Oink Games has indicated that more games could join this collection, and we’d be all for it if the conversions are as high-quality as these.

Shovel Knight Pocket Dungeon is a game that manages to feel both carefree and thoughtful. It is easy to run through each level. You know time is at a premium. You have an idea of what your characters can do. But at the same time, success comes from planning ahead. Being careful and biding your time can be critical. Given that you can be in and out of an area in minutes, it keeps things from getting stale. But that swiftness makes repeated runs even more inviting as you search for answers and secrets.

I didn’t expect to enjoy Dairoku: Agents of Sakuratani as much as I did. With so many Switch otome games out now and it being another date supernatural boys game like Cafe Enchante or Hiiro no Kakera, I wondered how it’d set itself apart. But it’s such a genuine visual novel, and one where the relationships gradually grow between the heroine and bachelors. It’s really quite lovely.

If you’re looking for a fresh take on the formula, Monster Rancher 1 & 2 DX ain’t it! It’s very much the game it once was, just with some handy quality-of-life upgrades. But that in itself has a lot of merit these days.

Otomate knows how nonsensical the concept for Cupid Parasite is, rolls with it, and I am here for it. It is absolutely a lot. But it’s so different that it’s refreshing. Especially since Cupid is a great heroine. That does mean that, for some, it’s so ridiculous that it might be distracting. Especially since part of the game is dedicated to making the men seem incredibly weird. But the real heartache comes from the fact that it launched in such a state. Especially since, a month later, it is still like this. I enjoyed it, but I strongly recommend waiting for the patch.

The thing about Danganronpa S is that as I play, I can think of how it could be better. Giving a player all N-rank cards at the start would have been nice. Especially since there are four variants of each character and nine Hype Card upgrades for each of them. Not to mention 30 presents are there. It’d mean you’d be able to build people you like immediately. Even if they wouldn’t be great. Also, given that people are paying $20 for this, the gacha rates shouldn’t be so terrible. Rather than play Danganronpa S, I’d suggest people get Danganronpa V3 and play through its minigames (and review its story) again. Given it’s $29.99, compared to Danganronpa S’s $19.99, it is worth it. As is, I can’t help but feel like this should have been a free-to-play game.

Final Fantasy V Pixel Remaster reminded me of just how fun the older Final Fantasy titles were. It will potentially be something of a hit-or-miss for die-hard fans of the original entry, with its poor user interface and reimagined pixel artwork. However, this is a great a time as ever for newcomers to check this classic entry in the Final Fantasy series out. As it offers a fair amount of quality of life improvements that will appeal to modern sensibilities and make the game easier to pick up and play.

Arcadia Fallen feels like something of an experiment. It tests the limits of how much freedom you can allow a player, in terms of responses, while still making things feel like you’re making a difference. The result is that the more frequent responses don’t offer the impression of carrying much weight. Meanwhile, the choices that do matter almost break the immersion a bit by how much they stand out. Still, the character designs are good, your allies stand out, and the effort that went into the game is obvious. It’s the sort of game that people who enjoy should give a try.

Undernauts: Labyrinth of Yomi excels at providing you with a DRPG that feels fresh without feeling completely new. The high risk, high reward gameplay is incredibly challenging at first and becomes rewarding once you find your stride. I often found myself wishing the game opened up a lot faster and was smoother to play, but those issues feel small in the grand scheme of it all.

Blue Reflection: Second Light is pretty much exactly what I expected Blue Reflection 2 to be. It’s a very relaxed sort of RPG. Even though there are mysteries to solve and danger, I didn’t feel pressured. Rather, I felt encouraged to talk with people around me and take my time as I crafted, explored, and fought through its world. But also, I feel like I came into it with the best mindset. I played the original game and watched Blue Reflection Ray. People who aren’t as into Gust games and everything they entail—which can involve crafting, gathering, and perhaps sometimes a slower pace than other RPGs—might not be as into it. But those familiar with Gust’s work or perhaps looking for a new adventure after Atelier Ryza might want to, at the very least, check out the demo.

Shin Megami Tensei V is an incredible and memorable experience. It does some extraordinary things, both in terms of gameplay and its story.

Unpacking is an incredibly chill game. It’s exactly what you want to play when you need to decompress. There’s a place for everything, and it’s up to you to put it in that place. There’s no rush. Enjoy looking at what the person accumulated. Think about what certain items mean. Hope that they find happiness in each new place. Then, if you feel like you need to calm down or want to enjoy the art again, head back and do things different next time.

