Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Everybody's Talking About Jamie
    Everybody’s Talking About Jamie is bright, joyous and hopeful. The script is honest, sweet, and humorous, and comes to life beautifully with a dazzling ensemble cast led by Harwood.
  2. Prisoners of the Ghostland
    Hate it or love it, Prisoners of the Ghostland is as unforgettable as it is expressive and provocative, and isn't that the fundamental purpose of art?
  3. The Electrical Life of Louis Wain
    The Electrical Life of Louis Wain is so utterly charming and buoyant that it makes even the frustrating aspects of the film forgivable.
  4. Lady of the Manor
    It's a pleasant film that showcases its talented cast, and while it may not be groundbreaking or innovative, it at least offers amusement.
  5. Encounter
    While the drama gets the wind knocked out of its sails after introducing other characters, Encounter gets in plenty of emotional, nuanced scenes between Malik and his sons that become the beating heart of this often unsettling, uneven, yet strangely mesmerizing film.
  6. All My Puny Sorrows
    While its performances are lovely and tender, with the execution somewhat messy in its handling of themes, All My Puny Sorrows doesn’t dig past the surface enough to make a strong enough case for itself.
  7. Copshop
    Copshop won't be for everyone, but those looking for some old-fashioned gun-slinging hijinks will get some enjoyment out of it.
  8. The Starling
    What could have been a thoughtful, poignant story about loss ended up being an unfortunate misfire.
  9. Petite Maman
    Petite Maman is the kind of film that lays itself bare without ever being over-the-top, shaping itself into a story that lingers in one’s memory for a while after it’s over.
  10. Malignant
    Drenched in a Suspiria-like red, Malignant has its remarkable horror moments, but ultimately succumbs to a tale that is more style than substance.
  11. Dating & New York
    Unfortunately, Dating & New York can't find anything new to say about the world of casual dating, so its love story never fully gets off the ground.
  12. Small Engine Repair
    While Small Engine Repair’s message is clear, it doesn’t completely take off and is fragmented in its pacing, with a twisted turn that doesn't land.
  13. The Voyeurs
    In The Voyeurs, writer-director Michael Mohan takes all the lessons of the truly wild erotic thrillers of the 1990s and brings them into the modern age. With a dose of Alfred Hitchcock’s Rear Window and Brian De Palma’s Body Double, The Voyeurs perfectly captures all there is to love about the genre.
  14. Queenpins
    It wants to celebrate the American Dream and the entrepreneurial spirit — while making a statement about consumerism and corporate greed. In the end, Queenpins doesn't really say anything, which would have been fine if it was at least funny.
  15. We Need to Do Something
    Unpredictability being its lone strength, We Need To Do Something is an uneven survival horror that gets caught up in its own pretentious trappings.
  16. Zone 414
    Offering no individuality of its own, Zone 414 barely manages to stay afloat with its oft-repeated tropes, which come to a listless, foreseeable end.
  17. Vacation Friends
    Vacation Friends finds its humor in the disconcerting scenarios the characters find themselves in, but it never evolves past its empty premise.
  18. Reminiscence
    Overly reliant on tropes that have been done to death, Reminiscence emerges as an inert ghost of the past with no innate value or meaning.
  19. The Colony
    The Colony utterly fails as a thriller, and, much like the environment the main character finds herself in, is mostly a slog.
  20. No Man of God
    Generally, No Man of God takes a more mature and nuanced look at human evil, rejecting the impulse to glorify or romanticize figures like Bundy, but also reminding audiences that moral corruption manifests in many forms.
  21. Together
    Together finds moments of real emotion between its main prickly pair, but it still makes one wish there weren't movies about COVID already.
  22. Worth
    Had its story structure been stronger, Worth could have an Oscar contender. As it is, Worth is an interesting testament to a particularly harrowing period of time — one that, for many, still feels a little too raw.
  23. Kate
    Like many of Netflix's original movies, Kate feels like another release that had potential to be good, but falls well short of the mark.
  24. Cinderella
    Unfortunately, Cinderella lacks the specificity of Ever After and doesn’t commit to the full fantasy of Brandy’s Cinderella, either, nor does it have the charisma of Ella Enchanted.
  25. He's All That
    He's All That is a hollow Gen Z recreation of She's All That, lacking in charm and seemingly engineered as a vehicle to promote its stars' other work.
  26. Candyman
    While introducing a few arcs it doesn’t fully explore, Candyman is replete with haunting imagery, disconcerting horror, and thought-provoking themes.
  27. Shang-Chi and the Legend of the Ten Rings
    Bolstered by a star-making performance from Simu Liu, Shang-Chi and the Legend of the Ten Rings gets the MCU's newest hero off to a promising start.
  28. The Night House
    Uplifted by an incredible central performance by Hall, The Night House twists and turns, weaving terrifying visuals and jump-scares with thought-provoking and emotional story beats. The result makes for one of the best horror-thrillers of the year.
  29. Demonic
    More subdued than most Exorcist-inspired flicks, yet with a raw, vibrant edge that places the viewer into the action, Demonic offers more than the conventional possession story — but falls just short of being a thoroughly frightening film.
  30. Ma Belle, My Beauty
    Ma Belle, My Beauty excels in its visual storytelling, which is paired beautifully with a lively acoustic score and talented actors.
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