Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. Moussa Touré's worldview, like Ousmane Sembene's, is characterized by the feeling that, at the end of the day, some degree of loss or defeat is inevitable.
  2. When Xavier Dolan's tremendous empathy for the abandoned, medicated, and economically stressed is given full visual flight, it's easy to get lost in the rush.
    • 74 Metascore
    • 50 Critic Score
    The more the film diverges from Kurosawa’s, the more confident and distinguished it becomes.
  3. Sweat mostly adheres to a time-honored tale of the pitfalls of fame, despite its ultra-modern context.
  4. The film works as a charming aesthetic exercise with its jerky camera and inadvertent cuts, as a contemplation on intergenerational female bonding.
  5. A ferocious plea for character salvation within a milieu where money and bodily affect are the raison d'être for human existence.
  6. Though Duke’s film lacks the warmth and humanism of Something Wild, it’s possessed of a similarly idiosyncratic edginess.
  7. Leyla Bouzid successfully dramatizes how young people eroticize peril and risk due to a lack of experience.
  8. Like the fraught relationship between its two musician characters, the film never finds the right groove.
  9. Andrzej Zulawski's film experiment ranks somewhere between captivatingly off the wall and utterly exhausting.
  10. Kill continually finds clever ways to defy our expectations through the particular placement of dramatic beats, surprising shifts in tone, and even just the way it keeps flipping the geography of the action.
    • 74 Metascore
    • 75 Critic Score
    As great and intimate as Live at Massey Hall 1971 may be, it's not as transportive as this filming of a Neil Young performance at the venue 30 years later.
    • 74 Metascore
    • 88 Critic Score
    Minimalist in its aesthetics and soundtrack, quiet and deliberate in its plot, but nonetheless familiar--endearing and a vital addition to the small but growing Tibetan cinema.
  11. The landscape seems to push the characters away at the same time that it anchors them into place, suggesting that elsewhere is a promise that only dreams can keep.
  12. tick, tick… BOOM! never quite resolves that tension between well-attended wake and intimate memoir.
  13. Decadent, hermetic, and gleefully hostile to realism, Bertrand Mandico’s film is the cinematic equivalent of a French Symbolist poem.
  14. Ultimately, She Said is more concerned with eliciting the audience’s admiration than its understanding, its compassion, or even simply its interest.
  15. The film captures the putrefaction of colonial rule with a morbid sense of humor.
  16. The narrative has a gambit that steers Beast into the terrain of a horror film, offsetting the sentimentality of the audience-flattering romance.
  17. Nia DaCosta indulges one of rural quasi-thriller’s most tiresome gambits: humorlessness as a mark of high seriousness.
  18. Joe
    Director David Gordon Green finds a balance between symbolism and realism in his storytelling that allows the film to be many things at once.
  19. Jay Maisel’s former home suggests a bastion of creativity in a neighborhood whose rough edges have been completely sanded down.
  20. Stock story beats of generational dispute run throughout Utama, existing mainly to show off the widescreen possibilities of the Scope frame.
  21. After a while, it’s hard not to feel like Radu Jude is simply shooting fish in a barrel.
  22. The film is full of astute, and poetically staged, critiques of the parallel worlds resulting from Iran's police state.
    • 74 Metascore
    • 75 Critic Score
    Decade of Fire’s purpose is to make known how those in the Bronx must continue to fight even today against forces hellbent on their erasure.
  23. It draws on the giddily rules-trampling pre-war mood as Chicago. But while its protagonists are as driven by a desire for fame and money as the amoral starlets of the Fred Ebb and Bob Fosse musical, the film has more than grinning cynicism at its core.
  24. Thor: Ragnarok is the flamboyantly roller-disco entry in an already uncomplicatedly cartoonish side franchise.
  25. Director Shaul Schwarz, sans judgment, presents us with two men who epitomize how accepted and engrained narco culture has become in Mexico.
  26. As evocative as it is, the film’s use of small-town squalor as a blank canvas for artful indulgences often detracts from its purported authenticity.

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