We wish Voice of Cards took the time to explore its gameplay ideas a bit more. We also wish there were a few menu options to accelerate battle pace when you know what you’re doing. But as-is? There’s a lot here to love, if you have the right temperament for it.

So much of Fatal Frame: Maiden of Black Water holds promise. Ultimately, its execution and lackluster story lets it down. Just like how I wanted to love this game upon its initial release, I want to love it now. But there is just so much that prevents it from being a great entry in the series. And it’s a shame that the future of the series hinges on what remains ultimately one of the worst Fatal Frame titles to date.

Impostor Factory is a surprisingly beautiful game that questions what it means to have a meaningful life. It tells a cyclical narrative that still manages to feel honest and emotionally raw. It works best if you go into it with as little information as possible, so I won’t say much more than that on how the story unfolds. It is a bit predictable and slow moving. Still it tells incredibly competent story that surprised me with how evocative it was. In the end, the bits of sc-fi and the explanation of an AI-driven time loop were the perfect additions to a game so deeply entrenched in human emotion. Impostor Factory knows what it’s about and delivers on that point.

At the end of the day, Marvel's Guardians of the Galaxy is everything I wanted it to be. There’s classic Guardians snark, bickering, and epic fight scenes scored with tunes from my youth. It just needs a little more polish to make it really sing.

There’s so much to Dungeon Encounters. People might not even notice at a first glance. But the systems at play are so compelling and rewarding. Finding a new item. Beating a party of foes that stumped you before. Managing to track down a wandering adventure. Saving a party of fallen allies that died earlier because you overestimated your abilities. It’s enthralling. And given the nature of the Switch, it is even more satisfying playing Dungeon Encounters there in any situation and taking tons of notes. It’s one of my favorite surprises in 2021.

Like its predecessor, The Caligula Effect 2’s greatest sin is that it is entirely average. The soundtrack is incredible, to be certain. Progress is clear, given that the dungeons work so much better. The general story feels stronger as well. But the supplemental elements, generic enemies, and need to only take advantage of the tactical parts of battle when facing bosses leave it feeling a bit lackluster. It’s fine and even has its moments, but I suspect only FuRyu fans or people who loved other games in the series will really connect with it.

Upon investigating a mysterious transmission on Planet ZDR, Samus faces a mysterious foe that traps her in this dangerous world. The remote planet has been overrun by vicious alien lifeforms and murderous robots called E.M.M.I. Hunt or be hunted as you make your way through a labyrinth of enemies in Samus’ most intense side-scrolling adventure yet.

There is just a lot to do in The Good Life, which means that players can potentially sink upwards of forty-plus hours taking pictures or running mundane, everyday tasks. And while I like life simulators, I don’t like them when they can barely run at over 3 FPS. With a story that lacks focus and with these elements largely feeling like padding, The Good Life doesn’t stand out in any significant way.

This game is honestly all over the place. There’s a naming of an accomplice that is tough for others to guess. There’s a voting about which art to investigate. (And then you loop around and do more of them anyway?) It never feels like Weapons Drawn knows entirely what it wants to be. Still, there’s some fun in trying to spot letters. The second round keeps the same letter for your art, but uses different writing styles to make it truly tough. We appreciate the ambition, but this one’s tough to get your mind around most of the time.

There’s a lot to like about Demon Slayer: The Hinokami Chronicles even if it isn’t exactly perfect. It’s a strong first step. The Adventure Mode’s execution and ideas are sound, even if it can feel a bit simple in practice. The Versus mode works well, with characters who feel distinct and have personalities come through. A few more fighters would be appreciated. It certainly looks good. And given a promise of free updates, it seems to have room to grow. In short, it’s enjoyable even if it isn’t perfect yet. And if what is here is the prelude to additional installments, a la the Naruto Ultimate Ninja series, I think it could hint at a bright future for Demon Slayer games.

ActRaiser Renaissance is the definition of a pleasant surprise. From its sudden launch as a Nintendo Direct shadowdrop to its refreshing revival of the game, it’s the epitome of the unexpected. It respects the original game. Yet, Sonic Powered and Square Enix built it up to ensure it does even more in a way that doesn’t feel forced. Both people returning to it and those experiencing it for the first time could equally enjoy it. And one can only hope Square Enix will keep in mind what worked here and make any other SNES remakes as robust.

