Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. The mannered direction is at its most effective when it inspires an enhanced sensitivity to the import of every gesture, visual or verbal.
  2. Inge’s scenario unravels alarmingly once the two would-be lovers start to drift apart thanks to Deanie’s nervous breakdown and the simultaneous (almost psychically connected) market crash of 1929, but the first half of the film is a tour de force of deferred urges, contortion acts of awkward intimacy, and the thrill of adolescence.
  3. For a spell, Melina Matsoukas’s film exudes the concision of an old B movie.
  4. The film's meditative and excessive sides never quite cohere, giving the impression of watching two distinct films that are jostling against each other, rather than united in a single story.
  5. It displays a staggering propensity for examining its unauthorized scenario without succumbing to either too insular or too general a set of assertions.
  6. The film is most tragic and humorous when hints of the outside world break through the suffocatingly cheerful façade of the Villages.
  7. There's plenty of life in this honest, impressionistic portrait of a cohort of 21st-century American girls.
  8. The film renders visible a very complicated, and awfully repressed, truth not only about gay desire, but desire in general.
  9. For all of the potential, historically specific revelations regarding nation and religion, Tangerines elects to become bathetic hokum.
  10. The fractured rhythm of 1945 and the desolate aesthetic are engrossing, but Ferenc Török's film doesn't linger.
  11. There are few modern filmmakers who possess Sofia Coppola’s gift for capturing how our idealized, movie-fed ideas of “night life” reflect our longing for adventure as well as our loneliness.
  12. With Malcolm X, Lee doesn’t so much inject his sensibilities into the lifeline of his subject, but rather comes to see how his place as a film director can be integrated within the social movement of X’s message.
  13. Fantastic Planet’s blend of straightforward, almost elementary storytelling (any missing context is filled in via a voiceover by Jean Valmont as the adult Terr) with heady themes and eroticized imagery marks the film as a relic of an era with much looser standards around the dichotomy of the children’s film and the adult drama.
  14. Bloodlines finds frights and fun alike in a string of gory kills.
  15. There’s something liberating about such a steady creative hand that rejects justifying the twists and turns of a storyline, which becomes in 4 Days in France something akin to cruising itself.
  16. This is history that Americans should know, and the filmmaker approach Rumble as an introductory survey course.
  17. It captures the qualities of live theater that are rarely transmitted to film, of being immediate, alive, and spontaneous, as if the viewer is just a stone's throw away from the characters.
  18. It exploits the military aesthetics that lend themselves so well to breathtaking sounds and visuals without fetishizing them.
  19. With scalpel-like precision, the film exposes the agonies of fathers, sons, and brothers.
  20. With a surprisingly compassionate eye, the film susses out the comic and tragic elements borne from the daily struggle of living with autism.
  21. John Maggio’s documentary is workmanlike in presentation but scintillating in its content.
  22. A film that so clearly takes delight in the unfolding of a story and the unpacking of an enigmatic character is refreshing in an arthouse landscape where such narrative qualities are often relegated to secondary concerns.
  23. It runs a complicated bait and switch on its audience, passing ostensible exploitation fodder through a high-toned prestige filter.
  24. Director Gavin Hood treats the aesthetics of high-tech surveillance as the opaque membrane through which the prosecution of the War on Terror must pass.
  25. When compared to the high-stakes dramas at the center of Paris Is Burning, where sex workers dreamed of becoming supermodels, Kiki feels rather tame.
  26. Even more diverse than the film's historical material is its eccentric mash-up of styles and approaches.
  27. This darkly comic and consistently revealing tale suggests that, without four walls around us to prop them up, most of our morals would crumble into dust.
  28. The pacing is so humorless and funereal that it squelches the possibility of heat or conflict arising between the characters.
  29. The film justly draws attention to the perpetual work that must go into preserving democratic institutions.
  30. The documentary adroitly demonstrates that Robert Fisk is still motivated by the boyish curiosity that drew him to journalism.

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