The “free” experience for Nintendo Switch Online members is really quite good, and we recommend giving it a shot. The paid deluxe content, though, feels thin and doesn’t offer a lot for the price.

Arcadia Fallen feels like something of an experiment. It tests the limits of how much freedom you can allow a player, in terms of responses, while still making things feel like you’re making a difference. The result is that the more frequent responses don’t offer the impression of carrying much weight. Meanwhile, the choices that do matter almost break the immersion a bit by how much they stand out. Still, the character designs are good, your allies stand out, and the effort that went into the game is obvious. It’s the sort of game that people who enjoy should give a try.

While I wish it looked better at times, Super Robot Wars Y gets a lot of things right and can offer a substantial challenge. There are some stages that will involve actually thinking about unit placement to ensure you handle all those foes and keep from being wiped out. It can look dated sometimes though, as some assets look familiar, and the UI is pretty bad. I’m also personally sad that Magic Knight Rayearth didn’t return and that we don’t see all of Gundam: The Witch from Mercury represented. While I did like some elements of Super Robot Wars 30 a little more, this is definitely another enjoyable entry in the series.

Read Only Memories: Neurodiver is worth the wait. As you play through it, you can see why it took Midboss so much time to craft the adventure, its characters, and its world. As I went through different people’s memories and delved into the mystery, it constantly felt like a labor of love for everyone involved.

Demon Slayer: the Hinokami Chronicles 2 is the video game equivalent of a popcorn flick. We won’t see this fighter on the competitive scene, but for an anime-based game it can be pretty great. It’s clearly designed to be welcoming to newcomers who love the series and want to play through major moments, but people looking for a bit of a challenge might find it in isolated bouts, Hashira Training Paths, or fights with other players. It honestly makes me hope we might eventually see a third installment too.

Rune Factory 3 Special is a great farming game and one of the best, most memorable entries in the series. The Switch and PC versions simply take a strong title and make it possible for a larger audience to enjoy it. It’s well executed, with a satisfying gameplay loop and story that makes it easy to lose a few hours farming and fighting.

Even with the fluid game control and the improved graphics Silent Hill 4: The Room is still just another Silent Hill game. Sure the controls make the game more accessible to non-survival horror gamers since it is more intuitive.

While Pokemon Emerald is really designed for people who haven't already picked up "Ruby" or "Sapphire," gamers will find a decent amount to do in Emerald. Features like the wireless adapter support, new battle styles and more 2 on 2 fighting make Pokemon Emerald a better version of a classic GBA title.

I feel like Peglin is a fun roguelike game if either you miss Peggle or are okay with knowing how well you do might is completely up to RNG. It isn’t always demanding perfection in the same way as roguelikes like Hades or Dead Cells, where your skill is a big part of deciding how successful you are. It very much comes down to chance here. Which means if you’re okay with that and playing it in small doses, Peglin can be great! But since how much you can influence a run is limited, it can be very frustrating to often see yourself do everything right, but fail because you didn’t get the right orbs or relics and it ended up being unbalanced.

Norn9 Last Era is very clearly a game made for a particular audience. If you enjoyed Norn9 Var Commons, this is definitely an otome fan disc you will enjoy. All of the characters get their due. Aside from a bizarre requirement to force people through the Prelude, it’s well executed. Perhaps that love for the original game will even make it possible to overlook the formatting issues that still come up in the follow-up.

Scott Pilgrim vs. the World still gets a lot more right than wrong. It understands pacing and variety. It builds stages with gameplay arcs in mind, which is refreshing in a genre that can often devolve into mind-numbing button mashing. And it fits like a glove with its source material.

This is a case of Atlus counting on people missing SMT III Nocturne the first time around. It doesn’t do a terrible job of making it accessible and slightly modernizing things. SMT III Nocturne just doesn’t go to the same lengths as, say, SaGa Frontier Remastered. And that’s okay! It doesn’t have to! When one of the original selling points of a game was “featuring Dante from the Devil May Cry series” back in the day, being capable and readily available might be enough. After all, it is still telling a haunting story, making you think both in and out of battle. SMT III Nocturne HD Remaster does what Atlus JRPGs do best, and that’s captivate an audience.

With Monkey Ball, gameplay is king. And, as history has shown, really hard to get right! But Banana Mania does its best, and its best is honestly pretty okay.

I won’t say Fae Farm isn’t satisfying in some ways. Ticking boxes in many of the main and side quest checklists did prompt a response in me that made me want to keep playing. I did enjoy the ambiance and some of the ideas and concepts are sound. But the best way I can describe it is that it feels like Phoenix Labs decided it wanted to make a farming game, but then somehow made it feel like farming, ranching, and connecting with the community aren’t the focus of Fae Farm. I often felt it seemed like an action game that just so happens to include these farming elements as you’re engaging in crafting to head into the next dungeon.