Mary Skelter as a series is good at surprising players. In many ways, Mary Skelter Finale is something of a grand finale that takes time to review what worked for the series. It can be difficult, punishingly so if you happen across a Nightmare as multiple characters are about to lose control. It can be incredibly dark, albeit with glimmers of hope. At the same time, it can also go overboard. The pacing issues and story direction resulted in times when Mary Skelter Finale made me believe the series peaked at Mary Skelter 2. Still, its Jail is a dungeon worth diving into.

Slightly lumpy pacing aside, though, Eastward feels like a bright, beautifully rendered action-RPG, with a uniquely positive atmosphere. Those looking for a lighthearted experience would do well to take the trip.

With Monkey Ball, gameplay is king. And, as history has shown, really hard to get right! But Banana Mania does its best, and its best is honestly pretty okay.

Knockout Home Fitness is a handy exercise game for the Switch and fills a niche. It isn’t as intensive or potentially lengthy as, say, something like Ring Fit Adventure. Rather, it invites someone to show up every day for a few minutes to be active. It isn’t too strenuous or demanding. The virtual trainers are clear and easy to understand. It’s generally peppy, which people might appreciate if they want something to quickly check in with each day.

While I took a lot away from it the first time, Death Stranding Director’s Cut affected me far more and left an even more positive impression. Regardless of whether someone likes it or not, it sticks with you. Even if the story doesn’t click, the underlying concepts stay with you. And at a time when we can’t easily travel or connect, having this game where you can and make a difference in strangers’ lives online is very welcome.

Bloodrayne Betrayal: Fresh Bites does have a great tension in its combat, as well as a fantastic variety of moves that will have you carving through a gorgeous castle of monstrosities. It’s when you start slipping around, tumbling off cliffs, stumbling into enemies, or scrambling to jump to a platform just overhead that the game starts to wear your patience down quickly. It’s still enjoyable, but it feels like everything is made more annoying based on a handful of elements.

Much like the flashy combat, the story also builds itself with significant momentum. It makes Lost Judgment a game that, in addition to being fun to play, really entices you to see it to its end.

When it comes down to it, Life is Strange: True Colors tells a good story, includes a strong cast of characters, and feels like a suitable successor in what is a reliable line of adventures that deal with tough topics. It has heart and people who enjoy adventure games and the series will likely fall in love with Alex, Steph, Ryan, and Haven Springs. If someone isn’t into the series though, it might not be the installment that changes their minds and makes them a fan.

Ultimately? WarioWare: Get It Together! is a fine enough game, if you come in with the proper expectations. It’s full of whimsy. The character gimmick is fun. It shines when you play with a local pal. But its limitations mark a trend for Nintendo. It appears that the publisher’s response to rising development costs is to cut corners on its lesser-selling franchises. With Get It Together! and Mario Golf: Super Rush both feeling a bit half-baked, we worry that the company’s tradition of over-delivering in scope and extras might increasingly be a memory.

It’s strange to say that I will more than likely continue to play NieR Re[in]carnation, despite already understanding that I could potentially cultivate an unhealthy relationship with the game. The story has drawn me in, in a way that no other mobile game, or even console title, has in a very long time. I love learning about these characters and I love this world, even if I’m barred from progression. However, there is no doubt in my mind that this game will become exceedingly difficult for new players to get into once the double rate up banners and experience point boosts disappear. If you’re looking into playing NieR Re[in]carnation, for better or for worse, now is your time.

Toem is an utterly delightful Switch photography game that is filled with personality and doesn’t wear out its welcome. It rewards you for taking your time and paying attention. Which doesn’t mean you can’t rush through and finish it in a single weekend if you’d like. But it is the sort of adventure that goes out of its way to make someone feel comfortable. And with all of its little details, I imagine a player might be able to return a few times to check out little extras they might have missed.

Final Fantasy IV Pixel Remaster may initially butt up against your nostalgia if you have fond memories of the original, but over time, I really began to appreciate seeing its visuals and sound explored in creative ways.

In short, Tales of Arise feels satisfying. It’s gorgeous to look at and the battles fun to experience.

