Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Paranormal Activity: Next of Kin
    Ultimately, Paranormal Activity: Next of Kin is neither a believable nor an entertaining film.
  2. Red Rocket
    Slow and frustrating, with a finale that is unearned, Red Rocket fluctuates between trying to say something and getting lost in its own premise.
  3. Eternals
    While Eternals has most of the benchmarks of a Marvel movie, Zhao's sprawling superhero epic is unlike anything the MCU has produced before.
  4. Son of Monarchs
    Son of Monarchs is an expertly crafted visual experience that weaves disparate themes and images.
  5. After We Fell
    After We Fell is the pulpy, melodramatic and messy continuation of Tessa and Hardin's story that may appeal to diehard fans, but no one else.
  6. The Lost Daughter
    Nuanced, thoughtful, and deeply effective, Gyllenhaal’s movie is assuredly executed, uplifted by a strong, striking performance by Olivia Colman.
  7. Spencer
    Heavy-handed and unnecessarily long, Spencer explores Diana as a prisoner of the royal family in heart-wrenching and beautifully haunting fashion.
  8. The Power of the Dog
    Campion’s film is gorgeously crafted and detailed, emotionally effective, and layered in shades of meaning about masculinity. Mesmerizing in every way, The Power of the Dog is a triumph.
  9. King Richard
    Bolstered by a solid performance by Will Smith, King Richard is a feel-good, charming sports biopic that uplifts but never reaches its full potential.
  10. Dune: Part One
    Ambitious, occasionally thrilling, and visually striking, Dune is mostly set up, building out a heartless world that never truly feels complete.
  11. Halloween Kills
    Shot frenetically with delightful gore sequences, Halloween Kills adds no real path for Myers' saga and crumples beneath its own misdirection.
  12. Madres
    Madres is extremely fragmented and painfully subpar, wasting a chance to tell an intriguing, nuanced story that is still an issue in the present.
  13. Needle in a Timestack
    While Needle in a Timestack aims to be profound, it loses itself within the sci-fi premise rather than exploring the central romance in any detail.
  14. The Last Duel
    A tale of power and misogyny masquerading as honor, the film is engaging and occasionally funny, embracing its themes despite a narrative imbalance.
  15. Lamb
    Lamb is a slow-burn suspenseful horror that eschews the genre's typical gore and jump scares, and instead frightens audiences with a nuanced portrait of grief, punctuated by the unshakable feeling that something is terribly wrong.
  16. Mass
    Mass may not be an enjoyable experience, nor will it likely be remembered as a culturally significant film; yet, one leaves the movie with the overwhelming feeling that it is important viewing.
  17. The Addams Family 2
    The Addams Family 2 is a shallow continuation that spends too much time on unconnected hijinks, resulting in an uneven sequel with much less heart.
  18. Black as Night
    While it has entertaining moments, Black as Night isn't very balanced and the overall lack of levity ultimately makes the film a slog to get through.
  19. There's Someone Inside Your House
    From a horror perspective, the film is lacking, but it more than makes up for it with well developed characters and a killer who preys on secrets.
  20. Titane
    When its focus is on Agatha Rousselle’s Alexia and the lack of control she has over her own body, Titane digs a bit deeper. However, the film’s true weakness is in its inability to explore Alexia as a person, keeping things vague while centering the extreme body horror aspects.
  21. V/H/S/94
    V/H/S/94 is a solid entry that provides the telltale thrills of gritty found-footage horror mired in '90s nostalgia, though it is flawed and uneven.
  22. The Auschwitz Report
    The film, directed by Peter Bebjak from a screenplay he co-wrote with Jozef Pastéka and Tomás Bombík, is urgent, effective, and also deeply painful.
  23. The Guilty
    Without offering anything particularly interesting or nuanced, The Guilty still has enough to keep audiences engaged and on the edge of their seats.
  24. Venom: Let There Be Carnage
    Venom: Let There Be Carnage delivers some more of what works - Eddie and Venom's dynamic - though everything around them remains quite messy.
  25. No Time to Die
    Daniel Craig’s fifth and final outing as Bond is replete with fantastic action sequences and an emotional center despite the final act being shaky.
  26. I'm Your Man
    Heartwarming, elegant, and often profound in its exploration of loneliness and human connection, I’m Your Man is exquisitely charming and smart.
  27. Dear Evan Hansen
    Dear Evan Hansen might be well-meaning, but it completely misses the mark. It’s not the worst movie out this year, but it’s not a musical one might be inclined to rush to the theater to see, either.
  28. Birds of Paradise
    Froseth and Silvers keep both of their complicated characters and the bond that lies between them grounded, mixing well with the sensual tone Smith has created. Those looking for a sexy, intriguing drama might be happy to call up Birds of Paradise for some nighttime viewing.
  29. The Eyes of Tammy Faye
    Ultimately, The Eyes of Tammy Faye has to compromise its story with real events, and at least it gives Tammy Faye a celebratory note to end on.
  30. The Wheel
    While the first half of the film struggles, the second half deftly explores the character dynamics in a tender way that makes it well worth the watch.
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