MultiVersus could have been a fun multi-platform answer to Super Smash Bros, but the choice to adopt a free-to-play model with staggering costs for characters locks much of the fun behind paywalls or extensive grinding. While it succeeds in delivering whimsical, cross-franchise battles that players love, the free-to-play model makes it all feel worthless. This mishandling results in a game that I feel, despite its potential, won’t retain players once they realize the hassle.

Cronos: The New Dawn is a really respectable Switch 2 horror game and early addition to its launch library. While it leans more toward a survival title with horror elements, it’s still unnerving enough to suit someone’s needs. Plus the post-launch patches left it in a strong position. Sure, there are a few elements that aren’t quite perfect, but it’s really fascinating.

Mario Kart Live: Home Circuit is a magical, transformative experience under ideal conditions that works way better than you’d think. When you stray from those conditions even a little, though, it deteriorates rapidly. It’s destined to provide dozens of hours of entertainment for some home-bound players and not last an evening with others. It’s a big step forward for this weird blend of augmented reality tech, while also showing the limitations it has yet to overcome.

A joyful love letter to the original teenagers with attitude.

For the two people that remember the Commodore 64 and for the one person that remembers Sabreman, Sabre Wulf should bring back memories. For everyone else, know that Sabre Wulf is an excellent platformer in the style of the famous "Donkey Kong Country."

Visions of Mana doesn’t reinvent the wheel, but it knows damn well what makes a wheel work. It plays like a game we all remember from childhood, but with all the modern frills. The game delivers a beautifully crafted, nostalgic JRPG experience that’s worth checking out.

Dice Gambit can be a creative strategy game, though it is one that relies heavily on luck and repetition.

Life is Strange: Double Exposure would always have high expectations projected onto it, as the original is perhaps one of the best emotional and narrative-driven games out there. The sequel might not be on the same level as its predecessor, but there are a lot of admirable qualities here. It’s great to see Max Caulfield return to the series, as she is genuinely an exceptional character. I really enjoyed the overall story, and there are some phenomenal twists along the way which you may not see coming. However, I wish Max and Safi had more scenes together, because it would have meant those impactful moments would have carried more weight. As long as you accept that Life is Strange: Double Exposure will not provide the same emotional whirlwind adventure as other entries in the franchise, you will have a good time.

Ultimately, Homeworld 3 doesn’t quite hit the mark, but it does manage to demonstrate at least part of what made the series so compelling originally. If the game achieves nothing else, I hope it manages to reignite some interest in the series, or at least the concept. I think there’s a lot yet to explore with Real Time Strategy in a 3D space, and I know I’ll be looking to get a hold of the previous games to see what they did with it.

There are times when I really enjoyed what Ambition: A Minuet in Power was doing, or at least trying to accomplish. But I felt a bit detached while I played. This, in turn, made it difficult to really care about the influence I had and which sides I might take. It’s definitely entertaining and, if you aren’t willing to frequently save and plan carefully, might even challenge some people. But it is definitely the sort of game that really only courts its primary audience, and those are people who enjoy visual novels and managing schedules.

Aside from these grievances, Doraemon Story of Seasons: Friends of the Great Kingdom is an incredibly fun and relaxing game. If I had played it without a deadline, perhaps the interruptions for the cutscenes might not have been such a big deal. The storybook aesthetic is pleasing to the eye, and some of the locales — especially the Observatory — are breathtakingly beautiful. Leave the napping to Noby; this is a farming sim that enthusiasts of the genre absolutely cannot sleep on.

While Atelier Marie Remake: The Alchemist of Salburg comes with new music, a fresh graphical redesign, and modern features like a Photo Mode, it’s the simplicity of the gameplay loop combined with the pressure of the time constraints that cause it to show its age. It feels like you’re playing a 1997 title, even though it’s been remade over 25 years later. It’s clear that Atelier Marie Remake: The Alchemist of Salburg has been made to satisfy fans of the original and doesn’t do much to draw in newcomers who are curious about where the Atelier series got its start. It feels very rooted in nostalgia, and if you don’t have that, it might be a struggle to fully enjoy everything it has to offer.

While Amnesia: Rebirth is mechanically the same as Dark Descent and Machine for Pigs, it is ultimately the narrative that sets it apart.

In many ways, Wild Hearts S is currently filling an important gap on the Switch 2, as it is the go-to monster hunting multiplayer game on the system. The decision to up the player count for this version helps cement that role. Especially since it does act as a definitive edition with the Karakuri Edition extras and post-launch updates included. However, frame rate issues still exist here, only they feel more evident than on the PS5 and are especially notable when in a group of four, it doesn’t look as good as it does on other consoles, and some effects from attacks or weather conditions aren’t look great. I do think Wild Hearts S is worth playing and is a solid addition to the Switch 2 library, but recommend trying the demo first. Especially if you primarily play the system in handheld mode.