, but it provides solid melodrama and a valuable look at the ethnic stereotypes of early-20th-century entertainment.
  15. Battleship Potemkin remains remarkable for the way it builds over a brisk 69 minutes, setting the pace for nearly every action movie made since.
  16. Its refusal to over-simplify gives it the structure of a rough cut. Being a grown-up, as far as I Love You, Daddy is concerned, means picking your failures and frustrations; it picks to be too long and poky.
  17. The Seventh Continent deals with the deterioration of an average middle-class family by focusing obsessively on mundane life details. As images and actions start repeating themselves, it becomes clear to the family (and to us) that their lives are little more than a collection of routines, without joy or meaning. The conclusion they reach is better left as a surprise, but suffice to say, the third act shifts gears completely.
  18. This sixth film in the series just completely ignores the self-aware spoofing of the most recent installments, instead returning to the back-to-basics horrors of a possessed doll who’s out to murder a family—one that could just kick it in the face at any time, because it’s a doll.
  19. Cult Of Chucky is the most purely entertaining Child’s Play film since the original.

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