Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. Lewis, through sheer force of will, turns the script’s easy ways out into the essence of blunt, adolescent sexual flowering.
  2. Tomboy is one of those little big films whose simplicity and concision suggest the excess of meaning that language (cinematic or otherwise) could never account for.
  3. Both Taylor Russell and Timothée Chalamet are sadly at a disadvantage given how many of the older actors gnaw at the scenery like it’s a still-warm cadaver.
  4. Dune ends up feeling like an extended prologue for what one can only hope will be a sequel that will clarify its parables and paradoxes.
  5. Keith Miller doesn't always trust the fluency of his visual language, occasionally forcing a point that's already being captured.
  6. The plot is pure pulp, inspired in equal parts by the tropes and imagery of film noir, grand opera, and silent melodrama.
  7. A charged, unnerving turn of the screw, The Invitation is consumed by the fear of forgetting.
  8. The choice of low-grade, handheld digital images further reduces the film to the clichés of revisionist literary filmmaking.
  9. One presumes that Michael Lerner's sense of emphasis is meant to humanize Shanté, defining her apart from the fame she achieved, but this stratagem backfires as Roxanne Roxanne mires itself in scenes of speechifying domestic strife.
  10. Unlike, say, Richard Linklater’s Waking Life, which takes advantage of rotoscoping to lend a unique style to the animation depending on who’s talking and about what, They Shot the Piano Player aims for more stylistic continuity than one would expect, given the free-wheeling soundtrack.
  11. Terry Masear’s experience as a victim of childhood abuse is succinctly and broadly addressed, underscoring a largely unspoken meta-narrative about the necessity of compassion and forgiveness.
  12. Philippe Garrel's film uses its characters' stodgy, formal language to betray their self-consciousness.
  13. This 1970 psychological thriller was Paul Vecchiali’s self-conscious attempt during the waning years of the Nouvelle Vague to take the movement’s genre-defying sensibilities in a new direction.
  14. Sam Green’s documentary has a knack for finding moments where we can feel the broad sweep of a supercentenarian lifespan, condensed down into a single, everyday occurrence.
  15. Ron Howard's by-the-seat-of-your-pants aesthetic makes the slower, darker sequences feel hurried and bland, especially when stacked up next to the racing sequences.
  16. Throughout, Joyce Chopra patiently and shrewdly observes the contradictions of human behavior that Laura Dern brilliantly conveys.
    • 74 Metascore
    • 50 Critic Score
    Leaves us moved by poignant scenes of victims' shattered lives, but, for reasons unclear, keeps the bullies themselves largely out of our reach.
    • 74 Metascore
    • 75 Critic Score
    The Magnificent Seven fights an uphill battle in matching the scope and thrills of its source material.
  17. Pooh's moral triumph isn't all that weighty, but it's almost existentially profound to see the silly old bear forgo honey a little while longer because of someone else's needs.
  18. The film is an illustration of the transition from the ethical pliancy of youth to the moral discernment of adulthood.
  19. So Yong Kim's film ultimately manages a convincing articulation of friendship between women.
  20. 2nd Chance a terrific American tall tale as well as a cautionary tale and a ripping good yarn.
  21. Thelma's transition into a paranormal thriller doesn’t complicate its initially potent character study.
  22. It's the film's concerted emphasis on Colette's ambivalent nature and desires that reveals her to be an artist just ahead of her time, fighting against, yet seduced by, her present.
  23. The film's attempt at political insight and portrayal of social malaise are meant to give it the illusion of depth.
  24. Matthieu Lucci deftly carries the weight of all the symptoms that The Workshop loads upon Antoine, a resonant character whose inscrutability is at once dangerous, sympathetic, and eerily apt.
  25. Teenage Mutant Ninja Turtles: Mutant Mayhem is a film that feels ripped right out of a high school art-class notebook, and sounds like a Twitch stream.
  26. In the end, Disobedience is less about the subjugation of the self to the group than the courage to embrace uncertainty if one were to break out of the prison of a world one has been born into.
  27. Álex de la Iglesia's film is an explosion of kitsch, an intensely formalized mixture of farce and tragedy.
  28. It presents a captivating portrait of one of the era's greatest defenders of artistic freedom and a true American original.

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