For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
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Reviewed by
Tomas Hachard
The film is most interesting as an articulation of how its main character's initial status as an emblem of inter-religious understanding quickly dissolves following a suicide bombing.- Slant Magazine
- Posted Jun 15, 2013
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Reviewed by
Eric Henderson
Kümel’s impulse to remain on the waning edge of eroticism turns what could’ve been another cheap thrill into a genuinely unsettling examination of the human race’s most happily sanctioned form of vampirism: man-woman couplings.- Slant Magazine
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Reviewed by
Steven Scaife
Charlotte Regan’s film is a baffling clash of two incompatible visions.- Slant Magazine
- Posted Aug 21, 2023
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Reviewed by
Drew Hunt
It would be inaccurate to call Happy People: A Year in the Taiga the newest Werner Herzog film.- Slant Magazine
- Posted Jan 21, 2013
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James Lattimer
François Ozon is never willing to fully engage with the ridiculousness of his material, resulting in an uneasy mix of wry distance and unearned emotion.- Slant Magazine
- Posted Sep 14, 2015
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Reviewed by
Chris Barsanti
The film’s concession to the fungible nature of presented reality comes across not as indecisive but courageous.- Slant Magazine
- Posted Jul 26, 2021
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Sam C. Mac
Twenty years on from Tie Xi Qu: West of the Tracks, we return with Wang Bing to the factory floor, but this time he doesn’t muster the formal strategies or the narratological scope that once allowed him (and us) to imagine broader implications for China’s future.- Slant Magazine
- Posted Sep 13, 2023
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Reviewed by
Elise Nakhnikian
A playfully self-reflective rumination on what writer-director Terence Nance has described as "self-awareness through experience with love."- Slant Magazine
- Posted Apr 1, 2013
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Reviewed by
Chuck Bowen
The film often suggests a less defiant cover of The Defiant Ones, yet it's a must-see for Viggo Mortensen's characteristically wonderful performance.- Slant Magazine
- Posted Apr 26, 2015
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Reviewed by
R. Kurt Osenlund
On one hand, the film is surely a celebration of a land's distinct creatures and the people who live among them, but on the other, it's a culture's biting auto-critique.- Slant Magazine
- Posted Mar 7, 2015
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Oleg Ivanov
The documentary takes an equivocal stance, implying that just because a film should not be shown doesn't mean that it should be banned.- Slant Magazine
- Posted May 10, 2015
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Reviewed by
Carson Lund
In the simultaneously heady and lyrical The Creation of Meaning, we're obviously implicated in that comment, as the film views the meaning-making process as something malleable and dependent on perspective.- Slant Magazine
- Posted Nov 16, 2015
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Reviewed by
Clayton Dillard
The documentary mistakes its access to quotidian behaviors as evidence of the need for comprehensive educational and financial reform.- Slant Magazine
- Posted Jun 5, 2017
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Reviewed by
Ross McIndoe
Lost Soulz is a road-trip movie driven by good vibrations and the joy of making music.- Slant Magazine
- Posted Apr 28, 2024
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Reviewed by
Ryan Coleman
The precise contrast of stasis and flux, of the sublime and the quotidian, of simple personal dreams swallowed up by massive national ambitions, characterizes Liu Jian’s latest.- Slant Magazine
- Posted Apr 21, 2024
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Reviewed by
Jake Cole
Dash Shaw’s deceptively simple animation regularly descends into phantasmagoria that delivers on his story’s strange premise.- Slant Magazine
- Posted Aug 16, 2021
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Reviewed by
Ross McIndoe
40 Acres continually finds clever ways to either subvert familiar story beats or to make them land with extra impact.- Slant Magazine
- Posted Jun 29, 2025
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Reviewed by
Derek Smith
The filmmakers’ ability to seamlessly explore rapidly shifting Chinese cultural norms within the context of the classic trope of a mother who’s hostile toward her son’s partner is the film’s most impressive feat.- Slant Magazine
- Posted Aug 13, 2018
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Reviewed by
Chuck Bowen
The film has been executed with a sense of formally stylish and thematically symmetric panache.- Slant Magazine
- Posted Aug 21, 2016
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Reviewed by
Steven Scaife
The hot streak for Irish animation studio Cartoon Saloon cools with My Father’s Dragon.- Slant Magazine
- Posted Nov 8, 2022
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Reviewed by
Chris Barsanti
The film misses an opportunity to delve particularly deeply into the keenly relevant issues of inequality and social disconnection that so animate its protagonist.- Slant Magazine
- Posted Sep 9, 2021
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Reviewed by
Derek Smith
The film is a bit too muddled to bring its main character fully into focus, despite Hélène Vincent’s best efforts to do so.- Slant Magazine
- Posted Apr 1, 2025
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Reviewed by
Clayton Dillard
Even if the narrative threads aren’t as tightly focused on exploring a complex theme as one might hope, The Body Snatcher nevertheless manages to still send chills, and predominately through Wise’s fleet direction and Karloff’s unflinching embodiment of a real-world monster.- Slant Magazine
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Reviewed by
Mark Hanson
The primacy that it places on its dopamine drip of dread undercuts whatever genuine commitment it might have toward mental illness and trauma.- Slant Magazine
- Posted Mar 22, 2022
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- Critic Score
It works as a reminder of the important interactiveness of the performing arts, of actors evoking the drama, action, and emotion that computers and machines cannot.- Slant Magazine
- Posted May 13, 2013
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Reviewed by
Derek Smith
The film is at its best when its focus remains on Ivins’s fierce commitment to her ideals and willingness to speak her mind.- Slant Magazine
- Posted Sep 1, 2019
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Reviewed by
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Reviewed by
Mark Hanson
Kristoffer Borgli’s film presents a perfectly absurdist setup that allows Nicolas Cage to flex his singular acting muscles in increasingly hilarious directions.- Slant Magazine
- Posted Sep 12, 2023
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Reviewed by
Pat Brown
The film’s playful tone is a corrective to a century of scholarship that insisted on projecting the image of a moody spinster onto Emily Dickinson.- Slant Magazine
- Posted Apr 8, 2019
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Reviewed by
Chris Heller
The film quickly becomes a study of grief and retribution, and the question of how exactly technology can and should be utilized in the treatment of these emotions.- Slant Magazine
- Posted Nov 5, 2014
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Reviewed by
Carson Lund
The narrative works through the many contradictions brewing inside its main character in the wake of his personal actualization without ever feeling like a dramatic checklist.- Slant Magazine
- Posted Nov 17, 2014
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Reviewed by