Olympia Soiree ends up feeling awkward for many reasons. The class system, the focus on getting the heroine married and pregnant, and the information dumps get to be so much. Once you do finally get to a route, the pacing improves, but before that it is just so much to take in and process. I do think some people might end up enjoying Aksys’ newest Switch otome game, as there’s a solid localization and some characters are lovable. But I feel in the long run it will end up being one of the company’s more forgettable localizations, like Period: Cube or Bad Apple Wars, rather than a captivating and memorable one like Code: Realize or Collar x Malice.

Time is this game’s worst enemy. It truly does not fare well for long play periods. Maybe that’s the point, though. Maybe it really is just meant to be the game you pick up for a quick hour of fun before going to bed or getting back to the real world. That may bother some. For me, that realization shifted my perspective and shifted how I truly feel about games such as this. It’s marketed as an easy game for tired people, and it works as that. It doesn’t have complex mechanics or deep world-building. Here Comes Niko provides you with just enough to enjoy the time you have with it and move on.

In short, Sonic Colors Ultimate remains one of the better Sonic the Hedgehog games to appear over the last 11 years.

If someone hasn’t kept up with Travis over the years, I’m not quite sure No More Heroes 3 would be the game to introduce a newcomer to the saga. However, it does feel designed with those familiar with the series in mind. The character direction, humor, style, combat, minigames, and even free map all call back to things that made the last few games stand out. Past UAA members will likely relish this new opportunity to rise through the Galactic Rankings.

The appeal of WitchSpring3 Re:Fine is having an entry in the series on the Switch. The concepts behind it are fine. I had an okay time playing it, even if I didn’t feel terribly motivated to explore what the post-game had to offer. Some of the UI decisions don’t exactly feel comfortable, the localization isn’t great, and it isn’t terribly memorable. It’s not bad and people interested in the series will probably have a good time. But those with a passing curiosity may want to look at the more reasonably priced mobile versions instead.

All of Fuga: Melodies of Steel’s elements connect to make for an experience that gets its claws in you and won’t let go. You hang onto every decision, trying to improve your combat abilities and always make the right calls. You shift your crew and pray you’ve made the right decision regarding which weapons to use. You have them talk with friends, wondering if you should be diverting your attention elsewhere, always wondering if one of them will die from a single mistake. It’s an incredibly compelling experience in tactical combat.

Garden Story feels like the game you get when you’re aiming for a relaxing action-RPG. People need your help, and they’d like to assist you too if they can. There’s a colorful, arboreal world that needs restoring. It will take time to recover and set things right. But as long as you go at your own pace and make time for people, you can help people in this game.

All in all, though, these are relatively minor blemishes on an impressive, bold follow-up to an acclaimed modern classic. Whether you’ve been champing at the bit for a new take on Axiom Verge or if this is your first experience with a Metroidvania, Axiom Verge 2 is a dense, beautiful game that’s easier than ever to get into and shouldn’t be missed.

There are times when I really enjoyed what Ambition: A Minuet in Power was doing, or at least trying to accomplish. But I felt a bit detached while I played. This, in turn, made it difficult to really care about the influence I had and which sides I might take. It’s definitely entertaining and, if you aren’t willing to frequently save and plan carefully, might even challenge some people. But it is definitely the sort of game that really only courts its primary audience, and those are people who enjoy visual novels and managing schedules.

Boyfriend Dungeon is satisfying and very good at making you care about its weapon-people (and cat). The gameplay loop is among the most addictive I’ve seen, especially since it is constantly rewarding you with more scenes with its characters and opportunities to get stronger. Which does put a damper on the elements that aren’t quite perfect. Jesse and Olivia could have been handled better as NPCs, only having two dungeons right away makes it feels like things end too quickly, and I hated having to be the bigger person and keep dealing with an antagonist. That said, when the heavily teased additional characters and dungeon come out, I absolutely can’t wait to return to Verona Beach.

We haven’t had this much fun with a card battle RPG since the Pokemon TCG games on the Game Boy Color. If you at all have an affinity for the concept, it’s unlikely that you’re burned out on the idea these days. Give Shadowverse: Champion’s Battle a shot, and it’s unlikely that you’ll be disappointed.

I like the original Final Fantasy, but I honestly haven’t touched it since the PlayStation release. I have tried to pick it up here and there, but find myself getting bored of the grind and the pace. The auto-battle injects so much energy into it that I couldn’t put the game down. Combined with the visuals and music, I just wanted to spend every minute playing Final Fantasy Pixel Remaster. It’s an excitement I haven’t felt for the original Final Fantasy in decades, and I hope the other entries capture the same feeling.

