Screen Rant's Scores

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For 2,038 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 896 out of 2038
  2. Mixed: 980 out of 2038
  3. Negative: 162 out of 2038
2038 movie reviews
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  1. No Time to Die
    Daniel Craig’s fifth and final outing as Bond is replete with fantastic action sequences and an emotional center despite the final act being shaky.
  2. I'm Your Man
    Heartwarming, elegant, and often profound in its exploration of loneliness and human connection, I’m Your Man is exquisitely charming and smart.
  3. Dear Evan Hansen
    Dear Evan Hansen might be well-meaning, but it completely misses the mark. It’s not the worst movie out this year, but it’s not a musical one might be inclined to rush to the theater to see, either.
  4. Birds of Paradise
    Froseth and Silvers keep both of their complicated characters and the bond that lies between them grounded, mixing well with the sensual tone Smith has created. Those looking for a sexy, intriguing drama might be happy to call up Birds of Paradise for some nighttime viewing.
  5. The Eyes of Tammy Faye
    Ultimately, The Eyes of Tammy Faye has to compromise its story with real events, and at least it gives Tammy Faye a celebratory note to end on.
  6. The Wheel
    While the first half of the film struggles, the second half deftly explores the character dynamics in a tender way that makes it well worth the watch.
  7. Everybody's Talking About Jamie
    Everybody’s Talking About Jamie is bright, joyous and hopeful. The script is honest, sweet, and humorous, and comes to life beautifully with a dazzling ensemble cast led by Harwood.
  8. Prisoners of the Ghostland
    Hate it or love it, Prisoners of the Ghostland is as unforgettable as it is expressive and provocative, and isn't that the fundamental purpose of art?
  9. The Electrical Life of Louis Wain
    The Electrical Life of Louis Wain is so utterly charming and buoyant that it makes even the frustrating aspects of the film forgivable.
  10. Lady of the Manor
    It's a pleasant film that showcases its talented cast, and while it may not be groundbreaking or innovative, it at least offers amusement.
  11. Encounter
    While the drama gets the wind knocked out of its sails after introducing other characters, Encounter gets in plenty of emotional, nuanced scenes between Malik and his sons that become the beating heart of this often unsettling, uneven, yet strangely mesmerizing film.
  12. All My Puny Sorrows
    While its performances are lovely and tender, with the execution somewhat messy in its handling of themes, All My Puny Sorrows doesn’t dig past the surface enough to make a strong enough case for itself.
  13. Copshop
    Copshop won't be for everyone, but those looking for some old-fashioned gun-slinging hijinks will get some enjoyment out of it.
  14. The Starling
    What could have been a thoughtful, poignant story about loss ended up being an unfortunate misfire.
  15. Petite Maman
    Petite Maman is the kind of film that lays itself bare without ever being over-the-top, shaping itself into a story that lingers in one’s memory for a while after it’s over.
  16. Malignant
    Drenched in a Suspiria-like red, Malignant has its remarkable horror moments, but ultimately succumbs to a tale that is more style than substance.
  17. Dating & New York
    Unfortunately, Dating & New York can't find anything new to say about the world of casual dating, so its love story never fully gets off the ground.
  18. Small Engine Repair
    While Small Engine Repair’s message is clear, it doesn’t completely take off and is fragmented in its pacing, with a twisted turn that doesn't land.
  19. The Voyeurs
    In The Voyeurs, writer-director Michael Mohan takes all the lessons of the truly wild erotic thrillers of the 1990s and brings them into the modern age. With a dose of Alfred Hitchcock’s Rear Window and Brian De Palma’s Body Double, The Voyeurs perfectly captures all there is to love about the genre.
  20. Queenpins
    It wants to celebrate the American Dream and the entrepreneurial spirit — while making a statement about consumerism and corporate greed. In the end, Queenpins doesn't really say anything, which would have been fine if it was at least funny.
  21. We Need to Do Something
    Unpredictability being its lone strength, We Need To Do Something is an uneven survival horror that gets caught up in its own pretentious trappings.
  22. Zone 414
    Offering no individuality of its own, Zone 414 barely manages to stay afloat with its oft-repeated tropes, which come to a listless, foreseeable end.
  23. Vacation Friends
    Vacation Friends finds its humor in the disconcerting scenarios the characters find themselves in, but it never evolves past its empty premise.
  24. Reminiscence
    Overly reliant on tropes that have been done to death, Reminiscence emerges as an inert ghost of the past with no innate value or meaning.
  25. The Colony
    The Colony utterly fails as a thriller, and, much like the environment the main character finds herself in, is mostly a slog.
  26. No Man of God
    Generally, No Man of God takes a more mature and nuanced look at human evil, rejecting the impulse to glorify or romanticize figures like Bundy, but also reminding audiences that moral corruption manifests in many forms.
  27. Together
    Together finds moments of real emotion between its main prickly pair, but it still makes one wish there weren't movies about COVID already.
  28. Worth
    Had its story structure been stronger, Worth could have an Oscar contender. As it is, Worth is an interesting testament to a particularly harrowing period of time — one that, for many, still feels a little too raw.
  29. Kate
    Like many of Netflix's original movies, Kate feels like another release that had potential to be good, but falls well short of the mark.
  30. Cinderella
    Unfortunately, Cinderella lacks the specificity of Ever After and doesn’t commit to the full fantasy of Brandy’s Cinderella, either, nor does it have the charisma of Ella Enchanted.
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