For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
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Reviewed by
Kenji Fujishima
The film may not announce itself as hagiography, but it’s hero-worshipful to its core.- Slant Magazine
- Posted Aug 22, 2016
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Reviewed by
Derek Smith
The film’s unique blend of deadpan and absurdist humor, and its tendency to occasionally push the boundaries of good taste, shows that Emma Seligman is comfortable working on both ends of the comic spectrum.- Slant Magazine
- Posted Aug 23, 2023
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Reviewed by
Chris Cabin
Director Jean-Marc Vallée has created a film out of Cheryl Strayed's beloved 2012 memoir that never quite matches the blunt audacity of its simple title.- Slant Magazine
- Posted Dec 2, 2014
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Often feels like a cross between a TED talk and a memorial service, but one gets the sense that Diamond and Horovitz are finally getting years’ worth of grief off their chests. The cumulative effect is, at the very least, touching.- Slant Magazine
- Posted Apr 20, 2020
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Reviewed by
William Repass
Quentin Dupieux melts the frames that separate dream, film, and reality until they become one plate of tangled spaghetti.- Slant Magazine
- Posted Oct 2, 2024
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Reviewed by
Chuck Bowen
Jerrod Carmichael is a volatile director and an electric actor, but Ari Katcher and Ryan Welch’s screenplay routinely force the characters into formulaic, trivializing scenarios.- Slant Magazine
- Posted Feb 2, 2021
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Reviewed by
Andrew Schenker
Rather than bringing out the symbolic inner lives of the characters, these sequences seem like the intrusion of an aggressive authorial personality on a film whose subject-as well as the fact of Har'el's outsider status-demands that the filmmaker simply sit back and observe.- Slant Magazine
- Posted Feb 13, 2012
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Reviewed by
Wes Greene
The film is at its most effective and engaging when simply capturing the vibrancy of a world onto its own.- Slant Magazine
- Posted Mar 28, 2022
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Reviewed by
Dan Rubins
On its own gorgeously depicted terms, this film sticks the landing as a celebration of hope, a manifestation of what unfettered trust in our shared humanity could look like.- Slant Magazine
- Posted Mar 1, 2021
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The film becomes akin to variations on a theme, executed with visual finesse, and enhanced by its many rich textures.- Slant Magazine
- Posted Oct 12, 2014
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Reviewed by
Keith Watson
The film drifts so far into weightless fantasy that it practically dissipates before one’s eyes.- Slant Magazine
- Posted Oct 6, 2022
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Reviewed by
Chris Barsanti
This flashy legal melodrama is fitfully stirring but too flabby to deliver the walloping blow that it needs.- Slant Magazine
- Posted Oct 5, 2023
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Reviewed by
Andrew Schenker
Alejandro Landes's Porfirio is an ugly movie to watch, but it's not without purpose.- Slant Magazine
- Posted Feb 3, 2013
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Reviewed by
Peter Goldberg
The film is refreshing for its lack of pearl-clutching, its ambivalence in assessing what it’s like to be a commodity with a will and a nervous system.- Slant Magazine
- Posted Aug 20, 2019
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Reviewed by
Jesse Cataldo
Polisse has been compared to "The Wire," but beyond a shared interest in the Sisyphean nature of police work, the two are mostly comparable as inverses of each other.- Slant Magazine
- Posted May 13, 2012
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Reviewed by
Jake Cole
Miracle Mile is one of the most fascinating curios of the ’80s, a disaster movie that turns the decade’s optimism back onto itself.- Slant Magazine
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Reviewed by
William Repass
Smoking Causes Coughing isn’t just an anti-superhero superhero film, but, thanks to Tristram Shandy-like levels of discursivity, something akin to an anti-film.- Slant Magazine
- Posted Mar 21, 2023
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Reviewed by
Chuck Bowen
Fake It So Real has been made with considerable more polish than other do-it-yourself documentaries such as "Total Badass," but the sensibility is similar.- Slant Magazine
- Posted Mar 19, 2012
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Reviewed by
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Reviewed by
Wes Greene
In simplistic and self-congratulatory fashion, the film renders its main character as a sort of feminist crusader who undermines the sexist traditions of her time.- Slant Magazine
- Posted Sep 19, 2022
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Reviewed by
Peter Goldberg
This is a film about the adolescent pangs to belong that also mines its tale of magic and malevolence for an imaginative allegory about the excesses of scientific inquiry.- Slant Magazine
- Posted Jan 15, 2018
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Reviewed by
Chuck Bowen
It exhibits the spry subtlety of Jean and Luc Dardenne's films, and, consequently, it's possible that it will be similarly mistaken for a work of “naturalism.”- Slant Magazine
- Posted Sep 30, 2015
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Reviewed by
Diego Semerene
The documentary not only humanizes Ingmar Bergman as the absent lover-cum-father of everyday life, but works as a priceless oral history of cinema.- Slant Magazine
- Posted Dec 11, 2013
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Reviewed by
Keith Watson
Restless, at times even chaotic, the film often seems to be replicating the experience of having a manic episode.- Slant Magazine
- Posted May 1, 2017
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Reviewed by
Derek Smith
The world of My Old Ass retains a lived-in quality, in large part due to the shrewd, sensitive way in which it treats the emotional struggles of its teenage characters.- Slant Magazine
- Posted Sep 12, 2024
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- Critic Score
The documentary revels in the simple joys of finding something that captures the eye and paying attention to it.- Slant Magazine
- Posted Mar 2, 2012
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Reviewed by
Pat Brown
The film binds its narrative to fascinating explorations of national identity, sexuality, and, of course, food.- Slant Magazine
- Posted Jun 26, 2018
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Reviewed by
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Reviewed by
Jake Cole
To see the old-timers pass the torch to their acolytes cements the improbable importance of Jackass in American pop culture.- Slant Magazine
- Posted Feb 2, 2022
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Reviewed by
Jesse Cataldo
A movie which sits at the nexus between spoken and written language, the latter mostly of the programming variety.- Slant Magazine
- Posted Jul 11, 2013
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Reviewed by
Diego Semerene
Very few films accept the contradicting velocities of gay desire, and present them in such blunt yet graceful fashion, the way Paris 05:59 does.- Slant Magazine
- Posted Jan 18, 2017
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- Critic Score
Perhaps Tarkovsky’s most opaque film, Nostalghia is nonetheless one of his most personal.- Slant Magazine
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