Despite some rough edges and some undercooked mechanics, Idol Manager remains a unique game and a fascinatingly novel take on the idol industry. If you’re a fan of business sims with a taste for interpersonal affairs? Get ready to become producers.

We weren’t prepared for just how much we like Dodgeball Academia. It’s charming and quirky on the surface, and you can immediately see all its smartly-borrowed elements from classics. But the synthesis of it all? It’s a cohesive whole. We want to spend more time in its world, and we hope we’ll one day get that opportunity.

Cris Tales is an incredibly creative game with its own distinct identity. There are times when it can feel like it drags on a bit. It feels like something special. But it also feels like a game that, at least at the moment, needs a little bit more work. The Cris Tales Switch version feels like it is constantly loading for the smallest reasons and might occasionally crash. If Dreams Uncorporated and Syck can fix those issues. it will eventually be a must-play game.

If you’re an otome fan, you most likely will already have pre-ordered a copy, and you will not regret your purchase. For those on the fence, I can’t recommend it enough.

For light shmups that players of any skill can beat (SO MUCH more forgiving than R-Type Final 2), but with two different sets of mechanics that will give skilled players something to master, Cotton Reboot is a great game with a lot of fun to offer.

There’s a lot to like about Final Fantasy II Pixel Remaster. It was an entry that dared to be different. Even now, when you look at the series as a whole, it stands out. And with this version, it looks good, runs rather well, and is pretty widely accessible. The as-is font situation isn’t great, but the rest of the game is quite pretty and fun to play.

Final Fantasy III Pixel Remaster is an opportunity to play through a missing piece of the series’ history. Some of its concepts might be a bit antiquated, but it’s amazing to essentially have a prettier version of a video game time capsule to finally peruse and learn from. While the UI has some issues, Square Enix did a great job of restoring and bringing this game to audiences that have spent a long time waiting for it.

Samurai Warriors 5 gives you a sense of incredible herculean power as you play through it. Few other action games give you such an ability to cleave through crowds of foes that stand in your path, and it’s undeniably satisfying to be able to swat a few dozen people aside.

When I played The World Ends with You on my Nintendo DS back in 2008, I was struck by how vibrant and wonderfully unique the game is. I’d hoped for more for years, especially after teases found in the ports. Now we’re back in Shibuya for NEO TWEWY, and it is the sequel the original deserved. Yet, at the same time, it stands tall on its own merits and is a welcoming experience for people completely unfamiliar with the series.

Franchise fans should be psyched to get the two Great Ace Attorney games, and in a polished package. It won’t change your mind about these titles one way or the other, unless you have a strong feeling about the period-piece setting. But it does what it sets out to do.

Ultimately, The Legend of Zelda: Skyward Sword HD is a decent enough entry point for those looking to get into the series. However, it is hindered by the inability to remap controls and the implementation of a poor secondary control scheme. That being said, it couldn’t exist any in any other form due to its original release relying so heavily on motion controls. Despite its flaws, it still offers the quintessential The Legend of Zelda experience.

Akiba’s Trip: Hellbound & Debriefed is far from perfect. It doesn’t look great and you’re constantly running into annoyances that result from bringing a budget PSP game in 2021. But I suspect that the people who might pick it up will be willing to overlook that. This is about completing a set and seeing the inspiration for other titles. If anyone would want to experience this particular series at its best, I’d point them to Akiba’s Trip: Undead & Undressed in a heartbeat. But this release, flawed as it is, does give people who enjoy the series a way to see how it all started.

Ender Lilies proves to be a somber experience, providing a melancholy but hopeful story that utilizes environmental storytelling to its fullest. As a platformer it functions well and has its own unique gimmick that helps create a fresh take on the genre. If you were hesitant about picking it up in early access, the full product is more than worth your time.

Monster Hunter Stories 2 is not only a friendly way to ease into an otherwise imposing series. It’s also an example of a developer improving upon every flaw from the original game. The result is a game that is one of the best I’ve played so far in 2021.

Alex Kidd in Miracle World DX made for some of the most irritating platforming I’ve experienced in some time. With its slippery controls, large enemy hitboxes, and weak player attack, it’s miserable to play through the game’s stages (unless you turn on infinite lives, which kind of makes the game feel pointless). Since its look doesn’t improve the game, and the core game itself isn’t much fun, I can’t see anyone enjoying it besides the folks who grew up with it. And I can’t even see them sticking around for long when there are so many better offerings in the genre these days.

