Red Solstice 2 is a game that requires at least another friend to deliver a decent experience. The strategic and tactical layers work, from a purely mechanical point of view, but everything is too focused on repetitive actions to keep the game fun when playing solo. The limited immersion does not help. Gamers who can get together a group of four people and manages to coordinate sessions will have a very different experience. Four humans who work together to deal with the hordes of monsters, especially on the higher difficulties, can create impressive heroic moments. Red Solstice 2 shows the limits of a solid set of gameplay mechanics but also reveals the excitement that only cooperative play can generate.

fault – StP – Lightkravte feels more like a side story that happens before the first two fault games rather than a full-fledged prequel. Revisiting the fault universe just to tell the story of an unremarkable boy who desperately wants to be a painted feels a bit forced, but it’s probably a decent waiting room for those who can’t wait to play the sequel to fault – milestone games coming later this year (or when it's ready). Do I recommend Lighkravte to those who didn’t play the first two fault – milestone games? Absolutely not. I suspect you’ll have a much more enjoyable experience playing those games first because you’ll better understand the setting and some of the characters would be more relatable. Lightkravte is not interesting enough as a side story, but it’s certainly an important piece of the puzzle in the fault universe.

Gordian Quest is focused on mechanics to both its advantage and detriment. For a player who has not explored the card and tactics space a lot, this is a perfect experience both as an introduction and for long-term engagement. For someone who has tried out a lot of titles in the genre, this game is a little too by the book for its own good. I like choosing a hero, seeing his cards, and finding out how I can tweak his arsenal via equipment or upgrades. I like to make a quick run, see what new enemies come my way, and how I can create new cool combos. But the limited appeal of the universe and lack of major innovations to the gameplay means that Gordian Quest might never convince me to finish its campaign.

MX vs ATV Legends is a great game, there’s no doubt about it, but on the other hand, it’s pretty clear that it can’t be considered a finished title at this point. In some ways, it feels like a work-in-progress, though most of the time, it can still provide the challenging experience that it promises regardless of the platform. The addition of an open environment is hands down the best idea, as it provides the off-road adventure with a new side that’s more or less based on exploration. At the same time, it feels like it generates a high replayability level, and at the end of the day, this is what helps keep a game alive a long time after its launch.

I was really curious about Deliver Us the Moon on PS5, but after finishing it I am struggling to find anything good about it, beyond the obvious passion of the developers. It is not a bad game, but it is just flat, and it does not have anything memorable about it. It can be looked at as an interactive movie, but even then, I would not recommend it since there is nothing really thrilling about it. I would not recommend it even if you don’t have anything better to do on a weekend afternoon. You will get much more out of staring at the moon using a telescope than playing this flat game.

Starship Troopers: Terran Command shows how hard it can be to use a cult status intellectual property and make a good video game out of it. The core mechanics are solid, but the narrative is mediocre, and the presentation fails to impress. There’s fun in finding new ways to kill bugs but there’s not enough variety. The game lacks multiplayer. The development team at The Artistocrats played it too safe. The idea that unit positioning is crucial should have been explored in greater depth, alongside the combined arms elements. Terran Command offers a solid strategy experience but I would not recommend it to anyone who is not a fan of Starship Troopers.

Frozenheim is a video game in search of an identity. It would have been better served by leaning into its city-building side, challenging players to find the best ways for their Vikings to thrive in inhospitable lands. The combat is so limited that it would have been easy to drop it entirely or just abstract it in some way. Neither the universe nor the presentation adds much to the gameplay. Given the Early Access period, Paranoid Interactive is delivering an experience that feels unpolished. The unique mix of mechanics is promising by itself, but Frozenheim fails to deliver on its potential.

If you like 80’s horror movies there are high chances that you will enjoy The Quarry. But, if you have played Until Dawn and you start this game with the same expectations chances are you will be disappointed. It rises up to the promise of a summer flick, but it is far from the best production of Supermassive Games. The replay value is affected by the structure of the game, The Quarry coming across as a needy teen that fails to captivate you after you given them the attention they seek. It can be a breezy and light experience for a hot summer weekend.

It cannot be denied that Spellforce III was launched more than five years ago and the new release while not bad at all shows its age. The good news is that with the DLCs included, the countless patches have been implemented as well, so the Reforced edition offers the best experience. The new crafting system is also a welcome addition, just as the possibility to upload your own maps into Journey mode. The main issue remains the control scheme. That said, if you are curious about the result of mixing RTS and RPG, I can only recommend the console version of Spellforce III Reforced only if you don’t own a PC.

