Screen Rant's Scores

For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2002 movie reviews
  1. With an underlying theme of love and acceptance, Single All The Way blossoms into a funny, delightful, and heartwarming romcom gift for all.
  2. It's a story about family and preservation, but more than that, Flee is a testament to the broken social systems that allow families to fall through the cracks, leaving them desperate — and as a result of that desperation, vulnerable.
  3. Diary of a Wimpy Kid is a mediocre children's film that — 11 years after the first movie and 14 years after the initial hit book — feels at best derivative, and at worst unnecessary.
  4. Sporting skilled choreographed action sequences, Castle Falls offers a mildly satisfying viewing experience despite a weak and muddled storyline.
  5. While formulaic, Bruised beats the odds by being a fairly entertaining & moving sports drama that has everything one would expect from a Berry film.
  6. West Side Story is visually entrancing, emotional, and the choreography and staging magnetic even when certain aspects of the story don’t always work.
  7. No matter how ridiculous the plot, and no matter how super Christmas-y these films get, Hudgens will remain the steadfast north star.
  8. Resident Evil: Welcome To Raccoon City is a fun and faithful adaptation of the games it is based on, but is lacking in character substance.
  9. House of Gucci boasts strong performances and is hammy enough to be occasionally enjoyable, but falls flat in the overall effectiveness of its story.
  10. Black Friday is a solid camp thriller that blends hilarious visual gags with some seriously grisly — if problematic — guts and gore.
  11. Despite its potential, A House on the Bayou has nothing new or interesting to offer, with the final twist further undoing the film's scattered charm.
  12. Home Sweet Home Alone is an unnecessary sequel that fails to revive the franchise, lacking the fun, charm, and magic of the 1990 Christmas classic.
  13. While Andrew Garfield gives a driven and kinetic performance as Larson, Tick, Tick… Boom! is messy, missing a distinct spark and emotional depth.
  14. It’s a film that is certainly a must-see, complex and emotionally devastating in its exploration of power and hierarchy.
  15. Though it can't quite break out of the Disney mold, Encanto is greatly aided by a unique story, a delightful cast of characters, and a vital message.
  16. A moving and well-acted film, Belfast explores the decisions families make in the wake of devastation and turmoil; it’s Branagh’s best film in years.
  17. Too little attention is granted to Apex’s world-building, and the sci-fi aspect of the film seems more of an afterthought rather than an active factor, making the film a terrible, mediocre letdown.
  18. Lair could have been a solid entry in the horror genre had it not been hindered by a muddled narrative and sub-par execution, which only leaves the viewer wishing for something far more substantial than what was given.
  19. Dangerous is an action movie with a unique premise, but its poor writing, stiff acting, and lack of charm make the 2021 movie borderline unwatchable.
  20. It has plenty of logic gaps, over-the-top action, and is generally a lot of fun. Red Notice doesn't quite coalesce into something that could become a timeless classic of its own, but it provides plenty of entertainment.
  21. There needs to be a vision, an ambition to make something good and memorable. Ida Red, unfortunately, seems to fall into the trap of emulating better crime dramas instead of trying to stand out on the merits of its own story.
  22. Raw, powerful, and tonally balanced, The Souvenir Part II brings the fraught tale of a young, grieving artist to a wonderful, empowering finish.
  23. Clifford will entertain the youngest viewers, and is destined to be the kind of film preschoolers want to watch again and again, but most audiences will be bored by its stale jokes, two-dimensional characters, and lazy writing.
  24. Cummings and McCabe don’t quite balance the purple envelope mystery with the character study of a self-involved man, and the ending takes a sharp left towards confusion, but it is surely something worth watching.
  25. With dazzling lead performances from Jimmy O. Yang and Nina Dobrev, Love Hard will surely be a Christmas romantic comedy worth revisiting every year.
  26. Amanda Seyfried gives a nuanced performance, but A Mouthful of Air fails to go beyond the surface to engage with its themes in a meaningful way.
  27. The Harder They Fall is a crowd-pleasing and worthy addition to the Western canon that knows how to have a good time with a familiar story.
  28. Perfectly balancing tense drama with charming humor, Finch highlights the best and worst of humanity, and a robot-dog friendship worth remembering.
  29. Despite being all over the place, Antlers can be gripping and potently disconcerting, with good character development making up for its pitfalls.
  30. Last Night in Soho is a stylish and thrilling work from Wright, bolstered by an impressive lead performance from Thomasin McKenzie.

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