Weaving Tides is a pleasant experience and goes all-in on its theme. You can tell the atmosphere is prioritized here. While that’s great news for things like puzzles and traversal, it can lead to some combat segments not feeling as tight. And the story seems like it is there more as an excuse to let us roam this beautiful world. Which is fun, as I’d take any excuse to ride these dragons.

Doki Doki Literature Club Plus is a great way to revisit a visual novel that made quite a splash. For newcomers, it’s easy to hop into and enjoy, even offering the PC “workarounds.” For people who’ve joined the club before, the extra stories and media are enjoyable. The sole downside is that, with all its accessibility, Doki Doki Literature Club Plus is difficult to read on the Switch and has an unfriendly UI. It also lacks easy one-button controls for things like auto-advancing or checking the history, as its contemporaries do. Still, it’s a fascinating read and story.

Even though some of its tasks get repetitive, I can’t get over the joy that playing Everyday Today’s Menu for Emiya Family brings me. In a time when “wholesome” is thrown a lot to describe things, it… is genuinely that. You’re sitting down with (virtual) people you’ve known and loved for years to talk, make a meal with them, and enjoy each other’s company. It has that same sort of feel good quality as Mister Rogers’ Neighborhood does.

And I think this is largely reflective of what the Disgaea series is now, underdeveloped and lackluster when compared to previous entries. It feels like a lot of the production costs were cut for Disgaea 6, as the game only features voice acting during specific moments and largely isn’t present for even a bulk of the story events. Disgaea 6 isn’t a bad game, but it has definitely suffered due to the waning popularity of the series.

Scarlet Nexus is the sort of game where not only will its combat sell it, but the story and spoilers packed into it will too. It is a title where I was constantly thrown by elements. Sometimes it was an exceptionally clever application of a power. It could be a great enemy design. Or maybe a twist would get me. Even when I wasn’t exactly thrilled with how something might work, I found myself wanting to talk about it.

Fortunately, that means Legend of Mana is getting its own moment on the Switch, PS4, and PC with a remaster. While it doesn’t exactly address every issue present in the original game, it looks amazing and includes some features that might ease frustrations.

FFVII Remake Intergrade is a game full of moments both expected and unexpected. It is packed with people you recognize and, unless you went all in on Compilation of FFVII, don’t. Its fundamental gameplay is tight and does enough that it engages you with what-ifs. What could happen this time and how will things change since Square Enix is able to things out more? And with FF7R INTERmission especially, we’re getting hints of how additional stories could go. We’re seeing an extra viewpoint providing details as to why someone else, Yuffie, was around Midgar and eventually joined the team. It’s a promise of things to come, and suggests the future is bright for FFVII even 24 years after its 1997 debut.

I don’t regret the time I put into this game. A lot of it was predictable but entertaining nonetheless. If the puzzle levels were just a little more balanced. Perhaps a tad shorter and with better riddles to solve, maybe tightened up those issues I mentioned, I’d feel more comfortable recommending this. So much attention went into the overall storytelling. And I don’t mind the predictable parts when the journey makes up for it. World’s End Club fell just a little short of being a really solid experience for me, however I am still excited to see what Too Kyo Games does next.

Dark Deity is a small game that understands its limitations. It delivers thought-provoking battles, if not necessarily the most balanced ones. It gives players a lot of tactical choice, if not in the most informed way. And it cuts clear corners, but it feels like they’re the right corners to cut. Because what’s here is a fun time.

DC Super Hero Girls: Teen Power attempts to do a lot. And there’s a lot of fun stuff there. Like I genuinely enjoyed playing dress-up. Some of the missions and boss fights are genuinely challenging. The general ambiance is also quite good and captures the style of the series perfectly. The only issue I have is that it gets a bit tedious at times. While the missions can have diverse objectives, they can lead to a lot of button mashing. Being limited to when you can use powers is a little frustrating too. Still, it is charming in its way. For a title made for a younger audience, it’s quite a quality affair and I appreciate that. It doesn’t talk down to anyone and tries to offer light versions of meatier gameplay elements.