Souldiers has interesting core mechanics and the sort of art style that will certainly attract fans of the Metroidvania genre or those looking to activate their nostalgia. But the story is mostly there as a reason for the action and combat can quickly become overwhelming in terms of difficulty. The game also has significant problems with the camera and there are plenty of reports of corrupted saves. The developers at Retro Forge are promising to deliver fixes but anyone interested in the title should wait and check back later to see if they deal with the reported problems. And even then, the combat means that the title is best suited for someone who likes a stiff challenge. Souldiers is a good game for anyone willing to engage with it on its terms and doesn’t mind slow progress.

Symphony of War: The Nephilim Saga is surprising and a little underwhelming at first. But, if one gives it time to reveal its systems, it offers plenty of tactical depth and a solid narrative. The fact that there’s no direct control over combat makes it more important to think about force composition and careful squad deployment. I never became fully invested in the story, but the tactical puzzles were always fun to work through. Symphony of War: The Nephilim Saga is best enjoyed in bite-sized chunks. Clear a map, prepare for another, watch the conversations between characters, see what a new area has to offer, then save the actual combat for another session. This keeps the gameplay fresh and the narrative interesting.

As a prequel to the upcoming Eiyuden Chronicle – Hundred Heroes, Rising does a really good job at introducing players to the universe. Its simple, tight combat mechanics and smart level design elevate it from other side-scrolling action-adventure games. Although exploration is quite limited and combat is very basic (at least in the beginning), Eiyuden Chronicle: Rising stands on its own despite the fact that it was released as a prequel to one of the most anticipated JRPGs of 2023. I strongly recommend playing this if you’re into side-scrolling action-adventure games, even if you don’t plan to pick up Rabbit & Bear Studios’ Eiyuden Chronicle: Hundred Heroes next year.

Card Shark has an interesting idea and the historical background could make for a fascinating exploration of a period rarely featured in non-strategy titles. It also has a unique presentation, that manages to comment on the era without aiming for accuracy. I wanted to learn more about the context Saint-Germain was operating in and why and how card tricks were created and deployed. Unfortunately, the mechanical side of the experience does not quite deliver on its promise. Learning the first few tricks suggests fun gameplay, focused on parting fools from their money. As the depth increases the level of actual fun drops. Card Shark needs to tweak its mechanics to make them more accessible while showing players why these virtual tricks are worth mastering.

Despite coming with its very own set of cons, Sniper Elite 5 is still brilliantly glorious. It’s indeed repetitive if you want to always take the fastest route to complete a mission, but at the end of the day, the more time you spend doing everything right, the more Sniper Elite impresses. Rebellion has clearly improved the parts that fans have been asking for, so you’re getting not only larger maps, but also more varied levels, better equipment, more troops, more vehicles, more weapon customization options, and so on. The new invasion mode also makes missions more challenging by allowing human players to enter your game and take the role of an Axis sniper, though you can obviously disable this mode if you just want to stick with single-player action. So overall, Sniper Elite 5 has a little bit of everything, eventually creating one of the most solid gameplays of the year so far.

Tennis Manager 2022 is a solid entry into the sports management genre, but it needs to refine its mechanics to become a good fantasy fulfillment vehicle for tennis fans. The development team has put in the effort to gather and present information in useful ways, giving gamers plenty of ways to tweak tactics and motivate their players. Tournaments are well simulated, with stars reacting naturally when they hit a good or bad streak.

Floppy Knights has a clear mechanical core and executes it well. The tactical and card puzzles of the levels are well-designed, with plenty of scope for experimentation and moments of surprise. Making progress can be surprisingly hard, given its cute presentation, for players who don’t examine enemy capabilities and prepare potential moves at least one turn in advance. But the core concepts are not innovative in any meaningful ways. The narrative space does what it can to add reasons to move forward but, despite their bubbly nature, Phoebe and Carlton don’t have much depth. Rose City Games understands the mix of genres it is working with but needs to take more risks to stand out in an already crowded space.

Eternal Threads has an intriguing idea at its core and its small scope means that it can introduce a lot of detail to a situation, challenging players to find out everything they can before making choices. It will be interesting to see if gamers actually connect with the characters as written or if they don’t bother to get the best outcomes for the entire cast. The biggest issue with the game is that it asks for an investment of time and emotion that the narrative might be unable to support. Gameplay is both limited and repetitive, which means that the universe needs to carry all the weight of engagement. Eternal Threads has potential in terms of storytelling but it does need a little more than a solid premise to keep players watching.

orbit.industries is a good management experience that will appeal to anyone who has ever sketched a space station in a notebook or thought about the complexities of building in orbit. Its three core systems might not seem too deep, taken individually, but they interact to create satisfying complexity. It is hard but cool to put together a space station that functions as close to optimal as possible and also looks suitably sci-fi. But the game doesn’t seem to aim to expand to audiences that don't already loves this genre. The presentation is functional but never pushes past that. There’s little world-building to create a sense of immersion. orbit.industries is a clear sign that LAB132 know their mechanics but they need to work on their ability to create a sense of wonder to attract a wider slate of players.