Chicory is a game for a particular subset of moods. It can be an engaging mood lifter. Or an effective break from life’s stresses. Or even a therapeutic way of dealing with personal troubles. But everyone has these moods sometimes, and coincidentally, everyone should also play Chicory.

Wonder Boy: Asha in Monster World’s greatest sin is that it is simply adequate. There’s nothing earth-shattering about this remake. It looks fine, but isn’t nearly as striking as Wonder Boy: The Dragon’s Trap. It plays okay, but there are times when you feel the frustrations and limitations of Asha’s moveset. It is okay and people who loved the original will probably appreciate it being freshened up. But as far as remakes go, it’s nothing special.

Sumire is absolutely stunning and is yet another extraordinary indie in the Switch library. It taps right into your feelings and allows you to take charge and perhaps help Sumire and her flower have their perfect day. Or not. It’s all up to you. But no matter what you choose to do, it tends to feel satisfying. And, if you’re feeling up to it, is worth a second or third run to play games with “friends” or try to make the the lives of people (and objects) better.

While I loved every second of replaying Mass Effect for the fourth and definitely not final time, I have that history and nostalgia keeping me through the outdated gameplay. I would recommend anyone jump into this series if they love BioWare RPGs, but I’d have a string of caveats. A lot has not aged well, especially from the first game, even though the first game arguably has the best story of all three. The Mass Effect Legendary Edition is an absolutely incredible walk down memory lane, but that’s really all it is. If you’re a newbie to the trilogy and you’re dying to see what all the fuss is about, better buckle in for one bumpy ride.

Makee definitely knew what it wanted Rise Eterna to be. I applaud some of its ideas, like how the developer tried to implement a crafting system and skill tree. But on the whole, it doesn’t offer the same balanced challenges as its contemporaries. The resulting game is filled with maps that are too large and enemies that stop feeling threatening. There’s effort here and it tries, but it doesn’t leave you feeling like you accomplished anything.

This is a case of Atlus counting on people missing SMT III Nocturne the first time around. It doesn’t do a terrible job of making it accessible and slightly modernizing things. SMT III Nocturne just doesn’t go to the same lengths as, say, SaGa Frontier Remastered. And that’s okay! It doesn’t have to! When one of the original selling points of a game was “featuring Dante from the Devil May Cry series” back in the day, being capable and readily available might be enough. After all, it is still telling a haunting story, making you think both in and out of battle. SMT III Nocturne HD Remaster does what Atlus JRPGs do best, and that’s captivate an audience.

You also need to feel invested in the mystery. This is a narrative, through and through. You’re not going to be able to ride out the campaign with gameplay fun or cute character moments. If you’re so wrapped up in the story that you’re okay with just trying a bunch of menu items for a while? Or when you’re stuck because the language quirks aren’t so easily fixed with localization? You’ll be fine.

There are times when Famicom Detective Club: The Girl Who Stands Behind shows its age. It absolutely isn’t user-friendly sometimes. However, its story is surprisingly timeless, and the new presentation is stunning. It’s a gorgeous adventure with a mystery that’s more well thought out and serious than I expected. I’d even say it can be approachable in spite of itself. But more importantly, it’s an opportunity to see another side of Nintendo’s history that for years we didn’t get to see.

R-Type Final 2 is a satisfying shmup with many challenging, carefully crafted stages. Having so many different ships gives it a ton of replay value, and also gives you many strategic options for how you tackle a given area. I wish it had a more striking, clear visual style so I could appreciate the designs and stages more (and die less to dopey things). Still, it’s solid in every other regard (and you should try the demo to see that for yourself), so I can’t stay mad at it for long.

New Pokemon Snap isn’t perfect, but it’s smartly-built and worth the time it asks of you.

Walking away from Resident Evil Village leaves me with mixed feelings. It wasn’t a game that I immediately disliked, and I can’t say that I didn’t have a lot of fun playing it. But a second playthrough made me more aware of pacing issues, and on harder difficulties the general spike that otherwise feels somewhat artificial.

Even with these problems, I had an absolute blast in Enoch, and I still am. The game doesn’t end when the credits roll, and there’s still so much left I can do. Not to mention, I could always re-roll another class. With all that though, I somehow don’t think People Can Fly is done with Enoch just yet. There is so much potential in this world, and it will be exciting to see what comes next.