Farm Manager 2022 is a fascinating title that has just one problem: it doesn’t necessarily play well with consoles. I’m not talking about graphics or gameplay but about the controlling system, as this genre makes more sense on a PC where the mouse input is much more natural. But at the end of the day, Farm Manager is, as I said, not only a major upgrade over its predecessor but also a great way to see what the life of a farmer is all about. And since you end up learning a lot by simply playing it, no matter if we’re talking about crops, animals, logistics, or machinery, Farm Manager 22 is definitely worth trying out.

Citizen Sleeper creates a strong universe and gives the main character an engaging story with plenty of choices. Erlin’s Eye feels like a small part of a well-designed narrative space that can support more exploration. The visual design fits in with the wider themes of the game and the characters never become preachy. The problem is that the developer also cares about gameplay and the concept of investing for a result. The dice system is adequate enough, but everything takes so long and requires too many clicks. Citizen Sleeper would have probably worked better as a more classic visual novel, with the resources assigned to mechanics re-routed to deliver more story.

Overall, the folks at Complex Games have done a great job adapting one of the most popular tabletop games in the world and turning it into a video game. Ironically, Warhammer 40,000: Chaos Gate – Daemonhunters feels like the natural evolution of the XCOM franchise.

Kaiju Wars is the sort of video game that understands that huge monsters make for incredible threats, which in turn allows players to derive a lot of satisfaction from stopping them in their tracks. The game has the narrative, the mechanics, the scenario design, and the presentation to keep gamers always engaged, guessing how they can pick up an extra medal or tackle a mission on Hard. The development team has been quick to react to player feedback, adding more options. And I hope that they will also introduce more scenarios and, maybe, a few extra mega-monsters to deal with. Kaiju Wars is not revolutionary, but it delivers a tight strategy package that celebrates its inspirations while spoofing them.

Trek to Yomi makes a great first impression. The black and white, combined with the first uses of the combat system, suggests an experience that will allow players to step into the sandals of a samurai. The story might not be extraordinary but there’s enough sentiment in it to keep players engaged. But combat quickly reveals itself to be repetitive, with little need to experiment or to use all the combos. And the presentation does not enhance the gameplay, even if it delivers good screenshots. Trek to Yomi has some good ideas but never uses them to their full potential, which is a shame given its initial promise.

King Arthur: Knight’s Tale is a clear departure from the King Arthur titles that Neocore Games is known for. It’s not just the new setting, but also the combat mechanics and the management aspect of your base of operations that makes the game very engaging. Although I’d hoped King Arthur: Knight’s Tale would be something different than what we’re used to, I certainly didn’t expect it to be so good. If you’re a fan of turn-based strategy games and love a compelling, yet dark story, I can’t recommend King Arthur: Knight’s Tale enough, it’s an exceptional game.

Galactic Civilizations IV has a solid foundation, in terms of mechanics and presentation, but needs to add polish. I like the wide-ranging customization offered at the start of a campaign and how the early game moves. But the experience needs more excitement for the middle game and extra variety in terms of events and challenges. The title is too sculpted to suit the tastes of those who has picked up the previous two titles in the series. It rewards solid planning and careful execution; it asks players to learn the connections between mechanics and to exploit them. But to truly flourish, Galactic Civilizations IV needs to try to add a little revolution to its evolution-driven approach to turn-based strategy.

I’m not sure that the narrative element of the game works as well as the presentation and the focus on choices. But Trolley Problem, Inc. is a quick, enthusiastic, and very different experience, compared to what the medium mostly delivers, and I encourage players to take a few hours out of a week to see what it has to offer.

The story is there just to make you mildly interested in the game, which is kind of disappointing. Such an interesting world truly deserves much more exposition and deeper characterization of the cast, but if you’re looking for these traits in Ghostwire: Tokyo, you’re not going to find them. What you’ll find though is an interesting eerie world and lots of Western-like gunplay where you’ll be using your fingers to spit out psychic abilities rather than bullets, and that’s perfectly fine.

Royal Frontier is a simple game that can serve as an introduction to the rogue space but does not have the unique or interesting elements of the best of its genre. Combat is interesting at first but becomes rote very quickly. Unlocking new blessings does not feel important or cool enough to keep players engaged. But this could still be a slightly fun rogue and combat experience if it weren’t for the QTEs. They cannot be avoided, add little to the gameplay, and make everything take a lot more time than it should. Rogue Frontier understands what makes its chosen genre interesting for players but fails to introduce any unique mechanics of its own.