NieR Replicant ver.1.22474487139 is a more approachable version of an emotional and thought-provoking RPG. This is a game people might not have known what to do with years ago. Now, following the success of NieR: Automata, it’s presented with additional accessibility options, better looking and smoother gameplay, and additional content that gently builds on what was already there.

The “free” experience for Nintendo Switch Online members is really quite good, and we recommend giving it a shot. The paid deluxe content, though, feels thin and doesn’t offer a lot for the price.

It essentially feels like Square Enix set a new standard with the SaGa Frontier remaster. It made up for lost time. SaGa series mechanics, with entries’ multiple storylines, battle systems that reward performing certain actions, and non-linear nature, were always ahead of their time. Back in the day, SaGa Frontier was among those that didn’t get its proper due. Now that the line as a whole is experiencing a renaissance, SaGa Frontier Remastered feels like something of a crown jewel.

Poison Control feels like the sort of game where lots of different elements are tossed together in a way that hopefully comes together and makes sense. Some parts are fine. Eliminating poison can make you think, though it can sometimes get to be a bit of a chore. I liked the Heart-to-Hearts with Poisonette a lot, as it let me see how the duo would grow. The shooting is sort of there. It wasn’t an attraction or anything revolutionary, but I suppose I liked seeing what sorts of equipment I’d get from new Belles. It’s an interesting idea, but some elements are executed better than others.

Somehow, Root Film has two competing problems that turn the whole game into a narrative mess. It’s incapable of telling a compelling mystery, always bogging the player down in needless exploration and conversations to get a single character’s full dialogue. Which leaves it feeling like it deliberately wants to extend its length by wasting the player’s time.

Balan Wonderworld is not comfortable or fun to play. It isn’t memorable. If you want to understand everything happening, you have to buy the ebook and go to that outside source for an explanation. It is bland, repetitious, and has design choices that are the opposite of ensuring a good quality of life. It is a clear example of a situation where you should read the book, rather than play the game. There are times when it feels like a fever dream, something too weird to actually be true, as it fades from your mind. But then you look at that icon in your system’s Home menu and know it really happened.

Cozy Grove is charming, to be certain. It definitely gives you a sense of purpose with its ghosts you can help find peace, collection to fill, and island to decorate. But there are also times when it can feel quite limiting. Once you complete your tasks for the day, you’re really done and your immediately available storage space can discourage you from prep work for ensuing days. Your supernatural neighbors aren’t good for socializing in the same way Animal Crossing’s villagers are. It can also feel a bit cluttered and difficult to find what to do, due to the color palette and environment. It is for certain a thing people interested in life sims would likely enjoy, but it feels very structured and interested in keeping you on its timeline.

Either of these two games, weighing in at several dozen hours each, would be worth the price of admission alone, but to see Saviors of Sapphire Wings and Stranger of Sword City Revisited packaged together raises the value proposition considerably. If you’re jonesing for an original satisfying dungeon-crawling experience, or even a way into the wild world of dungeon RPGs, Experience has put together an “experience” that’s easy to recommend.

If you’ve always wanted to try out a Harvest Moon title, then Harvest Moon: One World is a great entry point. As I can attest, no prior knowledge of previous games is required. So go forth, farm, and save the world, one crop at a time.

Monster Hunter Rise is without a doubt one of the best Monster Hunter games I have ever played, if not the best outright. It caters to new and veteran players effortlessly, and while some accessibility issues holding it back from outright being a perfect game, it really offers the best of both worlds.

There are some areas in which Story of Seasons: Pioneers of Olive Town feels like it definitely needs a little more time and room to grow. The progress I’ve seen in the time I’ve played is encouraging, and I’m confident that it will offer plenty of opportunities down the way. People who enjoy these sorts of farming sims for the progress you can make and routines you can build will be pleased. Especially since it constantly offers new hallmarks to hit.

A-Train: All Aboard! Tourism is definitely impressive. People have an extraordinary degree of control over all elements of transportation and the entire health of towns. It demands you pay attention, to be sure. There are some technical issues here, to be sure. (Patches were released as I was playing, so it seems Artdink is aware of problems.) People willing to give it a chance could find a simulation they could spend months playing. Though, I would recommend anyone interested sample the demo first to be certain it is something they can handle.

Kaze and the Wild Masks is a loving homage to Donkey Kong Country, but it has a few unique platforming ideas and its own stunning visual style. Just don’t expect it to go easy on you, based on its cute protagonist and impressive worlds.